
Mona Lisa Inside the Painting
by Mohen, Jean-Pierre; Menu, Michel; Mottin, Bruno-
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Summary
Table of Contents
The Mona Lisa : subtle materials for a subtle effect | p. 10 |
Explorations at the heart of the Mona Lisa | p. 12 |
The practical sequence of the study | p. 14 |
From the royal apartments to the laboratory : the history of the painting | p. 16 |
Early restorations to the painting | p. 18 |
The earliest scientific studies and restoration commissions | p. 22 |
Exhibitions at the Louvre and loans abroad | p. 27 |
The poplar panel | p. 30 |
The Mona Lisa's wooden support | p. 32 |
The complex system of fine cracks | p. 38 |
Measuring the relief of the panel support without contact | p. 43 |
Physical and mechanical characterization of the support | p. 48 |
Simulation of the effects of ambient variations | p. 50 |
Mechanical modeling of the activity of the flexible frame | p. 52 |
The painting : image and material | p. 54 |
The preparation of the panel | p. 56 |
The painter's palette | p. 60 |
Reading the image | p. 64 |
The traces of time | p. 72 |
Close observation | p. 76 |
Photographic imaging | p. 76 |
Radiography | p. 82 |
Analysis of the paint layer | p. 86 |
The spectrophotometry approach to color | p. 90 |
From the real image to the virtual image | p. 94 |
Examination of the Mona Lisa by high resolution 3D imaging | p. 96 |
Colorimetric analysis through multispectral digitization | p. 104 |
High definition imagery : a first synthesis | p. 110 |
The Mona Lisa, Leonardo da Vinci, and the visitor : an exceptional encounter | p. 115 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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