The Cambridge Introduction to Walter Benjamin
by David S. Ferris-
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Summary
Table of Contents
| Preface | p. ix |
| Acknowledgments | p. xi |
| List of abbreviations | p. xii |
| Life | p. 1 |
| 1892-1912 Berlin: childhood and school years | p. 2 |
| 1912-1917 University, war, and marriage | p. 4 |
| 1917-1925 Pursuit of an academic career | p. 8 |
| 1925-1933 Critical ambitions | p. 12 |
| 1933-1940 Exile in Paris | p. 16 |
| 1940 Flight from Europe | p. 19 |
| Contexts | p. 22 |
| The student youth movement and the First World War | p. 22 |
| The George School | p. 23 |
| The Weimar Republic and the rise of National Socialism | p. 24 |
| Marxism and the Frankfurt School | p. 26 |
| Works | p. 29 |
| (a) Metaphysical beginnings 1914-1918 | p. 29 |
| "The Life of Students" | p. 29 |
| "Two Poems by Friedrich Holderlin" | p. 33 |
| "On Language in General and on the Language of Man" | p. 36 |
| "On the Program of the Coming Philosophy" | p. 42 |
| (b) Raising criticism 1919-1925 | p. 45 |
| The Concept of Criticism in German Romanticism | p. 47 |
| "Critique of Violence" | p. 52 |
| "Goethe's Elective Affinities" | p. 57 |
| "The Task of the Translator" | p. 62 |
| Origin of the German Tragic Drama | p. 66 |
| (c) Culture, politics, and criticism 1926-1931 | p. 74 |
| One-Way Street | p. 75 |
| "Surrealism. The Last Snapshot of the European Intelligentsia" | p. 78 |
| "On the Image of Proust" | p. 82 |
| "Theories of German Fascism" | p. 84 |
| "Karl Kraus" | p. 88 |
| (d) Media and revolution 1931-1936 | p. 91 |
| "Little History of Photography" | p. 92 |
| "The Author as Producer" | p. 96 |
| "Franz Kafka. On the Tenth Anniversary of His Death" | p. 102 |
| "The Work of Art in the Age of Its Technical Reproducibility" | p. 104 |
| "The Storyteller" | p. 111 |
| (e) History, materialism, and the messianic 1936-1940 | p. 114 |
| The Arcades Project | p. 115 |
| Charles Baudelaire: A Lyric Poet in the Age of High Capitalism | p. 122 |
| "On the Concept of History" | p. 130 |
| Critical reception | p. 136 |
| Translation and early history of reception | p. 136 |
| Political and Marxist-influenced reception | p. 140 |
| Reception in literary and critical theory | p. 141 |
| Benjamin across disciplines and in recent critical approaches | p. 143 |
| Notes | p. 146 |
| Guide to further reading | p. 148 |
| Index | p. 155 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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