| Introduction |
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xix | |
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1 | (4) |
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5 | (18) |
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15 | (7) |
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15 | (7) |
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22 | (1) |
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23 | (26) |
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27 | (2) |
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29 | (1) |
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``Punks Not Dead''---Grammar Errors |
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29 | (20) |
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30 | (1) |
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Misplaced and Missing Apostrophes |
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30 | (1) |
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Unnecessary Apostrophes Used |
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30 | (3) |
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Necessary Apostrophes Not Used |
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33 | (1) |
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34 | (1) |
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35 | (1) |
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36 | (1) |
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37 | (1) |
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38 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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Ending a Sentence with a Preposition |
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39 | (1) |
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Beginning a Sentence with a Conjunction |
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40 | (1) |
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40 | (2) |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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43 | (1) |
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44 | (1) |
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44 | (1) |
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45 | (1) |
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45 | (1) |
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Line Breaks Rather Than Tabs |
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46 | (1) |
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47 | (1) |
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48 | (1) |
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48 | (1) |
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49 | (20) |
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50 | (1) |
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50 | (2) |
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52 | (10) |
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Beginning, Middle, and End |
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54 | (1) |
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54 | (1) |
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55 | (1) |
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55 | (7) |
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62 | (6) |
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68 | (1) |
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69 | (18) |
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70 | (3) |
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70 | (2) |
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72 | (1) |
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73 | (8) |
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73 | (2) |
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75 | (1) |
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75 | (1) |
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Linear versus Nonlinear Structure |
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76 | (1) |
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76 | (1) |
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77 | (1) |
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78 | (1) |
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79 | (1) |
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79 | (2) |
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81 | (4) |
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85 | (2) |
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87 | (18) |
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88 | (1) |
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89 | (2) |
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91 | (2) |
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93 | (3) |
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96 | (5) |
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98 | (2) |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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103 | (2) |
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105 | |
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106 | (4) |
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110 | (4) |
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114 | (4) |
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118 | (1) |
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Good Writing versus Bad Writing |
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118 | (2) |
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Research and Fact Checking |
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120 | (1) |
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121 | (5) |
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122 | (1) |
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123 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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128 | (9) |
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137 | (4) |
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Compare Documents Function |
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141 | (2) |
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143 | (2) |
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145 | (4) |
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149 | (2) |
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151 | (28) |
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Typewriter versus Computer |
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153 | (2) |
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155 | (6) |
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155 | (5) |
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160 | (1) |
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161 | (1) |
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162 | (5) |
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Tweaking Windows to Do Your Bidding |
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167 | (2) |
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169 | (2) |
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171 | (1) |
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172 | (2) |
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174 | (1) |
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175 | (3) |
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175 | (2) |
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177 | (1) |
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178 | (1) |
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179 | (22) |
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180 | (9) |
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182 | (1) |
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Find Function and Search Function |
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183 | (2) |
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185 | (1) |
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A Note on Cutting and Pasting |
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186 | (1) |
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187 | (2) |
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Annoyances in Microsoft Office and Windows |
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189 | (3) |
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190 | (1) |
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Final Draft and Final Draft AV |
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190 | (2) |
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Voice Recognition Software |
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192 | (2) |
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194 | (1) |
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194 | (2) |
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196 | (1) |
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197 | (1) |
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198 | (2) |
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200 | (1) |
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201 | (24) |
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Who Does What in the Publishing World? |
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203 | (7) |
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204 | (1) |
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204 | (1) |
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205 | (1) |
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206 | (1) |
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206 | (1) |
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207 | (1) |
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207 | (1) |
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208 | (1) |
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208 | (1) |
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208 | (1) |
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208 | (2) |
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210 | (6) |
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216 | (2) |
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218 | (1) |
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Selling Articles to Magazines |
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219 | (1) |
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219 | (4) |
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Finding an Agent and a Publisher |
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220 | (3) |
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223 | (1) |
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223 | (1) |
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224 | (1) |
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225 | (20) |
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226 | (2) |
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228 | (2) |
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230 | (2) |
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232 | (3) |
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235 | (1) |
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236 | (1) |
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236 | (1) |
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237 | (1) |
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238 | (2) |
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Three Last Ways to Make Money |
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240 | (3) |
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240 | (1) |
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240 | (1) |
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241 | (2) |
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243 | (2) |
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245 | (20) |
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246 | (4) |
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247 | (1) |
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248 | (1) |
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248 | (1) |
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249 | (1) |
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250 | (5) |
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252 | (1) |
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252 | (1) |
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253 | (2) |
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255 | (1) |
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255 | (3) |
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258 | (2) |
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260 | (1) |
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Teaching English in Foreign Countries |
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261 | (3) |
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264 | (1) |
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265 | (38) |
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Most Self-Published Writing Stinks |
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266 | (6) |
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Getting Ready for the Printer |
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272 | (8) |
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276 | (1) |
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276 | (1) |
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277 | (1) |
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Adjusting Contrast and Brightness |
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278 | (1) |
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279 | (1) |
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280 | (1) |
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280 | (14) |
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283 | (3) |
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Move a Text Box or Picture Box |
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286 | (1) |
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286 | (2) |
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288 | (6) |
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294 | (2) |
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294 | (1) |
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294 | (2) |
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Chapbooks, Zines, Ezines, Blogs, and More |
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296 | (5) |
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296 | (1) |
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297 | (3) |
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300 | (1) |
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300 | (1) |
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Alternate Multimedia Publishing Models |
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301 | (1) |
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301 | (2) |
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303 | (12) |
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306 | (2) |
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308 | (1) |
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309 | (3) |
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312 | (2) |
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313 | (1) |
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313 | (1) |
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314 | (1) |
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Promotion . . . Telling the World |
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315 | (28) |
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Rule One: Be Willing to Get Your Hands Dirty |
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316 | (6) |
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How I Got On VH1, NBC, NPR, BBC, Connie Martinson, and So On |
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318 | (2) |
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320 | (1) |
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320 | (1) |
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321 | (1) |
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322 | (4) |
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326 | (3) |
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More on Writing Press Releases |
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329 | (4) |
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Living Vicariously Through Michael Dean |
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333 | (1) |
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334 | (1) |
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334 | (4) |
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334 | (1) |
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335 | (1) |
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What to Ask for in Return |
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335 | (3) |
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338 | (1) |
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Getting Your Books into Stores |
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339 | (1) |
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340 | (2) |
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340 | (1) |
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340 | (1) |
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Devotion and Lack of Fear |
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341 | (1) |
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342 | (1) |
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In-Store Appearances and Touring |
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343 | (32) |
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350 | (5) |
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350 | (4) |
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354 | (1) |
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354 | (1) |
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354 | (1) |
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Events You Set Up Yourself |
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355 | (1) |
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What to Do When You Get There |
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355 | (4) |
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358 | (1) |
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358 | (1) |
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359 | (1) |
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359 | (1) |
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What to Do When You Speak at a College or Give a Speech |
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360 | (2) |
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362 | (5) |
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362 | (3) |
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365 | (1) |
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366 | (1) |
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367 | (1) |
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368 | (4) |
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369 | (1) |
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370 | (1) |
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370 | (2) |
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372 | (1) |
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373 | (2) |
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Closing Arguments (a.k.a. ``The $30 Manifesto'') |
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375 | (16) |
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376 | (3) |
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377 | (1) |
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377 | (2) |
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Don't Take Yourself Too Seriously |
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379 | (1) |
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380 | (1) |
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Don't Follow Trends---Make Trends |
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381 | (3) |
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382 | (1) |
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383 | (1) |
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384 | (1) |
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Art versus Commerce---Art and Commerce |
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385 | (1) |
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386 | (5) |
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391 | (46) |
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392 | (1) |
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393 | (6) |
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399 | (11) |
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410 | (6) |
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416 | (1) |
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417 | (12) |
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429 | (8) |
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Appendix A Recommended Reading |
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437 | (4) |
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438 | (1) |
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439 | (2) |
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Appendix B Recommended Surfing |
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441 | (2) |
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442 | (1) |
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Appendix C What's on the CD-ROM? |
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443 | (4) |
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444 | (1) |
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444 | (1) |
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Scans of My Rejection Letters |
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444 | (3) |
| Index |
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447 | |