Introduction |
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ix | (15) |
Select Bibliography |
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xxiv | (1) |
A Chronology of Alexandre Dumas |
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xxv | |
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1 | (12) |
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2. WHEREIN MAY BE SEEN THAT A BARGAIN WHICH CANNOT BE MADE WITH ONE PERSON, CAN BE CARRIED OUT WITH ANOTHER |
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13 | (9) |
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22 | (6) |
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4. AN INTERVIEW WITH THE QUEEN-MOTHER |
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28 | (8) |
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36 | (6) |
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6. HOW JEAN DE LA FONTAINE WROTE HIS FIRST TALE |
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42 | (4) |
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7. LA FONTAINE IN THE CHARACTER OF A NEGOTIATOR |
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46 | (6) |
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8. MADAME DE BELLIERE'S PLATE AND DIAMONDS |
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52 | (3) |
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9. M. DE MAZARIN'S RECEIPT |
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55 | (7) |
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10. MONSIEUR COLBERT'S ROUGH DRAFT |
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62 | (8) |
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11. IN WHICH THE AUTHOR THINKS IT IS NOW TIME TO RETURN TO THE VICOMTE DE BRAGELONNE |
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70 | (5) |
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12. BRAGELONNE CONTINUES HIS INQUIRIES |
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75 | (5) |
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80 | (5) |
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85 | (6) |
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15. PORTHOS'S PLAN OF ACTION |
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91 | (7) |
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16. THE CHANGE OF RESIDENCE, THE TRAP-DOOR, AND THE PORTRAIT |
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98 | (9) |
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107 | (4) |
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111 | (7) |
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118 | (7) |
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125 | (5) |
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130 | (3) |
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133 | (5) |
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23. WHAT RAOUL HAD GUESSED |
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138 | (5) |
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24. THREE GUESTS ASTONISHED TO FIND THEMSELVES AT SUPPER TOGETHER |
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143 | (5) |
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25. WHAT TOOK PLACE AT THE LOUVRE DURING THE SUPPER AT THE BASTILLE |
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148 | (6) |
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154 | (1) |
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154 | (7) |
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27. IN WHICH PORTHOS IS CONVINCED WITHOUT HAVING UNDERSTOOD ANYTHING |
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161 | (6) |
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28. M. DE BAISEMEAUX'S "SOCIETY" |
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167 | (6) |
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173 | (23) |
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30. HOW MOUSTON HAD BECOME FATTER WITHOUT GIVING PORTHOS NOTICE THEREOF, AND OF THE TROUBLES WHICH CONSEQUENTLY BEFELL THAT WORTHY GENTLEMAN |
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196 | (6) |
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31. WHO MESSIRE JEAN PERCERIN WAS |
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202 | (6) |
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208 | (8) |
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33. WHERE, PROBABLY, MOLIERE FORMED HIS FIRST IDEA OF THE BOURGEOIS GENTILHOMME |
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216 | (5) |
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34. THE BEEHIVE, THE BEES, AND THE HONEY |
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221 | (8) |
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35. ANOTHER SUPPER AT THE BASTILLE |
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229 | (6) |
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36. THE GENERAL OF THE ORDER |
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235 | (7) |
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242 | (7) |
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249 | (7) |
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39. THE CHATEAU DE VAUX-LE-VICOMTE |
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256 | (4) |
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260 | (5) |
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265 | (4) |
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42. A GASCON, AND A GASCON AND A HALF |
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269 | (10) |
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279 | (6) |
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285 | (5) |
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290 | (8) |
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46. A NIGHT AT THE BASTILLE |
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298 | (6) |
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47. THE SHADOW OF M. FOUQUET |
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304 | (13) |
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317 | (7) |
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324 | (14) |
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50. SHOWING HOW THE COUNTERSIGN WAS RESPECTED AT THE BASTILLE |
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338 | (6) |
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344 | (8) |
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352 | (8) |
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53. IN WHICH PORTHOS THINKS HE IS PURSUING A DUCHY |
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360 | (4) |
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364 | (4) |
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368 | (7) |
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56. PREPARATIONS FOR DEPARTURE |
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375 | (7) |
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382 | (4) |
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58. THE INVENTORY OF M. DE BEAUFORT |
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386 | (5) |
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391 | (7) |
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398 | (8) |
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406 | (9) |
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415 | (7) |
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422 | (7) |
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64. IN THE CARRIAGE OF M. COLBERT |
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429 | (6) |
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435 | (6) |
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441 | (5) |
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67. HOW THE KING, LOUIS XIV., PLAYED HIS LITTLE PART |
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446 | (8) |
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68. THE WHITE HORSE AND THE BLACK HORSE |
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454 | (6) |
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69. IN WHICH THE SQUIRREL FALLS--IN WHICH THE ADDER FLIES |
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460 | (8) |
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468 | (8) |
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71. THE EXPLANATIONS OF ARAMIS |
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476 | (9) |
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72. RESULT OF THE IDEAS OF THE KING, AND THE IDEAS OF D'ARTAGNAN |
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485 | (2) |
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73. THE ANCESTORS OF PORTHOS |
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487 | (4) |
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491 | (5) |
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75. THE GROTTO OF LOCMARIA |
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496 | (5) |
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501 | (7) |
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508 | (4) |
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512 | (5) |
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79. THE EPITAPH OF PORTHOS |
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517 | (6) |
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80. THE ROUND OF M. DE GESVRES |
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523 | (5) |
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528 | (6) |
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82. THE FRIENDS OF M. FOUQUET |
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534 | (6) |
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540 | (4) |
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544 | (5) |
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549 | (5) |
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554 | (4) |
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558 | (5) |
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88. THE LAST CANTO OF THE POEM |
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563 | (5) |
EPILOGUE |
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568 | (16) |
THE DEATH OF D'ARTAGNAN |
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584 | (5) |
Explanatory Notes |
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589 | |