Introduction: Why Keep a Sketchbook Journal? |
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10 | (14) |
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14 | (2) |
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Simplicity! That's Your Ticket |
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16 | (2) |
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18 | (2) |
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20 | (2) |
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Taking Off: Beginning Your Painting |
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22 | (2) |
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What's Your Point of View? |
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24 | (2) |
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26 | (2) |
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Drawing on Experience: Creating Pen and Ink Sketches |
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28 | (2) |
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30 | (2) |
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32 | (2) |
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Demonstration San Marco Piazza: Painting With a Photo Reference |
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34 | (2) |
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36 | (2) |
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38 | (2) |
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Demonstration Damage Control: Lifting Paint |
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40 | (2) |
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42 | (2) |
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Demonstration The Old Granary: Making Value Sketches |
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44 | (2) |
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Improving Your Image: Rules for Reflected Images |
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46 | (2) |
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Take Ten! The Ten-Minute Sketch |
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48 | (2) |
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Help! It's Starting to Rain |
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50 | (2) |
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Demonstration After the Storm: Capturing Emotion |
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52 | (2) |
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Remarque-able Paintings: Pencil With Watercolor |
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54 | (2) |
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Going the Distance: Creating Depth in Pictures |
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56 | (2) |
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Demonstration Creating Depth in Landscapes |
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58 | (2) |
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60 | (2) |
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Covering the Territory: Title Pages and Covers |
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62 | (2) |
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64 | (2) |
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Demonstration Poppies in Vail: Painting Alla Prima |
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66 | (2) |
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Home Is Where the Heart Is |
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68 | (2) |
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Welcome Home: Friendships and Dinner Invitations |
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70 | (2) |
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Demonstration Woodworking: Painting Wood |
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72 | (2) |
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74 | (2) |
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Ambassador With Portfolio (Art, That Is) |
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76 | (2) |
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78 | (2) |
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80 | (2) |
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82 | (2) |
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84 | (2) |
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86 | (2) |
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Calling All Ships at Sea! |
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88 | (2) |
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90 | (2) |
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People Pleasers: Suitable Models |
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92 | (2) |
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94 | (2) |
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Demonstration Painting Rocks: Creating Form |
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96 | (2) |
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98 | (2) |
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Painting at Historic Sites |
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100 | (2) |
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Demonstration The Grand Canal of Venice: Painting Weathered Buildings |
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102 | (2) |
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Natural Disasters and Other Environmental Annoyances |
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104 | (2) |
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Discovering Customs and Cultures |
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106 | (2) |
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108 | (2) |
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Wish You Were Here: Postcards to Friends and Family |
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110 | (2) |
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112 | (2) |
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114 | (2) |
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Paintings From the Ends of the Earth |
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116 | (2) |
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118 | (2) |
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The Panama Canal: A Visual Journey |
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120 | (2) |
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Through the Canal: Setting Your Course |
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122 | (2) |
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124 | (2) |
Index |
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126 | |