The Audio Programming Book

by ; ;
Edition: DVD
Format: Hardcover
Pub. Date: 2010-10-22
Publisher(s): The MIT Press
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Summary

This comprehensive handbook of mathematical and programming techniques for audio signal processing will be an essential reference for all computer musicians, computer scientists, engineers, and anyone interested in audio. Designed to be used by readers with varying levels of programming expertise, it not only provides the foundations for music and audio development but also tackles issues that sometimes remain mysterious even to experienced software designers. Exercises and copious examples (all cross-platform and based on free or open source software) make the book ideal for classroom use. Fifteen chapters and eight appendixes cover such topics as programming basics for C and C++ (with music-oriented examples), audio programming basics and more advanced topics, spectral audio programming; programming Csound opcodes, and algorithmic synthesis and music programming. Appendixes cover topics in compiling, audio and MIDI, computing, and math. An accompanying DVD provides an additional 40 chapters, covering musical and audio programs with micro-controllers, alternate MIDI controllers, video controllers, developing Apple Audio Unit plug-ins from Csound opcodes, and audio programming for the iPhone. The sections and chapters of the book are arranged progressively and topics can be followed from chapter to chapter and from section to section. At the same time, each section can stand alone as a self-contained unit. Readers will find The Audio Programming Booka trustworthy companion on their journey through making music and programming audio on modern computers.

Author Biography

Richard Boulanger is Professor of Electronic Production and Design at the Berklee College of Music and editor of The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming (MIT Press, 2000).

Victor Lazzarini is Senior Lecturer in the Music Department and Director of the Music Technology Laboratory at the National University of Ireland, Maynooth.

Table of Contents

Forewordp. xi
Prefacep. xiii
Acknowledgmentsp. xv
Introductionp. xxi
C Programming Basics
An Overview of the C Language with Some Elements of C++p. 3
Programming in Cp. 55
Audio Programming Basics
Audio Programming in Cp. 185
Working with Audio Streamsp. 329
Introduction to Program Designp. 383
Audio Programming Essentials
Introduction to Digital Audio Signalsp. 431
Time-Domain Audio Programmingp. 463
Spectral Audio Programming
Spectral Audio Programming Basics: The DFT, the FFT, and Convolutionp. 521
The STFT and Spectral Processingp. 539
Programming the Phase Vocoderp. 557
Programming Csound Opcodes
Understanding an Opcode in Csoundp. 581
Spectral Opcodesp. 617
Algorithmic Synthesis and Music Programming
A Modular Synthesizer Simulation Programp. 629
Using C to Generate Scoresp. 655
Modeling Orchestral Compositionp. 677
Command-Line Tools Referencep. 697
Debugging Software with the GNU Debuggerp. 719
Soundfiles, Soundfile Formats, and libsndfilep. 739
An Introduction to Real-Time Audio IO with PortAudiop. 771
MIDI Programming with PortMIDIp. 783
Computer Architecture, Structures, and Languagesp. 797
Glossaryp. 283
An Audio ProgrammerÆs Guide to Mathematical Expressionsp. 855
Contents on the DVDp. 869
Referencesp. 873
About the Authorsp. 879
Indexp. 881
Table of Contents provided by Publisher. All Rights Reserved.

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