| Preface |
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xiii | |
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1 | (14) |
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3 | (2) |
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5 | (1) |
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6 | (1) |
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6 | (1) |
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7 | (1) |
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7 | (1) |
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8 | (1) |
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9 | (6) |
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15 | (10) |
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17 | (1) |
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17 | (1) |
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17 | (1) |
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18 | (1) |
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18 | (2) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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25 | (11) |
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'S.S.R., Lost at Sea.' The Times |
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27 | (1) |
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27 | (1) |
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28 | (1) |
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Wednesday at North Hatley |
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28 | (1) |
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29 | (1) |
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I Think of All Soft Limbs |
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29 | (3) |
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Ramble on What in the World Why |
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32 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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34 | (1) |
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Saint Lawrence Roasted on One Side Asked to be Turned Over |
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35 | (1) |
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36 | (14) |
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37 | (1) |
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38 | (2) |
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For the Sisters of the Hotel Dieu |
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40 | (1) |
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41 | (1) |
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42 | (2) |
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44 | (1) |
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Portrait of the Poet as Landscape |
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45 | (5) |
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50 | (15) |
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52 | (1) |
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52 | (2) |
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54 | (6) |
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60 | (1) |
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Appeal to a Lady with a Diaper |
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61 | (1) |
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62 | (2) |
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The Bear on the Delhi Road |
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64 | (1) |
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65 | (16) |
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67 | (1) |
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The Country North of Belleville |
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68 | (2) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (2) |
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75 | (2) |
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77 | (2) |
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79 | (2) |
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81 | (11) |
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82 | (1) |
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83 | (1) |
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83 | (1) |
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84 | (2) |
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86 | (1) |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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How I Spent the Year Listening to the Ten O'Clock News |
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89 | (1) |
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90 | (1) |
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Lately I've Been Feeling Very Jewish |
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91 | (1) |
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92 | (11) |
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94 | (1) |
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95 | (1) |
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96 | (1) |
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97 | (1) |
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97 | (1) |
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97 | (2) |
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The Canadian Authors Meet |
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99 | (1) |
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99 | (1) |
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100 | (1) |
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100 | (2) |
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102 | (1) |
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102 | (1) |
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103 | (12) |
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Look, the Lambs Are All Around Us! |
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105 | (1) |
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106 | (1) |
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107 | (1) |
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On Seeing the Statuettes of Ezekiel and Jeremiah in the Church of Notre Dame |
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108 | (1) |
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Whatever Else Poetry Is Freedom |
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109 | (1) |
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110 | (1) |
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Keine Lazarovitch 1870-1959 |
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111 | (1) |
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A Tall Man Executes a Jig |
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112 | (3) |
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115 | (14) |
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117 | (1) |
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118 | (1) |
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119 | (1) |
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120 | (2) |
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122 | (1) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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Evening Dance of the Grey Flies |
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126 | (1) |
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127 | (2) |
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129 | (9) |
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131 | (1) |
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131 | (1) |
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Downtown Corner News Stand |
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132 | (1) |
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133 | (1) |
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Flight of the Roller-Coaster |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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The Death of the Grenadiers |
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135 | (1) |
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135 | (1) |
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136 | (1) |
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136 | (1) |
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137 | (1) |
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138 | (12) |
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140 | (1) |
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141 | (1) |
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141 | (1) |
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To Friends Who Have Also Considered Suicide |
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142 | (1) |
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Poetics Against the Angel of Death |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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Seeking Shape. Seeking Meaning |
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147 | (1) |
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Cornflowers & Saffron Robes Belittle the Effort |
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148 | (1) |
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149 | (1) |
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150 | (13) |
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152 | (1) |
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152 | (1) |
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I Have Not Lingered in European Monasteries |
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153 | (1) |
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154 | (1) |
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As the Mist Leaves No Scar |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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157 | (2) |
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159 | (1) |
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159 | (1) |
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160 | (3) |
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163 | (12) |
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165 | (1) |
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Beautiful Creatures Brief as These |
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166 | (1) |
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166 | (1) |
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These Trees Are No Forest of Mourners |
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167 | (1) |
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168 | (1) |
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The Stream Exposed With All Its Stones |
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169 | (1) |
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169 | (2) |
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171 | (1) |
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172 | (1) |
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173 | (2) |
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175 | (12) |
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177 | (1) |
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177 | (1) |
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God Sour the Milk of the Knacking Wench |
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178 | (1) |
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For Nicholas of All the Russians |
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178 | (1) |
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And He Wept Aloud, So That the Egyptians Heard It |
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178 | (2) |
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180 | (1) |
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181 | (1) |
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181 | (1) |
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For Claudine Because I Love Her |
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182 | (1) |
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182 | (3) |
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185 | (2) |
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187 | (12) |
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Thief Hanging in Baptist Halls |
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188 | (1) |
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The Meaning of the I Ching |
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189 | (3) |
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192 | (1) |
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Pictures in an Institution |
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192 | (2) |
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From the North Saskatchewan |
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194 | (1) |
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On the 25 Anniversary of the Liberation of Auschwitz: Memorial Services, Toronto, YMHA, Bloor & Spadina, January 25, 1970 |
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195 | (4) |
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199 | (12) |
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200 | (1) |
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200 | (1) |
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201 | (2) |
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203 | (1) |
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204 | (1) |
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205 | (1) |
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Black-White Under Green: May 18, 1965 |
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205 | (2) |
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207 | (1) |
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In A Season of Unemployment |
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208 | (1) |
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209 | (1) |
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We the Poor Who Are Always With Us |
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209 | (1) |
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210 | (1) |
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211 | (13) |
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213 | (1) |
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214 | (1) |
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Poem Improvised Around A First Line |
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215 | (1) |
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The Red Bird You Wait For |
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216 | (1) |
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216 | (1) |
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217 | (1) |
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217 | (1) |
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218 | (1) |
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From the T.E. Lawrence Poems |
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219 | (1) |
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220 | (1) |
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220 | (2) |
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222 | (1) |
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222 | (1) |
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223 | (1) |
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224 | (17) |
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Then, If I Cease Desiring |
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225 | (1) |
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226 | (1) |
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227 | (2) |
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229 | (4) |
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233 | (6) |
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239 | (2) |
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241 | (14) |
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243 | (1) |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (1) |
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247 | (1) |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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249 | (1) |
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250 | (1) |
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Image-Nation 21 (territory |
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251 | (1) |
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For Barry Clinton, d.17 June, 1984, of aids |
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252 | (1) |
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Praise to Them, December 30, 1984 |
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252 | (1) |
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253 | (2) |
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255 | (16) |
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257 | (1) |
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258 | (1) |
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258 | (4) |
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262 | (1) |
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From Kerrisdale Elegies, One |
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263 | (4) |
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267 | (1) |
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268 | (2) |
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270 | (1) |
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271 | (13) |
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273 | (1) |
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273 | (1) |
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From Pictograms from the Interior of B.C. |
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274 | (1) |
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I'm Going to Keep on Dancing for the Rest of My Life |
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274 | (1) |
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From Waiting for Saskatchewan |
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275 | (1) |
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275 | (1) |
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276 | (1) |
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277 | (1) |
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Father/Mother Haibun #4 |
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278 | (1) |
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Father/Mother Haibun #11 |
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278 | (1) |
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Father/Mother Haibun #17 |
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279 | (1) |
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Father/Mother Haibun #19 |
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279 | (1) |
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279 | (1) |
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From 'Music at the Heart of Thinking' #89-95 |
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280 | (4) |
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284 | (16) |
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The Animals in That Country |
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286 | (1) |
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A Night in the Royal Ontario Museum |
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287 | (1) |
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Progressive Insanities of a Pioneer |
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288 | (3) |
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Death of a Young Son by Drowning |
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291 | (1) |
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292 | (1) |
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293 | (1) |
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Notes Towards a Poem That Can Never Be Written |
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294 | (3) |
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297 | (1) |
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Morning in the Burned House |
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298 | (2) |
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300 | (12) |
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302 | (1) |
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302 | (1) |
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303 | (1) |
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304 | (1) |
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305 | (1) |
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306 | (1) |
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307 | (1) |
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308 | (1) |
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309 | (1) |
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309 | (1) |
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310 | (2) |
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312 | (22) |
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314 | (1) |
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From `The Captain Poetry Poems' |
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315 | (1) |
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316 | (2) |
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318 | (1) |
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319 | (1) |
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319 | (2) |
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321 | (1) |
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322 | (1) |
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322 | (5) |
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327 | (1) |
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328 | (1) |
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328 | (6) |
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334 | (15) |
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Early Morning, Kingston to Ganonoque |
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336 | (1) |
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336 | (2) |
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338 | (1) |
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From The Collected Works of Billy the Kid |
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338 | (3) |
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341 | (2) |
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343 | (1) |
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344 | (2) |
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346 | (3) |
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349 | (13) |
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351 | (1) |
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351 | (1) |
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352 | (1) |
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352 | (2) |
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354 | (1) |
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355 | (3) |
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358 | (1) |
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358 | (4) |
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362 | (14) |
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364 | (1) |
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A by-channel; a small backwater |
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365 | (2) |
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367 | (1) |
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368 | (2) |
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370 | (2) |
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372 | (1) |
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372 | (1) |
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373 | (3) |
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376 | (12) |
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378 | (1) |
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Letter of the Master of Horse |
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379 | (5) |
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384 | (1) |
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385 | (1) |
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386 | (1) |
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387 | (1) |
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388 | (13) |
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The Beauty of the Weapons |
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390 | (2) |
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392 | (1) |
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393 | (5) |
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398 | (1) |
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399 | (1) |
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For the Bones of Josef Mengele, Disinterred June 1985 |
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399 | (2) |
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401 | (12) |
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403 | (1) |
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403 | (1) |
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Adagio for a Fallen Sparrow |
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403 | (2) |
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Waking at the Mouth of the Willow River |
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405 | (1) |
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405 | (1) |
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405 | (2) |
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407 | (2) |
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409 | (1) |
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Winter Solstice Moon: An Eclogue |
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409 | (4) |
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413 | (10) |
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414 | (1) |
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415 | (1) |
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416 | (1) |
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417 | (1) |
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418 | (1) |
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419 | (2) |
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421 | (1) |
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422 | (1) |
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423 | (22) |
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424 | (2) |
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Meditation on Tom Thomson |
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426 | (1) |
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427 | (18) |
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445 | (13) |
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A Brief History of the Horse |
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447 | (2) |
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449 | (1) |
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450 | (1) |
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451 | (2) |
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Packing for the Future: Instructions |
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453 | (1) |
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454 | (2) |
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456 | (2) |
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458 | (12) |
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460 | (1) |
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461 | (1) |
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461 | (1) |
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462 | (1) |
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463 | (1) |
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464 | (1) |
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465 | (1) |
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466 | (1) |
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467 | (1) |
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468 | (1) |
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468 | (1) |
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469 | (1) |
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470 | (12) |
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471 | (1) |
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Blues Spiritual for Mammy Prater |
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472 | (1) |
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473 | (9) |
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482 | (10) |
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483 | (1) |
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484 | (2) |
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A Meditation Between Claims |
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486 | (1) |
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Study in Latex Semi-Gloss |
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487 | (2) |
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489 | (1) |
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490 | (1) |
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On Closing the Apartment of My Grandparents of Blessed Memory |
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490 | (1) |
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491 | (1) |
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492 | (13) |
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494 | (1) |
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495 | (1) |
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496 | (2) |
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498 | (1) |
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499 | (1) |
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500 | (2) |
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For Mitterand's Life, For My Life, For Yours |
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502 | (1) |
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503 | (2) |
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505 | (11) |
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The Landlord's Tiger Lilies |
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507 | (1) |
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Elegy, the Fertility Specialist |
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507 | (1) |
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September, Turning, the Long Road Down to Love |
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508 | (1) |
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509 | (1) |
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510 | (1) |
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511 | (1) |
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512 | (1) |
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A Really Delicious Meal at Montri's |
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513 | (3) |
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516 | (12) |
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an audience with the dalai lama or, the old-fashioned pas de deux |
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518 | (2) |
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520 | (3) |
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523 | (1) |
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524 | (2) |
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526 | (1) |
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the man who licked stones |
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527 | (1) |
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528 | (13) |
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530 | (2) |
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A Simple Poem for Virginia Woolf |
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532 | (3) |
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The Heroes You Had As A Girl |
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535 | (1) |
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536 | (2) |
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538 | (3) |
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541 | (11) |
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543 | (1) |
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544 | (2) |
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Touching An Elephant in A Dark Room |
|
|
546 | (1) |
|
|
|
547 | (1) |
|
Learning a Deeper Courtesy of the Eye |
|
|
547 | (1) |
|
|
|
548 | (2) |
|
|
|
550 | (2) |
|
|
|
552 | (12) |
|
|
|
554 | (1) |
|
|
|
554 | (1) |
|
|
|
555 | (1) |
|
Bill Evans: 'Here's That Rainy Day' |
|
|
556 | (1) |
|
|
|
557 | (3) |
|
|
|
560 | (1) |
|
|
|
561 | (1) |
|
|
|
562 | (2) |
|
|
|
564 | (36) |
|
|
|
565 | (35) |
|
|
|
600 | (12) |
|
|
|
601 | (2) |
|
|
|
603 | (1) |
|
|
|
603 | (2) |
|
|
|
605 | (1) |
|
|
|
605 | (1) |
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|
606 | (1) |
|
|
|
606 | (6) |
| Acknowledgements |
|
612 | (6) |
| Author Title Index |
|
618 | |