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Summary
Table of Contents
List of Illustrations | |
List of Abbreviations and Terms | |
Preface and Acknowledgements | |
Transliteration | |
Dramatis Personae | |
Before the Revolution | p. 1 |
The Popular Theatre | p. 1 |
The New Theatre | p. 8 |
The Ancient Theatre | p. 11 |
The Futurist Theatre | p. 16 |
Petrograd 1917-1920 | p. 22 |
An Entirely New World | p. 22 |
'Stand and Marvel' | p. 31 |
The Theatre Epidemic | p. 36 |
Theatre of a New Scale | p. 42 |
Circusisation | p. 50 |
Moscow 1920-1921 | p. 59 |
October in the Theatre | p. 59 |
Dawns of the Proletkult | p. 69 |
Theatres of Revolutionary Satire | p. 82 |
Workshops of Communist Drama | p. 91 |
'A Spectacle Most Extraordinary' | p. 97 |
Revolutionary Theatres 1921-1921 | p. 104 |
The Master | p. 104 |
Theatre Experimental and Heroic | p. 114 |
The Dance of Life | p. 120 |
The Factory of the Eccentric Actor | p. 130 |
The World Turned Upside Down | p. 134 |
Back to Ostrovsky | p. 142 |
Two Sergei Mikhailoviches | p. 151 |
'What Has Happened to Us All?' | p. 162 |
A Tangled Web | p. 162 |
Blue Blouses | p. 168 |
I Want a Baby | p. 174 |
Chronology | p. 187 |
Notes | p. 201 |
Select Bibliography | p. 214 |
Index | p. 218 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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