Breaking the Disciplines Reconceptions in Culture, Knowledge and Art

by ;
Format: Hardcover
Pub. Date: 2003-11-08
Publisher(s): I. B. Tauris
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Summary

In this pioneering book, noted international scholars explore the limits and definitions of knowing, thinking, and communicating meaning as we move into the 21st century. Coming from disciplines as diverse as anthropology, philosophy, literature, aesthetics, and art practice, together they work towards reconceiving the boundaries between entrenched domains of knowledge to great effect.

Author Biography

Martin L. Davies is Reader in Modern Languages, University of Leicester.

Marsha Meskimmon is Lecturer, History of Art, Loughborough University.

Table of Contents

List of Illustrations vi
Acknowledgements vii
Editorial Dialogue 1(8)
Section I: The Imperative to Challenge Disciplinary Orthodoxy
Thinking Practice: On the concept of an ecology of knowledge
Martin L. Davies
9(26)
Becoming Academics, Challenging the Disciplinarians: A philosophical case-study
Helen C. Chapman
35(26)
Section II: Hybrid Objects/Hybrid Methods
Real Milk from Mechanical Cows: Invention, creativity and the limits of anthropological knowledge
Mark T. Shutes
61(23)
Clockwork Prayer: A sixteenth-century mechanical monk
Elizabeth King
84(45)
The Research Methods of an Artist-Ethnographer on the Congo Coast of Panama
Arturo Lindsay
129(34)
Section III: Performance, Aesthetics and Knowledge
Word of Honour
Alphonso Lingis
163(24)
Reconceptualizing a Pictorial Turn: Lessing, Hoffmann, Klee and elements of avant-garde language
Beate Allert
187(36)
Practice as Thinking: Toward feminist aesthetics
Marsha Meskimmon
223(23)
Index 246

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