|
|
3 | (8) |
|
|
3 | (1) |
|
|
4 | (1) |
|
|
5 | (1) |
|
|
6 | (1) |
|
|
7 | (1) |
|
|
8 | (1) |
|
The Indian With His Dead Child |
|
|
8 | (1) |
|
|
9 | (2) |
|
|
11 | (11) |
|
|
11 | (3) |
|
|
1 | (12) |
|
|
13 | (1) |
|
``Preface'' to The Venetian Bracelet, The Lost Pleiad, A History of the Lyre, and Other Poems |
|
|
14 | (1) |
|
|
15 | (1) |
|
|
16 | (1) |
|
|
17 | (1) |
|
|
18 | (1) |
|
Rydal Water and Grasmere Lake |
|
|
19 | (2) |
|
Infanticide in Madagascar |
|
|
21 | (1) |
|
Elizabeth Barrett Browning |
|
|
22 | (60) |
|
|
22 | (3) |
|
Sonnets From the Portuguese |
|
|
25 | (1) |
|
|
25 | (1) |
|
|
25 | (1) |
|
|
25 | (1) |
|
|
25 | (1) |
|
The Runaway Slave at Pilgrim's Point |
|
|
25 | (5) |
|
|
30 | (50) |
|
|
30 | (15) |
|
|
45 | (17) |
|
|
62 | (18) |
|
|
80 | (1) |
|
|
81 | (1) |
|
|
82 | (10) |
|
From Voice From the Factories |
|
|
82 | (5) |
|
|
87 | (4) |
|
|
91 | (1) |
|
|
92 | (9) |
|
|
92 | (9) |
|
|
101 | (123) |
|
|
101 | (1) |
|
Supposed Confessions of a Second-Rate Sensitive Mind |
|
|
102 | (3) |
|
|
105 | (1) |
|
|
106 | (1) |
|
|
106 | (1) |
|
|
107 | (1) |
|
|
107 | (3) |
|
To --. With the Following Poem [The Palace of Art] |
|
|
110 | (1) |
|
|
110 | (5) |
|
|
115 | (2) |
|
|
117 | (3) |
|
|
120 | (8) |
|
|
128 | (3) |
|
|
131 | (1) |
|
|
132 | (2) |
|
The Epic [Morte d'Arthur] |
|
|
134 | (1) |
|
|
135 | (4) |
|
|
139 | (1) |
|
|
140 | (6) |
|
|
146 | (3) |
|
|
149 | (48) |
|
The Charge of the Light Brigade |
|
|
197 | (1) |
|
|
198 | (24) |
|
|
222 | (1) |
|
|
223 | (1) |
|
|
224 | (84) |
|
|
224 | (1) |
|
Soliloquy of the Spanish Cloister |
|
|
225 | (1) |
|
Johannes Agricola in Meditation |
|
|
226 | (1) |
|
|
227 | (1) |
|
|
228 | (1) |
|
|
229 | (1) |
|
The Bishop Orders His Tom at Saint Praxed's Church |
|
|
230 | (2) |
|
|
232 | (1) |
|
|
233 | (1) |
|
|
234 | (6) |
|
|
240 | (1) |
|
|
241 | (5) |
|
An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician |
|
|
246 | (5) |
|
``Childe Roland to the Dark Tower Came'' |
|
|
251 | (4) |
|
|
255 | (4) |
|
How It Strikes a Contemporary |
|
|
259 | (2) |
|
|
261 | (2) |
|
Bishop Blougram's Apology |
|
|
263 | (14) |
|
|
277 | (4) |
|
|
281 | (9) |
|
|
290 | (5) |
|
|
295 | (3) |
|
|
298 | (4) |
|
Caliban upon Setebos; or, Natural Theology in the Island |
|
|
302 | (6) |
|
|
308 | (3) |
|
The Owl and the Pussy-Cat |
|
|
308 | (1) |
|
The Dong with a Luminous Nose |
|
|
308 | (2) |
|
How Pleasant to Know Mr. Lear |
|
|
310 | (1) |
|
|
311 | (9) |
|
|
311 | (2) |
|
|
313 | (2) |
|
On the Death of Emily Jane Bronte |
|
|
315 | (1) |
|
On the Death of Anne Bronte |
|
|
316 | (1) |
|
|
316 | (1) |
|
``The house was still---the room was still'' |
|
|
317 | (1) |
|
|
317 | (1) |
|
``Is this my tomb, this humble stone'' |
|
|
317 | (2) |
|
``Obscure and little seem my way'' |
|
|
319 | (1) |
|
|
320 | (7) |
|
``Riches I hold in light esteem'' |
|
|
320 | (1) |
|
|
320 | (1) |
|
|
321 | (1) |
|
|
321 | (1) |
|
|
322 | (1) |
|
``No coward soul is mine'' |
|
|
323 | (1) |
|
Stanzas---``Often rebuked, yet always back returning'' |
|
|
324 | (1) |
|
|
324 | (1) |
|
``Long neglect has worn away'' |
|
|
325 | (1) |
|
``The night is darkening round me'' |
|
|
325 | (1) |
|
``What winter Hoods, what showers of spring'' |
|
|
325 | (1) |
|
``She dried her tears, and they did smile'' |
|
|
326 | (1) |
|
|
327 | (6) |
|
|
327 | (1) |
|
The Ploughshare of Old England |
|
|
328 | (1) |
|
|
328 | (1) |
|
|
329 | (2) |
|
|
331 | (2) |
|
|
333 | (3) |
|
Duty---that's to say complying |
|
|
333 | (1) |
|
|
333 | (1) |
|
|
334 | (1) |
|
``Say not the struggle nought availeth'' |
|
|
334 | (2) |
|
|
336 | (4) |
|
|
336 | (1) |
|
|
337 | (1) |
|
|
338 | (2) |
|
|
340 | (49) |
|
To a Gipsy Child by the Sea-Shore |
|
|
340 | (1) |
|
|
341 | (5) |
|
|
346 | (3) |
|
|
349 | (2) |
|
To Marguerite---Continued |
|
|
351 | (1) |
|
Stanzas in Memory of the Author of ``Obermann'' |
|
|
352 | (3) |
|
|
355 | (18) |
|
|
373 | (1) |
|
|
374 | (1) |
|
|
375 | (1) |
|
Stanzas from the Grande Chartreuse |
|
|
376 | (3) |
|
|
379 | (5) |
|
|
384 | (5) |
|
|
389 | (15) |
|
|
389 | (2) |
|
|
391 | (1) |
|
|
392 | (6) |
|
``A Sonnet is a moment's monument,---'' |
|
|
398 | (6) |
|
|
399 | (1) |
|
|
399 | (1) |
|
|
399 | (1) |
|
|
399 | (1) |
|
|
400 | (1) |
|
|
401 | (1) |
|
|
401 | (1) |
|
|
401 | (1) |
|
|
402 | (1) |
|
|
402 | (1) |
|
|
403 | (1) |
|
|
403 | (1) |
|
|
403 | (1) |
|
|
404 | (6) |
|
|
404 | (1) |
|
|
404 | (6) |
|
|
410 | (2) |
|
|
410 | (1) |
|
|
410 | (1) |
|
|
411 | (1) |
|
|
411 | (1) |
|
|
412 | (23) |
|
|
412 | (7) |
|
|
419 | (1) |
|
|
420 | (1) |
|
|
420 | (1) |
|
|
421 | (1) |
|
|
421 | (1) |
|
|
421 | (1) |
|
|
422 | (1) |
|
|
422 | (1) |
|
``The Iniquiry of the Fathers Upon the Children'' |
|
|
422 | (8) |
|
|
430 | (4) |
|
|
430 | (1) |
|
|
430 | (1) |
|
|
431 | (1) |
|
|
431 | (1) |
|
|
431 | (1) |
|
|
431 | (1) |
|
|
432 | (1) |
|
|
432 | (1) |
|
|
432 | (1) |
|
|
433 | (1) |
|
|
433 | (1) |
|
|
433 | (1) |
|
|
433 | (1) |
|
|
434 | (1) |
|
``For Thine Own Sake, O My God'' |
|
|
434 | (1) |
|
|
434 | (1) |
|
|
435 | (3) |
|
|
435 | (1) |
|
The Walrus and the Carpenter |
|
|
435 | (3) |
|
|
438 | (8) |
|
|
438 | (5) |
|
The Haystack in the Floods |
|
|
443 | (3) |
|
Algernon Charles Swinburne |
|
|
446 | (26) |
|
|
446 | (6) |
|
|
452 | (1) |
|
|
453 | (4) |
|
|
457 | (3) |
|
|
460 | (2) |
|
|
462 | (2) |
|
|
464 | (1) |
|
|
465 | (2) |
|
|
467 | (5) |
|
|
472 | (15) |
|
|
472 | (3) |
|
|
475 | (9) |
|
Mother and Daughter Sonnets |
|
|
484 | (3) |
|
|
484 | (1) |
|
|
484 | (1) |
|
|
485 | (1) |
|
|
485 | (1) |
|
|
485 | (1) |
|
|
485 | (1) |
|
|
486 | (1) |
|
|
486 | (1) |
|
|
486 | (1) |
|
|
487 | (6) |
|
|
487 | (1) |
|
|
487 | (1) |
|
|
487 | (1) |
|
|
488 | (1) |
|
|
488 | (1) |
|
|
488 | (1) |
|
The Minute Before Meeting |
|
|
489 | (1) |
|
|
489 | (1) |
|
The Something that Saved Him |
|
|
490 | (1) |
|
|
490 | (1) |
|
A Young Man's Exhortation |
|
|
491 | (1) |
|
|
491 | (1) |
|
|
491 | (2) |
|
|
493 | (11) |
|
The Wreck of the Deutschland |
|
|
493 | (6) |
|
|
499 | (1) |
|
|
499 | (1) |
|
|
499 | (1) |
|
``As kingfishers catch fire, dragonflies draw flame'' |
|
|
500 | (1) |
|
The Leaden Echo and the Golden Echo |
|
|
500 | (1) |
|
|
501 | (1) |
|
``No worst, there is none'' |
|
|
502 | (1) |
|
|
502 | (1) |
|
|
502 | (2) |
|
|
504 | (5) |
|
|
504 | (1) |
|
|
504 | (1) |
|
|
505 | (1) |
|
``Death, men say, is like a sea'' |
|
|
505 | (1) |
|
``Ah, Eros doth not always smite'' |
|
|
506 | (1) |
|
``Sometimes I do despatch my heart'' |
|
|
506 | (1) |
|
``Solitary Death, make me thine own'' |
|
|
506 | (1) |
|
|
507 | (1) |
|
``It was deep April, and the morn'' |
|
|
507 | (1) |
|
|
507 | (2) |
|
|
509 | (4) |
|
A Letter from a Girl to Her Own Old Age |
|
|
509 | (1) |
|
|
510 | (1) |
|
|
510 | (1) |
|
|
511 | (1) |
|
|
511 | (2) |
|
|
511 | (1) |
|
|
511 | (1) |
|
|
512 | (1) |
|
|
513 | (2) |
|
|
513 | (1) |
|
|
513 | (1) |
|
|
514 | (1) |
|
|
514 | (1) |
|
|
514 | (1) |
|
|
514 | (1) |
|
|
515 | (5) |
|
|
515 | (1) |
|
|
516 | (1) |
|
|
517 | (1) |
|
|
518 | (1) |
|
|
518 | (2) |
|
|
520 | (5) |
|
|
520 | (1) |
|
|
521 | (1) |
|
|
521 | (1) |
|
|
521 | (1) |
|
|
522 | (1) |
|
|
522 | (1) |
|
|
522 | (1) |
|
|
523 | (1) |
|
|
523 | (1) |
|
|
523 | (1) |
|
|
524 | (1) |
|
|
525 | (6) |
|
|
525 | (1) |
|
|
526 | (1) |
|
|
527 | (1) |
|
I Have Been Through The Gates |
|
|
527 | (1) |
|
|
527 | (1) |
|
|
528 | (3) |
|
|
528 | (1) |
|
|
528 | (3) |
POETIC THEORY |
|
|
|
531 | (9) |
|
Tennyson ∼ Poems, Chiefly Lyrical ∼ 1830 |
|
|
531 | (9) |
|
|
540 | (16) |
|
On Some of the Characteristics of Modern Poetry |
|
|
540 | (16) |
|
|
556 | (6) |
|
On the Ancient and Modern Influence of Poetry |
|
|
556 | (6) |
|
|
562 | (9) |
|
|
562 | (9) |
|
|
571 | (11) |
|
``Introductory Essay'' [``Essay on Shelley''] |
|
|
571 | (11) |
|
|
582 | (16) |
|
Recent English Poetry: A Review of Several Volumes of Poems |
|
|
582 | (16) |
|
|
|
|
|
|
|
|
|
|
598 | (9) |
|
Preface to the First Edition of Poems |
|
|
598 | (9) |
|
|
607 | (9) |
|
|
607 | (9) |
|
|
616 | (17) |
|
The Function of Criticism at the Present Time |
|
|
616 | (17) |
|
|
633 | (12) |
|
Wordsworth, Tennyson, and Browning; or, Pure, Ornate, and Grotesque Art in English Poetry |
|
|
633 | (12) |
|
|
645 | (12) |
|
The Fleshly School of Poetry: Mr. D.G. Rossetti |
|
|
645 | (12) |
|
|
657 | (5) |
|
The Stealthy School Of Criticism |
|
|
657 | (5) |
|
Algernon Charles Swinburne |
|
|
662 | (3) |
|
|
662 | (3) |
|
|
665 | (6) |
|
The Renaissance: Studies In Art And Poetry |
|
|
665 | (6) |
|
|
671 | (3) |
|
|
671 | (3) |
|
|
674 | (1) |
|
|
674 | (6) |
|
|
680 | (2) |
|
|
682 | (3) |
INDEXES |
|
|
|
685 | (4) |
|
Index of Authors and Titles |
|
|
689 | |