The New American Cinema
by Lewis, Jon; Cook, David A. (CON); Corrigan, Timothy (CON); Wyatt, Justin (CON)Format: Paperback
Pub. Date: 1998-05-01
Publisher(s): Duke Univ Pr
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Summary
"Until now, there has been neither a book nor a collection that addresses recent American film with equal breadth and depth."--D. N. Rodowick, author of "Gilles Deleuze's Time Machine"
Author Biography
Jon Lewis is Professor of English at Oregon State University.
Table of Contents
| Acknowledgments | |
| Introduction | |
| Movies and Money | |
| Auteur Cinema and the "Film Generation" in 1970s Hollywood | |
| Auteurs and the New Hollywood | |
| From Roadshowing to Saturation Release: Majors, Independents, and Marketing/Distribution Innovations | |
| Money Matters: Hollywood in the Corporate Era | |
| Cinema and Culture | |
| A Rose Is a Rose? Real Women and a Lost War | |
| From Pillar to Postmodern: Race, Class, and Gender in the male Rampage Film | |
| Your Self Storage: Female Investigation and Male Performativity in the Woman's Psychothriller | |
| Conspiracy Theory and Political Murder in America: Oliver Stone's JFK and the Facts of the Matter | |
| Zooming Out: The End of Offscreen Space | |
| Independents and Independence | |
| John Cassavetes: Amateur Director | |
| Independent Features: Hopes and Dreams | |
| A Circus of Dreams and Lies: The Black Film Wave at Middle Age | |
| Culture as Fiction: The Ethnographic Impulse in the Films of Peggy Ahwesh, Su Friedrich, and Leslie Thornton | |
| Selective Bibliography | |
| Contributors | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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