The Coen Brothers' Fargo

by
Format: Hardcover
Pub. Date: 2003-10-13
Publisher(s): Cambridge University Press
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Summary

Fargo is the most commercially and critically successful film of Ethan and Joel Coen. Immediately recognized as an important work, it was nominated for five Academy Awards and received two, an exceptional achievement for a low budget, independently produced film without major stars. Fargo is also a film that explores middle-American themes and settings from an original and unsettling perspective, challenging traditional genre structures. This volume explores Fargo from a variety of methodological perspectives. Providing a detailed account of the film's production, reception and place within the career of the Coen brothers, it explores issues and themes that are important to current film discourse, including genre, gender and sexuality, race, history, culture and myth.

Table of Contents

Acknowledgments xi
Contributors xiii
1 Introduction 1(9)
William Luhr
2 Fargo in Context: The Middle of Nowhere? 10(23)
David Sterritt
3 Motherhood, Homicide, and Swedish Meatballs: The Quiet Triumph of the Maternal in Fargo 33(22)
Pamela Grace
4 Fargo, or the Blank Frontier 55(22)
Christopher Sharrett
5 "Kinds Funny Lookin": Steve Buscemi's Disorderly Body 77(15)
Mikita Brottman
6 Fargo: "Far Removed from the Stereotypes of... " 92(17)
William Luhr
7 Closer to the Life Than the Conventions of Cinema: Interview with the Coen Brothers (conducted in Cannes on May 16, 1996) 109(10)
Michel Ciment and Hubert Niogret
8 Cold-Blooded Scheming: Roger Deakins and Fargo 119(9)
Chris Probst
9 Carter Burwell in Conversation: Music for the Films of Joel and Ethan Coen 128(9)
Philip Brophy
10 Review of Fargo 137(5)
Thomas Doherty
11 Prairie Home Death Trip 142(9)
Harvey Roy Greenberg
Filmography of Joel and Ethan Coen 151(6)
Selected Bibliography 157(2)
Index 159

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