Acting for Young Actors

by
Format: Trade Paper
Pub. Date: 2006-08-01
Publisher(s): Back Stage Books
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Summary

Written by an Emmy Award-winning director and longtime teacher and actor Information on unions, recommended classes, a glossary of terminology, television network contact information, bibliography, recommended plays and online resources are included Aimed at teens age 12-18 and written in a full accessible style Handy format is perfect for the teen market Do you know a teen that's been bitten by the acting bug? Here's just the book they need!Acting for Young Actors, aimed at teens and tweens, lets kids hone their skills and develop their craft. It begins with the five W's: WHO am I? WHAT do I want? WHY do I want it? WHERE am I? WHEN does this event take place? Sounds basic - but many young child actors are told simply to "get up there and act." This book explores each of these questions, using helpful exercises to allow young actors to work through problems of character identity and motivation. With comprehensive chapters on auditioning, rehearsal, and improvisation, plus a primer on how young actors can break into film, theater, and television,Acting for Young Actorsis every kid's ticket to the big time.

Author Biography

Mary Lou Belli is the coauthor of The Sitcom Career Book, published by Back Stage Books. An Emmy Award–winning director, she has worked on Girlfriends, The Hughleys, Major Dad, and Charles in Charge, among many other shows. She is the mother of two children who act professionally. She lives in Los Angeles.



Dinah Lenney is an adjunct professor at UCLA's School of Theater, Film, and Television. An actor as well as an acting teacher, she is currently appearing on ER as the no-nonsense nurse Shirley. She lives in Los Angeles.

Table of Contents

Foreword by Jason Ritter xiii
Acknowledgments xviii
Introduction 1(4)
Chapter 1: Who Am I? 5(12)
What's in a Name?
5(2)
Ask the Author First!
7(2)
Ask the Other Characters!
9(2)
Ask Yourself!
11(1)
Research
12(5)
Chapter 2: What Do I Want? 17(14)
Objectives and Intentions
17(2)
Show, Don't Tell
19(3)
Substitution
22(1)
The Magic "As if"
23(3)
Conflict
26(1)
Subtext
27(2)
Putting It All Together
29(2)
Chapter 3: Why Do I Want What I Want? 31(10)
Use Yourself
31(3)
Don't Try to Feel!
34(1)
Preparation
35(6)
Chapter 4: Where and When 41(12)
More Detective Work
41(1)
Researching Time
42(2)
Researching Place
44(1)
Use What You Have
45(2)
Sets and Locations
47(3)
Working Around the Clock
50(3)
Chapter 5: Auditions 53(16)
All in a Day's Work
53(1)
The Homework
53(5)
The Audition Itself
58(8)
The Callback
66(1)
When It's Over, It's Over
67(2)
Chapter 6: Monologues 69(14)
Talking to Yourself Out Loud
69(2)
Types of Monologues
71(1)
Choosing a Monologue
72(4)
Rehearsing Your Monologue
76(2)
Performing Your Monologue
78(5)
Chapter 7: Rehearsal 83(14)
How to Begin
83(1)
Listening and Learning the Lines
84(4)
Rehearsal DOs and DON'Ts
88(2)
Putting the Pieces Together
90(3)
Physicalization
93(1)
Wardrobe and Makeup
94(1)
Voice
95(1)
Thinking in Character
95(2)
Chapter 8: Improvisation 97(16)
You Do It All the Time
97(2)
What is Improv?
99(2)
Some Guidelines for Improv
101(3)
Situations Where You May be Asked to Improvise
104(1)
Famous Improv-ers
105(1)
Decide For Yourself
106(4)
Find Out More
110(3)
Chapter 9: Acting for Money 113(26)
So You Want to Be a Star
113(1)
Breaking into the Biz
114(1)
Representation
115(5)
Managers
120(1)
Pictures and Resumes
121(2)
Work Permits
123(1)
Education
124(6)
Emancipation
130(1)
Union and Non-Union Work
131(3)
DOs and DON'Ts for Professional Acting
134(1)
Sustaining a Character
135(1)
Guest Starring on a TV Show
136(3)
Chapter 10: Acting for Fun 139(16)
The Best and Only Reason
139(2)
Acting In School
141(4)
Performing Arts Training
145(4)
Summer Camp and Community Theatre
149(6)
Chapter 11: Post Script, or a Few Last Words 155(9)
Appendixes
Glossary
164(4)
Unions and Professional Organizations
168(2)
Resources and Services
170(2)
Libraries and Bookstores Specializing in Performing Arts Collections
172(4)
Recommended Classes
176(5)
Recommended Acting Coaches
181(3)
Recommended Publications
184(2)
Recommended Books
186(3)
Recommended Plays
189(5)
Index 194(12)
About the Authors 206

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