
Chinese Calligraphy
by Translated and edited by Youfen Wang. Zhongshi Ouyang, Wen C. Fong, Baolin Cao,-
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Summary
Author Biography
Table of Contents
Chronology | |
Emperors of the Song, Yuan, Ming, and Qing Dynasties | |
Map of China | |
Prologue: Chinese Calligraphy as Presenting the Self | p. 1 |
Introduction | p. 33 |
The Evolution and Artistry of Chinese Characters | p. 47 |
An Ancient Art Shines: Calligraphy from the Shang Through the Han Dynasties | p. 67 |
Striving for Perfection Amid Social Upheavals: Calligraphy During the Wei, Jin, Southern, and Northern Dynasties | p. 133 |
An Epoch of Eminent Calligraphers: The Sui, Tang, and Five Dynasties | p. 139 |
Self-Expression Versus Ancient Tradition: Calligraphy of the Song, Jin, and Yuan Dynasties | p. 241 |
From Domination of the Chancellery Style to Liberation of the Self: Calligraphy of the Ming Dynasty | p. 303 |
Two Schools of Calligraphy Join Hands: Tiepai and Beipai in the Qing Dynasty | p. 339 |
Chinese Calligraphy in the Twentieth Century | p. 379 |
An Overview of Ancient Calligraphic Theories | p. 415 |
Chinese Calligraphy Meets the West | p. 439 |
Notes | p. 463 |
Further Readings | p. 477 |
List of Contributors | p. 481 |
Acknowledgments | p. 485 |
Illustration Credits | p. 489 |
Index | p. 491 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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