Site-Specific Art: Performance, Place and Documentation

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Format: Hardcover
Pub. Date: 2000-08-28
Publisher(s): Routledge
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Summary

Site Specific Artbrilliantly charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site Specific Artinvestigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * BrithGof * Forced Entertainment * Michelangelo Pistoletto . This volume is an astonishing contribution to debates around experimental cross-arts practice.

Author Biography

Nick Kaye is Professor and Chair in Drama at the University of Manchester

Table of Contents

Notes on Contributors ix
Acknowledgements xv
Introduction: Site-Specifics 1(12)
Nights In This City: diverse letters and fragments relating to a performance now past
13(46)
Tim Etchells
Spaces
25(34)
Performing the Gallery
26(7)
Robert Morris
Michelangelo Pistoletto
Performing the City
33(8)
Krzysztof Wodiczko
Architecture and Event
41(11)
Bernard Tschumi
`Placeevent'
52(7)
Brith Gof
Le Stanze (The Rooms)
59(66)
Michelangelo Pistoletto
Site
91(34)
Mapping Site
92(8)
Robert Smithson
Unmappable Spaces
100(5)
Performing Mapping
105(14)
Allan Kaprow
Claes Oldenburg
Wolf Vostell
Space as Map and Memory
119(6)
Meredith Monk
Ten Feet and Three Quarters of an Inch of Theatre
125(45)
Clifford McLucas
Materials
139(31)
Material Affects
139(12)
Gilberto Zorio
Giovanni Anselmo
Giuseppe Penone
Embodying Site
151(12)
Dennis Oppenheim
Vito Acconci
Theatrical Materials: Station House Opera
163(7)
The Breeze Block Performances
170(33)
Julian Maynard Smith
Frames
183(20)
Repetition and Location
184(8)
Daniel Buren
`Framing and Being Framed'
192(7)
Hans Haacke
Performing Inside and Outside
199(4)
Fiona Templeton
Site-Specific Works
203(18)
Meredith Monk
Conclusion: Documentation
215(6)
Bibliography 221(8)
Index 229

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