| Acknowledgements |
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vii | (4) |
| Note on Transcription Conventions |
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xi | |
| Introduction |
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1 | (18) |
| Conversation and Conversation Analysis |
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1 | (5) |
| Literature and Reader-Response Theory |
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6 | (2) |
| Grice's Cooperative Principle |
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8 | (2) |
| Synthesis: Conversation Analysis Meets Reader-Response |
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10 | (9) |
| Rationale for the Synthesis |
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10 | (2) |
| Previous Syntheses |
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12 | (2) |
| Proposed Synthesis |
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14 | (2) |
| Method |
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16 | (3) |
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1: The Representation of Speech and Thought |
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19 | (13) |
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Constructed Dialogue in Conversation |
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20 | (2) |
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Constructed Dialogue in Literature |
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22 | (5) |
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A Continuum of Constructed Dialogue |
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27 | (5) |
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Narrator's Report of Voice |
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29 | (1) |
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Narrator's Representation of Speech Act |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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32 | (1) |
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2: Preference Organization |
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32 | (17) |
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Preference Organization and Adjacency Pairs |
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39 | (5) |
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The Co-Production of Meaning |
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44 | (5) |
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49 | (22) |
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"mm hm" and "uh huh" in Conversation and Literary Discourse |
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51 | (5) |
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51 | (1) |
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52 | (2) |
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Passing Up the Opportunity to Initiate a Repair |
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54 | (1) |
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Summary: "mm hm" and "uh huh" in Conversation and Literary Discourse |
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55 | (1) |
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"oh" in Conversation and Literary Discourse |
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56 | (7) |
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56 | (1) |
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Question-Elicited Informings |
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57 | (1) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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Displays of Understandings |
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61 | (1) |
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Summary: "oh" in Conversation and Literary Discourse |
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62 | (1) |
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"You know" in Conversation and Literary Discourse |
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63 | (4) |
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Expressing Certainty: Conjoint Knowledge |
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63 | (1) |
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Expressing Certainty: Emphatic |
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64 | (1) |
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Expressing Certainty: Attributive |
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64 | (2) |
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Expressing Uncertainty: Appealing |
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66 | (1) |
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Expressing Uncertainty: Linguistic Imprecision |
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66 | (1) |
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Summary: "You know" in Conversation and Literary Discourse |
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67 | (1) |
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The Co-Production of Meaning |
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67 | (4) |
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4: Body Movement as Constructed Dialogue |
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71 | (10) |
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Body Movement and Conversation |
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71 | (2) |
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Body Movement in Literature |
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73 | (2) |
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Body Movement as Constructed Dialogue |
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75 | (3) |
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The Co-Production of Meaning |
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78 | (3) |
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81 | (30) |
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Representation of Prosody in Literary Discourse |
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82 | (3) |
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85 | (1) |
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Intonation and the Discourse Marker "Now" |
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86 | (2) |
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The Intonation of Repetition |
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88 | (6) |
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Intonation and Interruptions |
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94 | (4) |
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Intonation and Good News/Bad News |
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98 | (10) |
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Good News in Conversation and Literary Discourse |
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100 | (2) |
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Bad News in Conversation and Literary Discourse |
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102 | (1) |
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Bad News Becoming Good News in Literary Discourse |
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103 | (2) |
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Good News Becoming Bad News in Literary Discourse |
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105 | (3) |
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The Co-Production of Meaning |
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108 | (3) |
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111 | (14) |
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111 | (1) |
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Restarts and Interruptions |
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112 | (5) |
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Restarts and Self-Interruptions |
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117 | (1) |
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Restarts in Literary Discourse Produced by Narrators |
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118 | (4) |
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The Co-Production of Meaning |
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122 | (3) |
| Conclusion |
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125 | (6) |
| Bibliography |
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131 | (18) |
| Primary Sources |
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131 | (5) |
| Secondary Sources |
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136 | (13) |
| Index |
|
149 | |
Other versions by this Author
