The Face and Head |
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Cartoon Faces -- In Four Easy Steps |
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1 | (1) |
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Simple Yet Profound Facts about Cartooning |
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2 | (1) |
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Side and Front View Noses and Eyeglasses |
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3 | (1) |
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Eyes and Brows and Eyes on Side of Nose |
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4 | (1) |
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5 | (1) |
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Mustaches, Beards and Ears |
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6 | (1) |
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Head Shapes and Hair -- Male |
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7 | (1) |
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Hair -- Female and Women's and Men's Hats |
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8 | (1) |
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The Profile within the Front View Head and the Partial Profile in the Full Face |
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9 | (1) |
The Emotions and Facial Expressions |
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10 | (1) |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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14 | (1) |
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Worrying, Thinking and Meditating |
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15 | (1) |
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Smiling -- Side and Front View |
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16 | (1) |
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Laughing -- Tongues, Teeth and Plan Openings |
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17 | (1) |
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Eyelids and Eye Locations (with All Emotions) |
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18 | (1) |
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Alphabetized Catalog of Emotions and Expression (with Cross References) |
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19 | (3) |
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22 | (2) |
The Pretty Girl |
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24 | (1) |
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Girl Transition into Cartoon |
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25 | (1) |
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Types of Girl Cartoon Profiles and a Step-at-a-Time Procedure |
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26 | (2) |
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Going to Real Life for Cartoon Elements |
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28 | (1) |
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Breaking Down Faces for Cartoon |
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29 | (1) |
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More Tips on the Pretty Girl Head |
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30 | (1) |
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Eight Easy Steps in Drawing Teen-Age Girls |
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31 | (1) |
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Highly Stylized Cartoon Girl Heads |
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32 | (1) |
The Caricature |
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33 | (1) |
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Helpful Pointers in Caricature |
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34 | (1) |
The Standing Figure |
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Building Cartoon Figures on the Simple Oval |
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35 | (1) |
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Beginning the Side View Figure on a Triangle |
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36 | (1) |
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The Triangle Modified and Reversed and the Dangling Arm and Jutting Heel |
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37 | (1) |
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The Front View Figure on a Triangle |
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38 | (1) |
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Expanding the Stick Figure |
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39 | (1) |
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Stepping Outside the Normal into the Cartoon World |
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40 | (1) |
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Usually Cartoon Heads Are Larger, Bodies Smaller |
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41 | (1) |
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42 | (1) |
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43 | (1) |
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44 | (1) |
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Women's Fashions and Cartooning |
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45 | (1) |
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The Side View Female Cartoon |
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46 | (1) |
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The Front View Female Cartoon |
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47 | (1) |
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Six Simplified Methods of Female Construction |
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48 | (1) |
The Figure in Different Positions |
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The Seated Front View Figure |
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49 | (1) |
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The Seated side View Male, Emotions, Sitting, and Sitting with Legs Crossed |
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50 | (1) |
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51 | (1) |
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The Kneeling and Bowing Position |
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52 | (1) |
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53 | (1) |
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Cartooning Males in Bed -- Side View |
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54 | (1) |
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Male Reclines -- Additional Positions |
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55 | (1) |
The Walking Figure |
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The Walk in Cartoon -- Angular and Rounded Beginnings |
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56 | (1) |
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Over 150 Side View Walking Combinations |
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57 | (1) |
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The Walk Wheel -- Over 125 Front View Walking Combinations and Leg and Foot Factors |
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58 | (2) |
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Creating Forward Motion by Perspective and Overlap and the Walking Front View Woman |
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60 | (1) |
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The Magic of Straights in a Cartoon Walk and the Back View Walk |
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61 | (1) |
The Running Figure |
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The Run in Cartoon and the Reaching Run |
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62 | (1) |
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63 | (1) |
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Running Figures -- in Easy Follow-Through Stages |
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64 | (1) |
The Hands |
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A Simplified Guide: Eight Basic Hand Groups |
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65 | (1) |
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The Four Shape Treatments in Cartoon Hands and the Basic Thumbs |
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66 | (1) |
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Ways of Drawing Cartoon Hands |
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67 | (3) |
The Feet |
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Cartooning Legs and Feet and the Cartoon Shoe |
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70 | (1) |
The Clothing |
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Cartoon Clothing and Folds |
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71 | (1) |
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Men's and Women's Clothing |
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72 | (1) |
The Styles and Techniques |
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Breaking the Chain of Tight Conformity |
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73 | (1) |
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Style and Technique Possibilities Are Unlimited |
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74 | (2) |
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76 | (1) |
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77 | (1) |
The Editorial and Political Cartoon |
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Approaching the Editorial Cartoon |
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78 | (2) |
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Tips on Editorial Cartooning |
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80 | (1) |
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Fluoro Wash and Dry Transfer Screen Cartooning |
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81 | (1) |
The Advertising Application -- Newspapers Magazines, Television, etc. |
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The Commercial Cartoon and Ad Eye Catchers |
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82 | (1) |
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Line Width in a Commercial Cartoon and Cartoon Message Bearers |
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83 | (1) |
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Using Various Papers in the Commercial Cartoon |
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84 | (1) |
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More Styles and Techniques for Advertising |
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85 | (1) |
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Different Techniques Featuring Women |
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86 | (1) |
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Notes on Cartooning Little People and Pre-set Alphabets |
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87 | (1) |
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88 | (1) |
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Unusual Effects with a Design Slant |
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89 | (1) |
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Making Ordinary Objects Come Alive, the Silhouette and the Old-Fashioned Look in Cartoon |
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90 | (1) |
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Costumes of Many Lands in Cartoon |
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91 | (1) |
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92 | (1) |
The Baby and Child |
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93 | (1) |
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Tips on Cartooning Babies |
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94 | (1) |
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95 | (1) |
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Little Girls and Parents with Children |
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96 | (1) |
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97 | (1) |
The Sports Cartoon |
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The Importance of the Sports Cartoon and Simplified Figure Anatomy |
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98 | (1) |
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Putting Muscles on the Stick Figure and Areas of Exaggeration |
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99 | (1) |
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Exaggerating Sports Action |
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100 | (1) |
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Putting Thunder in the Sports Cartoon |
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101 | (1) |
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Drawing Sports Personalities |
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102 | (1) |
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103 | (1) |
Special Problems |
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104 | (2) |
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106 | (1) |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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Cartooning Total Exhaustion |
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111 | (1) |
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Characters in Conversation |
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112 | (1) |
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People in the Act of Writing |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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Dealing with Various Cartoon Subjects |
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116 | (1) |
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117 | (1) |
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Miscellaneous Characters and Types |
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118 | (1) |
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119 | (1) |
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120 | |