After Pornified How Women Are Transforming Pornography & Why It Really Matters
by Sabo, Anne G.-
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Summary
Author Biography
Table of Contents
| Acknowledgements | p. xiii |
| Introduction: How I Came to Porn | p. 1 |
| A Note to the Reader | p. 11 |
| The Films | p. 16 |
| Femme: A Woman's Perspective in the United States | p. 19 |
| A non-objectifying gaze | p. 27 |
| A new democratic sexual discourse | p. 32 |
| To role-play your way free | p. 39 |
| Political activism: The right to see | p. 49 |
| What makes this porn so good: Summary of Criteria | p. 53 |
| Puzzy Power: Mainstream Goes Porn in Scandinavia | p. 55 |
| Rococo extravaganza | p. 56 |
| Progressive power play | p. 66 |
| Heart Core romance | p. 75 |
| Easy on the Eye: Britain's First Female Porn Director | p. 80 |
| British humor in Anna Span's porn for women and men Powerful pussy pictures | p. 87 |
| A "female point of view:" in defense of scopophilia and voyeurism | p. 92 |
| Fighting the law from the outside and in | p. 94 |
| New Progressive Porn: Pushing the Limits | p. 98 |
| The Big Apple: Sexual politics and gender bending porn | p. 99 |
| Art Core: A creative commitment to fluidity, intimacy and sensuality | p. 108 |
| Vanilla Sex: Objecting to double standards | p. 117 |
| Modern Music Video Porn: A Fresh Artistic Edge | p. 123 |
| Lust Films: MTV porn for modern urbanites | p. 123 |
| I make porn and I love it: Music video art from La Filled d'O | p. 135 |
| Coco de Mer exquisite: Lushly styled erotic musical vignettes | p. 142 |
| Cinematic Porn: Captivating Quality Films | p. 151 |
| The Band: Art house sex film from down under | p. 151 |
| Blue Artichoke Films: Textural feeling | p. 154 |
| Trè chic X-femmes: Upscale designed shorts | p. 165 |
| Dirty Diaries: Government sponsored feminist cell phone art porn | p. 182 |
| Conclusion: What's in a Name | p. 195 |
| Afterword: Turned on by Porn | p. 201 |
| Appendix | |
| Featured filmmakers' websites | p. 204 |
| Women-oriented sex shops | p. 205 |
| Progressive sex film awards and festivals | p. 212 |
| Notes | p. 215 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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