Art Fundamentals: Theory and Practice
by Ocvirk, Otto; Stinson, Robert E; Wigg, Philip R; Bone, Robert O; Cayton, David LEdition: 12th
Format: Paperback
Pub. Date: 2012-01-10
Publisher(s): McGraw-Hill Education
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Summary
The original textbook that set the standard for art foundations courses across the country, Art Fundamentals has guided generations of students through both the essential elements of art and the rich and varied history of their uses. We have organized Art Fundamentals to assist with “knowing” and “feeling” the fundamental concepts of refined creation. Our intent is to stimulate without locking students into a restricted mind-set or mechanical copying of ideas.
Table of Contents
Chapter 1 IntroductionTHE VOCABULARY OF INTRODUCTORY TERMSTHE EVOLVING NATURE OF ARTTHE THREE COMPONENTS OF ART Subject Form ContentORGANIC UNITYABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE EVOLVING NATURE OF ARTTHE THREE COMPONENTS OF ART Subject Form ContentORGANIC UNITYABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Subject Form ContentORGANIC UNITYABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
ContentORGANIC UNITYABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
ABSTRACTIONEXPANDING PERSONAL AWARENESSDEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
DEVELOPING IDEASCRITICAL THINKING AND ANALYSISBASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
BASIC CONCEPTS OF TWO-DIMENSIONAL ART2D MEDIA AND TECHNIQUESBASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
BASIC CONCEPTS OF THREE-DIMENSIONAL ART3D MATERIALS AND CONCEPTS Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Subtraction Manipulation Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Addition SubstitutionAREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
AREAS OF 3D APPLICATIONS Sculpture Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Architecture Metalwork Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Glass Design Ceramics Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Fiberwork Product DesignCOMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
COMBINING THE INGREDIENTS: A SUMMARYChapter 2 FormTHE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF FORMFORM AND VISUAL ORDERINGTHE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE PRINCIPLES OF ORGANIZATION Harmony Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Repetition Rhythm Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Pattern Closure (Visual Grouping) Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Visual Linking Shared Edges Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Overlapping Transparency Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Interpenetration Linking through Extensions (Implied and Subjective Edges/Lines/Shapes) Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Excessive Use of Harmony Variety Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Contrast Elaboration The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The Dualism of Harmony and Variety Balance Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Symmetrical Balance (Formal Balance) Approximate Symmetrical Balance Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Radial Balance Asymmetrical Balance (Informal/Occult Balance) Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Proportion Dominance Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Movement EconomySPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
SPACE: RESULT OF ELEMENTS AND PRINCIPLESTHREE-DIMENSIONAL FORM AND THE PRINCIPLES OF ORGANIZATIONHarmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Harmony and VarietyBalanceProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
ProportionDominanceMovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
MovementEconomyFORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
FORM UNITY: A SUMMARYChapter 3 LineTHE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF LINELINE: THE ELEMENTARY MEANS OF COMMUNICATIONTHE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE PHYSICAL CHARACTERISTICS OF LINE Measure Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Type Direction Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Location CharacterLINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
LINE AND THE OTHER ART ELEMENTS Line and Shape Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Line and Value Line and Texture Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Line and ColorTHE SPATIAL CHARACTERISTICS OF LINELINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
LINE AS REPRESENTATION AND EXPRESSIONTHREE-DIMENSIONAL APPLICATIONS OF LINEChapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Chapter 4 ShapeTHE VOCABULARY OF SHAPEINTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
INTRODUCTION TO SHAPESHAPE TYPESSHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
SHAPE DIMENSIONSSHAPE AND COMPOSITION Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Harmony and Variety Dominance Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Movement Balance Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Proportion and EconomySHAPE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THREE-DIMENSIONAL APPLICATIONS OF SHAPEChapter 5 ValueTHE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF VALUEINTRODUCTION TO VALUE RELATIONSHIPSVALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
VALUE AND ART MEDIAPLASTIC VALUE Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Chiaroscuro TenebrismDECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
DECORATIVE VALUEVALUE PATTERN AND COMPOSITIONTHREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THREE-DIMENSIONAL APPLICATIONS OF VALUEChapter 6 TextureTHE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF TEXTUREINTRODUCTION TO TEXTURETHE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE NATURE OF TEXTURETYPES OF TEXTURE Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Actual Texture Simulated Texture Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Abstract Texture Invented TextureTEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
TEXTURE AND PATTERNTEXTURE AND COMPOSITIONTEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
TEXTURE AND SPACETEXTURE AND EXPRESSIVE CONTENTTHREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THREE-DIMENSIONAL APPLICATIONS OF TEXTUREChapter 7 ColorTHE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF COLORTHE CHARACTERISTICS OF COLORLIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
LIGHT: THE SOURCE OF COLORAdditive ColorSubtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Subtractive ColorARTISTS’ PIGMENTS AND THE TRIADIC COLOR SYSTEMNeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
NeutralsTHE PHYSICAL PROPERTIES OF COLORHueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
HueValueIntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
IntensityDEVELOPING AESTHETIC COLOR RELATIONSHIPSComplements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Complements and Split-ComplementsTriadsTetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
TetradsAnalogous and Monochromatic ColorsWarm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Warm and Cool ColorsPlastic ColorsSimultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Simultaneous ContrastColor and EmotionPsychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Psychological Application of ColorTHE ROLE OF COLOR IN COMPOSITIONColor BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Color BalanceColor and HarmonyColor and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Color and VarietyTHE EVOLUTION OF THE COLOR WHEELThe Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The Origins of Color SystemsThe Discovery of Pigment PrimariesThe First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The First Triadic Color WheelThe Discovery of Light PrimariesThe Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The Ostwald Color SystemThe Munsell Color SystemThe Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The Process Color System (Four-Color Printing Process)Color PhotographyColor Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Color Computer PrintingTHREE-DIMENSIONAL APPLICATIONS OF COLORChapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Chapter 8 SpaceTHE VOCABULARY OF SPACEINTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
INTRODUCTION TO SPACESPATIAL PERCEPTIONMAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
MAJOR TYPES OF SPACEDecorative SpacePlastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Plastic SpaceShallow SpaceDeep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Deep and Infinite SpaceSPATIAL INDICATORSSharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Sharp and Diminishing DetailSizePositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
PositionOverlappingTransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
TransparencyInterpenetrationFractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Fractional RepresentationConverging ParallelsLinear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Linear PerspectiveMajor Types of Linear PerspectiveOne-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
One-Point PerspectiveTwo-Point PerspectiveThree-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Three-Point PerspectivePerspective Concepts AppliedThe Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
The Disadvantages of Linear PerspectiveOther Projection SystemsIntuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Intuitive SpaceTHE SPATIAL PROPERTIES OF THE ELEMENTSLine and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Line and SpaceShape and SpaceValue and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Value and SpaceTexture and SpaceColor and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Color and SpaceSTRUCTURED AMBIGUITYTHREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THREE-DIMENSIONAL APPLICATIONS OF SPACEChapter 9 Time and MotionTHE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
THE VOCABULARY OF TIME & MOTIONTHE SEARCH FOR A NEW SPATIAL DIMENSIONPICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
PICTORIAL REPRESENTATIONS OF MOVEMENT IN TIMEImplied Motion through Line Direction or Shape PositionSequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Sequenced ImagesMultiple ViewpointsSuperimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
Superimposed and Blurred ImagesMOTION PICTURES: FILM & VIDEOCOMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
COMPUTERS & MULTIMEDIATHREE-DIMENSIONAL APPLICATIONS OF TIME & MOTIONTimelineGlossaryBibligraphy
TimelineGlossaryBibligraphy
Bibligraphy
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