Summary
A prominent and prolific Italian writer, Natalia Ginzburg (1916-1991) is known for her novels, plays, short stories, and essays. This collection brings together, for an English-speaking audience, a variety of critical perspectives on Ginzburg's work. The essays, all by North American scholars, examine the author's entire production. The topics examined include Ginzburg's struggle to define herself as a woman, a writer, and an intellectual; her interpretation of the relationship between historical events and private lives; her reflections on the women's movement and the changing nature of the family; and her mastery of a distinctly personal writing style. What emerges here is a nuanced and complex portrait of Ginzburg and her work. The reader is given a sense of the importance of her contribution, not only as a writer but as a witness to the events of the twentieth century. The volume also includes a chronology, a bibliography, and translations of some of Ginzburg's lesser-known writings, including three articles, a poem, and a one-act play.
Author Biography
ANGELA M. JEANNET is Charles A. Dana Professor of Romance Languages, Emerita, Franklin and Marshall College. GIULIANA SANGUINETTI KATZ is Professor, Department of Italian Studies, University of Toronto.
Table of Contents
| Editors' Foreword |
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vii | |
| Credits |
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x | |
| Chronology |
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xi | |
| Contributors |
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xv | |
| Introduction |
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3 | (7) |
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An Interview with Natalia Ginzburg |
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10 | (22) |
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Natalia Ginzburg Between Fiction and Memory: A Reading of Le voci della sera and Lessico famigliare |
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32 | (14) |
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Natalia Ginzburg's Early Writings in L'Italia libera |
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46 | (17) |
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Natalia Ginzburg: Making a Story Out of History |
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63 | (26) |
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The Personal Is Political: Gender, Generation, and Memory in Natalia Ginzburg's Caro Michele |
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89 | (10) |
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Writing the Self: The Epistolary Novels of Natalia Ginzburg |
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99 | (23) |
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Sagittarius: A Psychoanalytic Reading |
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122 | (31) |
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Giuliana Sanguinetti Katz |
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Natalia Ginzburg and the Craft of Writing |
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153 | (26) |
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The Eloquence of Understatement: Natalia Ginzburg's Public Image and Literary Style |
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179 | (18) |
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Feminism and the `Absurd' in Two Plays by Natalia Ginzburg |
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197 | (45) |
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Serena Anderlini-D'Onofrio |
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226 | (4) |
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230 | (4) |
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234 | (8) |
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242 | (7) |
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| Bibliography |
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249 | |