| Foreword |
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xxxi | |
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3 | (3) |
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6 | (3) |
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Where You Go When You Sleep |
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9 | (4) |
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13 | (1) |
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14 | (2) |
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16 | (3) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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24 | (1) |
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Burmese Girls Sold into Prostitution in Thailand |
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25 | (2) |
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27 | (2) |
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29 | (2) |
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31 | (3) |
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34 | (1) |
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35 | (2) |
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37 | (1) |
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38 | (2) |
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40 | (1) |
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Back, Sculpted in Relief by Matisse |
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41 | (1) |
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42 | (2) |
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A Clothesline in Paterson |
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44 | (2) |
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Walking by the Cliffside Dyeworks |
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46 | (3) |
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49 | (2) |
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51 | (2) |
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My Mother Prays for My Father |
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53 | (1) |
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54 | (1) |
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The Woodcut on the Cover of Robert Frost's Complete Poems |
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55 | (1) |
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56 | (1) |
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The First Signs of Spring |
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57 | (1) |
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Even When I Am Distracted, I Am Thinking of You |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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61 | (1) |
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Racing the Uptown Express |
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62 | (2) |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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70 | (2) |
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72 | (1) |
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73 | (1) |
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Postcard from Harmony Parking Lot |
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74 | (1) |
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75 | (1) |
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76 | (4) |
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80 | (2) |
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82 | (1) |
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83 | (1) |
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84 | (2) |
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Catherine DeNunzio-Gabordi |
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86 | (1) |
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87 | (1) |
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88 | (1) |
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The Gospel Singer Testifies |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (2) |
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94 | (1) |
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95 | (2) |
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97 | (2) |
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99 | (1) |
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100 | (1) |
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101 | (1) |
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102 | (2) |
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104 | (3) |
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107 | (2) |
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109 | (3) |
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112 | (2) |
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The River Will Not Testify |
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114 | (3) |
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The Shiny Aluminium of God |
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117 | (3) |
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120 | (1) |
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121 | (1) |
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122 | (4) |
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126 | (2) |
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Watching Light in the Field |
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128 | (2) |
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130 | (1) |
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131 | (1) |
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132 | (2) |
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134 | (2) |
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136 | (2) |
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138 | (4) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (1) |
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146 | (2) |
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148 | (4) |
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152 | (2) |
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154 | (1) |
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You Have Entered the Twilight |
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155 | (1) |
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Late Letter to Walter Sisulu |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (1) |
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Japanese Student of English |
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160 | (1) |
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161 | (1) |
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162 | (3) |
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165 | (1) |
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The Man in the Dead Machine |
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166 | (1) |
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167 | (4) |
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171 | (2) |
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Psychotherapist with Black Leather Binder Sits in White Oak Chair That Came Through a Fire |
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173 | (3) |
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176 | (3) |
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179 | (2) |
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181 | (2) |
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183 | (2) |
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That Afternoon in Harvest |
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185 | (2) |
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187 | (2) |
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189 | (1) |
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190 | (1) |
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Conversations with My Son |
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191 | (3) |
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194 | (7) |
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201 | (1) |
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202 | (1) |
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203 | (3) |
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206 | (1) |
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207 | (2) |
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209 | (1) |
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From the Porch of The Frost Place |
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210 | (2) |
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212 | (1) |
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213 | (2) |
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215 | (2) |
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The Purple Metallic Convertible |
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217 | (2) |
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219 | (2) |
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221 | (3) |
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224 | (1) |
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225 | (2) |
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227 | (3) |
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230 | (2) |
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232 | (2) |
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Woman, Why Are You Weeping? |
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234 | (4) |
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Having It Out With Melancholy |
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238 | (4) |
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242 | (2) |
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244 | (3) |
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247 | (1) |
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248 | (2) |
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250 | (2) |
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252 | (1) |
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My Mother on an Evening at the Cottage |
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253 | (1) |
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Friar Laurence: Nightmare |
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254 | (2) |
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256 | (2) |
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A Mortal Day of No Surprises |
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258 | (2) |
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260 | (1) |
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261 | (2) |
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263 | (2) |
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Utshimassit (Davis Inlet), Labrador |
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265 | (3) |
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268 | (2) |
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Evening Walk as the School Year Starts |
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270 | (2) |
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272 | (2) |
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274 | (2) |
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Small Waterfall: A Birthday Poem |
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276 | (2) |
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278 | (1) |
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At the Windswept Cottages |
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279 | (1) |
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280 | (1) |
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281 | (1) |
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282 | (1) |
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283 | (2) |
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285 | (2) |
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287 | (2) |
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289 | (2) |
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To the Boy Saved from Drowning |
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291 | (2) |
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293 | (2) |
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295 | (1) |
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296 | (1) |
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297 | (1) |
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298 | (1) |
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299 | (1) |
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300 | (3) |
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303 | (2) |
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305 | (1) |
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306 | (1) |
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307 | (1) |
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308 | (1) |
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On the Porch at The Frost Place, Franconia, NH |
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309 | (2) |
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311 | (1) |
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312 | (2) |
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Excerpt from an Argument with Enthusiasts, Concerning Inspiration |
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314 | (1) |
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315 | (1) |
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316 | (1) |
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317 | (2) |
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319 | (1) |
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320 | (2) |
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Looking West from the Causeway |
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322 | (2) |
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324 | (1) |
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325 | (1) |
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Elementary School with Magnolia Trees |
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326 | (2) |
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328 | (1) |
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329 | (1) |
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The Last Time I Saw Chris |
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330 | (3) |
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333 | (1) |
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334 | (1) |
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335 | (1) |
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We Will Find Out Later How to Catch a Whistling Bird |
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336 | (1) |
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337 | (1) |
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Live Jazz, Franklin Park Zoo |
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338 | (1) |
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339 | (2) |
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341 | (2) |
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343 | (2) |
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345 | (3) |
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348 | (2) |
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350 | (2) |
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When I Was Asked How I Could Leave Vermont in the Middle of October |
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352 | (1) |
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How to Tell a Story (My Method) (Most of the Time) |
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353 | (1) |
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354 | (1) |
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355 | (1) |
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356 | (2) |
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358 | (1) |
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359 | (1) |
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360 | (1) |
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361 | (2) |
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363 | (1) |
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364 | (1) |
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Dinner with the Poet Laureate |
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365 | (4) |
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369 | (1) |
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370 | (1) |
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371 | (2) |
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373 | (1) |
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374 | (2) |
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376 | (2) |
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378 | (3) |
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381 | (2) |
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383 | (1) |
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384 | (2) |
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386 | (2) |
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388 | (1) |
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389 | (1) |
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390 | (1) |
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391 | (3) |
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394 | (1) |
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395 | (1) |
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A Two-Year-Old Girl in a Restaurant |
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396 | (1) |
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397 | (1) |
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398 | (1) |
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Giving Answers to Questionnaires |
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399 | (2) |
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401 | (1) |
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Abraham, Isaac, and . . . Sarah |
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402 | (1) |
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403 | (2) |
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405 | (2) |
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407 | (3) |
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The Village of Philosophizing Dogs |
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410 | (1) |
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Wonders of the Invisible World |
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411 | (1) |
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412 | (1) |
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413 | (1) |
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414 | (2) |
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416 | (2) |
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Speech for Myself as a Ghost |
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418 | (2) |
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Groove and Break: His Voice at Fifty |
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420 | (3) |
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423 | (2) |
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425 | (2) |
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427 | (2) |
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On the Possession of Horses |
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429 | (1) |
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430 | (2) |
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432 | (1) |
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Why I Wake Weeping (after dreaming I pass my son while he is hitchhiking) |
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433 | (2) |
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Hooking Rugs and Ice Fishing |
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435 | (2) |
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437 | (3) |
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The Hawthorne Robin Mends with Thorns |
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440 | (1) |
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441 | (1) |
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442 | (1) |
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443 | (1) |
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444 | (1) |
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445 | (1) |
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My Ex-Lover Comes Back into My Life |
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446 | (2) |
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448 | (4) |
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452 | (1) |
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453 | (2) |
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455 | (2) |
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457 | (1) |
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458 | (3) |
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461 | (1) |
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462 | (2) |
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What Luck! A Little Jingle for David Hall |
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464 | (1) |
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465 | (1) |
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466 | (2) |
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468 | (1) |
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On the Lawn of the Kinsman 1996 |
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469 | (2) |
| Acknowledgments |
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471 | (20) |
| Biographies |
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491 | (32) |
| Afterthoughts and Thank Yous |
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523 | |