Aam Guide to Provenance Research

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Format: Paperback
Pub. Date: 2001-01-01
Publisher(s): American Alliance Of Museums
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Summary

The first of its kind, this is a comprehensive and authoritative resource for tracing the ownership history of works of art. Focused on cultural property looted by the Nazis and others during WWII, it is divided into three parts: Basic Provenance Research and Principles, Holocaust-Era Provenance Research, and Appendices, which include bibliographies of collections, dealer archives, and "red flag names" compiled by the Office of Strategic Services. Includes an index and reproductions of artworks and relevant documents. Written by leading provenance researchers, this title is a must for any collecting institution.

Table of Contents

Introductionp. ix
Why is provenance important?p. 1
Major trends in collecting European artp. 1
Conducting provenance researchp. 5
How to use this guidep. 5
Basic Provenance Research and Principlesp. 7
Introductionp. 9
What information do you need?p. 9
Assembling the Information You Havep. 11
The objectp. 11
Institutional filesp. 15
Case study: Portrait of James Hayp. 17
Library Researchp. 21
The Artistp. 21
The Collectorp. 24
Dealersp. 28
Auctionsp. 28
Case study: Holbein, Sir Bryan Tukep. 30
How to Record Provenancep. 33
Sample format for recording provenancep. 33
Holocaust-Era Provenance Researchp. 37
Introductionp. 39
Historical Overviewp. 41
Key datesp. 41
Nazi collecting prioritiesp. 41
Case study: De Bles, Landscape with Burning Cityp. 44
Special case: The office of the alien property custodian and the "vesting" of cultural propertyp. 46
Prioritizing Your Researchp. 49
Mind the gapp. 49
Red flagsp. 50
Case study: "Red-flag" namesp. 52
U.S. Resourcesp. 55
National Archives and Records Administration (NARA)p. 55
Lootingp. 58
Case study: Snyders, Still Life with Fruit and Gamep. 68
Investigationsp. 71
Case study: Two Matisse paintings from the Paul Rosenberg collectionp. 74
Claimsp. 78
Restitutionp. 94
Other U.S. Resourcesp. 103
Case study: Degas, Landscape with Smokestacksp. 105
European Resourcesp. 109
Archives, restitution agencies, and published lossesp. 109
Special case: Sales from Soviet museums, 1928-31p. 134
Case study: Cranach, Adam and Evep. 135
Conclusionp. 141
Contributorsp. 145
Glossaryp. 146
Illustrationsp. 148
Indexp. 150
Appendices to Part 1p. 159
Selected bibliography on the history of collecting: collectors, collections, grand toursp. 161
Selected biographical research resourcesp. 201
Selected bibliography of dealers and dealers' memoirsp. 206
Dealer archives and locationsp. 214
Selected resources for auction sales and exhibitionsp. 243
Selected art libraries and photographic archivesp. 246
Appendices to Part 2p. 253
Selected bibliography on looting and restitutionp. 255
The Art Looting Investigation Unit (ALIU) Listp. 259
Selected "red-flag" names from the ALIU Listp. 293
List of Consolidated and Detailed Interrogation Reportsp. 297
List of Einsatzstab Reichsleiter Rosenberg (ERR) codesp. 299
Table of Contents provided by Syndetics. All Rights Reserved.

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