The Cambridge Companion to Adorno

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Format: Paperback
Pub. Date: 2004-07-05
Publisher(s): Cambridge University Press
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Summary

The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno (1903-1969) was one of the main philosophers of the first generation of the Frankfurt School of critical theory. As an accomplished musician, Adorno originally focused on the theory of culture and art. He later turned to the problem of the self-defeating dialectic of modern reason and freedom. A distinguished roster of Adorno specialists explores the full range of his contributions to philosophy, history, music theory, aesthetics and sociology in this collection of essays.

Table of Contents

List of Contributors ix
Introduction: Thoughts beside Themselves 1(247)
TOM HUHN
1 Negative Dialectic as Fate: Adorno and Hegel
19(32)
J.M. BERNSTEIN
2 Weighty Objects: On Adorno's Kant-Freud Interpretation
51(28)
JOEL WHITEBOOK
3 Adorno, Marx, Materialism
79(22)
SIMON JARVIS
4 Leaving Home: On Adorno and Heidegger
101(28)
SAMIR GANDESHA
5 Is Experience Still in Crisis? Reflections on a Frankfurt School Lament
129(19)
MARTIN JAY
6 Mephistopheles in Hollywood: Adorno, Mann, and Schoenberg
148(33)
JAMES SCHMIDT
7 Right Listening and a New Type of Human Being
181(17)
ROBERT HULLOT-KENTOR
8 Authenticity and Failure in Adorno's Aesthetics of Music
198(24)
MAX PADDISON
9 Dissonant Works and the Listening Public
222(26)
LYDIA GOEHR
10 Adorno, Heidegger, and the Meaning of Music 248(31)
ANDREW BOWIE
11 The Critical Theory of Society as Reflexive Sociology 279(23)
STEFAN MÜLLER-DOOHM
12 Genealogy and Critique: Two Forms of Ethical Questioning of Morality 302(26)
CHRISTOPH MENKE
13 Adorno's Negative Moral Philosophy 328(26)
GERHARD SCHWEPPENHÄUSER
14 Adorno's Social Lyric, and Literary Criticism Today: Poetics, Aesthetics, Modernity 354(22)
ROBERT KAUFMAN
15 Adorno's Tom Sawyer Opera Singspiel 376(19)
ROLF TIEDEMANN
Select Bibliography 395(26)
Index 421

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