| THE LAUGHING HYENA AND OTHER POEMS (1953) |
|
3 | (23) |
|
Deir El Bahari: Temple of Hatshepsut |
|
|
3 | (1) |
|
|
|
4 | (1) |
|
|
|
5 | (1) |
|
|
|
5 | (1) |
|
The White Fort of Kait Bey |
|
|
6 | (1) |
|
|
|
7 | (1) |
|
|
|
7 | (1) |
|
Why the East is Inscrutable |
|
|
8 | (1) |
|
|
|
9 | (1) |
|
|
|
10 | (1) |
|
University Examinations in Egypt |
|
|
11 | (1) |
|
|
|
11 | (2) |
|
An Egyptian in Birmingham |
|
|
13 | (1) |
|
|
|
14 | (1) |
|
|
|
15 | (1) |
|
|
|
16 | (1) |
|
|
|
16 | (1) |
|
|
|
17 | (1) |
|
The Casino at Monte Carlo |
|
|
18 | (1) |
|
|
|
19 | (1) |
|
|
|
19 | (1) |
|
|
|
20 | (1) |
|
|
|
21 | (1) |
|
|
|
21 | (1) |
|
|
|
22 | (1) |
|
|
|
23 | (1) |
|
|
|
24 | (1) |
|
The Laughing Hyena, after Hokusai |
|
|
25 | (1) |
| BREAD RATHER THAN BLOSSOMS (1956) |
|
26 | (20) |
|
Sumiyoshi: First Impressions |
|
|
26 | (1) |
|
Sumiyoshi: After a Typhoon |
|
|
26 | (1) |
|
|
|
27 | (1) |
|
|
|
28 | (1) |
|
The Monuments of Hiroshima |
|
|
29 | (1) |
|
|
|
30 | (1) |
|
|
|
30 | (1) |
|
|
|
31 | (1) |
|
|
|
32 | (1) |
|
|
|
33 | (1) |
|
|
|
34 | (1) |
|
The Short Life of Kazuo Yamamoto |
|
|
34 | (1) |
|
How right they were, the Chinese poets |
|
|
35 | (1) |
|
The Old Man Comes to His Senses |
|
|
36 | (1) |
|
|
|
36 | (1) |
|
A Poor Little Lonely Child |
|
|
37 | (2) |
|
|
|
39 | (1) |
|
|
|
40 | (1) |
|
|
|
41 | (1) |
|
|
|
41 | (1) |
|
|
|
41 | (1) |
|
|
|
42 | (1) |
|
|
|
43 | (1) |
|
|
|
44 | (1) |
|
|
|
45 | (1) |
| SOME MEN ARE BROTHERS (1960) |
|
46 | (30) |
|
|
|
46 | (1) |
|
|
|
47 | (1) |
|
|
|
48 | (1) |
|
|
|
49 | (1) |
|
|
|
50 | (1) |
|
The Noodle-Vendor's Flute |
|
|
51 | (1) |
|
Busybody under a Cherry Tree |
|
|
52 | (1) |
|
|
|
53 | (1) |
|
|
|
53 | (1) |
|
|
|
54 | (1) |
|
|
|
55 | (2) |
|
|
|
57 | (1) |
|
|
|
58 | (1) |
|
Meeting an Egyptian at a Cocktail Party |
|
|
59 | (1) |
|
|
|
59 | (1) |
|
|
|
60 | (1) |
|
|
|
61 | (1) |
|
|
|
62 | (1) |
|
|
|
63 | (1) |
|
|
|
64 | (3) |
|
Displaced Person Looks at a Cage-Bird |
|
|
67 | (1) |
|
|
|
67 | (1) |
|
|
|
68 | (1) |
|
|
|
69 | (2) |
|
|
|
71 | (1) |
|
The Conspectus of Sodomites |
|
|
72 | (1) |
|
|
|
73 | (1) |
|
|
|
74 | (2) |
| ADDICTIONS (1962) |
|
76 | (28) |
|
|
|
76 | (1) |
|
Reflections on Foreign Literature |
|
|
77 | (1) |
|
|
|
78 | (2) |
|
|
|
80 | (1) |
|
Confessions of an English Opium Smoker |
|
|
81 | (1) |
|
|
|
82 | (1) |
|
|
|
83 | (1) |
|
|
|
84 | (1) |
|
|
|
84 | (2) |
|
|
|
86 | (1) |
|
|
|
87 | (2) |
|
|
|
89 | (1) |
|
Bright young dull old things |
|
|
90 | (2) |
|
|
|
92 | (1) |
|
|
|
93 | (1) |
|
|
|
94 | (1) |
|
I was a gulli-gulli man's chicken |
|
|
94 | (2) |
|
|
|
96 | (1) |
|
Dreaming in the Shanghai Restaurant |
|
|
97 | (1) |
|
|
|
98 | (1) |
|
|
|
98 | (2) |
|
|
|
100 | (1) |
|
|
|
101 | (1) |
|
|
|
102 | (1) |
|
`Why isn't your poetry more personal?' |
|
|
102 | (2) |
| THE OLD ADAM (1965) |
|
104 | (19) |
|
|
|
104 | (1) |
|
|
|
105 | (1) |
|
|
|
106 | (1) |
|
|
|
107 | (1) |
|
To Old Cavafy, from a New Country |
|
|
108 | (1) |
|
|
|
109 | (1) |
|
|
|
110 | (1) |
|
Meeting the Minister for Culture |
|
|
111 | (2) |
|
|
|
113 | (1) |
|
|
|
113 | (1) |
|
Elegy in a Country Suburb |
|
|
114 | (2) |
|
|
|
116 | (1) |
|
The Ancient Anthropologist |
|
|
117 | (1) |
|
|
|
118 | (2) |
|
|
|
120 | (1) |
|
Poet wondering what he is up to |
|
|
121 | (1) |
|
|
|
122 | (1) |
|
|
|
122 | (1) |
| UNLAWFUL ASSEMBLY (1968) |
|
123 | (22) |
|
|
|
123 | (1) |
|
|
|
123 | (1) |
|
|
|
124 | (1) |
|
What became of What-was-his-name? |
|
|
125 | (3) |
|
|
|
128 | (2) |
|
|
|
130 | (1) |
|
Rueful Writers Contemplate a Painter |
|
|
131 | (1) |
|
|
|
132 | (2) |
|
|
|
134 | (1) |
|
|
|
135 | (1) |
|
|
|
136 | (1) |
|
The Mysterious Incident at the Admiral's Party |
|
|
136 | (2) |
|
Writing Poetry in a Hotel Room |
|
|
138 | (1) |
|
|
|
139 | (1) |
|
|
|
139 | (1) |
|
|
|
140 | (1) |
|
|
|
141 | (2) |
|
I was a middle-aged corrupter of youth |
|
|
143 | (1) |
|
|
|
144 | (1) |
| DAUGHTERS OF EARTH (1972) |
|
145 | (27) |
|
|
|
145 | (1) |
|
|
|
146 | (1) |
|
|
|
147 | (1) |
|
To an Emergent Politician |
|
|
147 | (1) |
|
An Underdeveloped Country |
|
|
148 | (1) |
|
|
|
149 | (1) |
|
|
|
149 | (1) |
|
|
|
150 | (2) |
|
More Memories of Underdevelopment |
|
|
152 | (1) |
|
Master Kung at the Keyboard |
|
|
153 | (1) |
|
|
|
154 | (1) |
|
|
|
155 | (1) |
|
|
|
156 | (1) |
|
|
|
157 | (1) |
|
|
|
158 | (1) |
|
Memoirs of a Book Reviewer |
|
|
159 | (1) |
|
In the Basilica of the Annunciation |
|
|
160 | (2) |
|
|
|
162 | (1) |
|
How Many Devils Can Dance on the Point... |
|
|
162 | (2) |
|
|
|
164 | (1) |
|
|
|
165 | (1) |
|
|
|
166 | (1) |
|
Another person one would like to be |
|
|
167 | (1) |
|
To a War Poet, on Teaching Him in a New Country |
|
|
168 | (1) |
|
High-mindedness of an English Poet |
|
|
169 | (1) |
|
|
|
170 | (1) |
|
|
|
170 | (1) |
|
|
|
171 | (1) |
| THE TERRIBLE SHEARS: SCENES FROM A TWENTIES CHILDHOOD (1973) |
|
172 | (37) |
| SAD IRES (1975) |
|
209 | (26) |
|
|
|
209 | (1) |
|
The Stations of King's Cross |
|
|
210 | (2) |
|
|
|
212 | (1) |
|
|
|
213 | (1) |
|
|
|
214 | (1) |
|
|
|
215 | (1) |
|
|
|
216 | (1) |
|
|
|
216 | (1) |
|
|
|
217 | (2) |
|
|
|
219 | (1) |
|
|
|
219 | (1) |
|
|
|
220 | (2) |
|
|
|
222 | (1) |
|
|
|
222 | (1) |
|
|
|
223 | (1) |
|
|
|
224 | (1) |
|
|
|
225 | (1) |
|
|
|
226 | (1) |
|
|
|
227 | (1) |
|
Vacillations of an Aspiring Vampire |
|
|
228 | (1) |
|
Concerning the Future of Britain |
|
|
229 | (1) |
|
|
|
230 | (1) |
|
|
|
231 | (1) |
|
|
|
231 | (1) |
|
|
|
232 | (1) |
|
|
|
233 | (1) |
|
|
|
233 | (2) |
| PARADISE ILLUSTRATED (1978) |
|
235 | (39) |
|
Paradise Illustrated: A Sequence |
|
|
235 | (25) |
|
|
|
260 | (1) |
|
|
|
261 | (1) |
|
|
|
262 | (1) |
|
|
|
263 | (1) |
|
|
|
264 | (1) |
|
|
|
265 | (1) |
|
|
|
266 | (1) |
|
|
|
267 | (1) |
|
|
|
267 | (1) |
|
|
|
268 | (1) |
|
Poem Translated from a Foreign Language |
|
|
269 | (1) |
|
|
|
270 | (1) |
|
|
|
271 | (1) |
|
A Child's Guide to Welfare |
|
|
272 | (1) |
|
History of World Languages |
|
|
273 | (1) |
| A FAUST BOOK (1979) |
|
274 | (62) |
| POEMS 1981 |
|
336 | (24) |
|
|
|
336 | (1) |
|
|
|
336 | (2) |
|
|
|
338 | (1) |
|
|
|
338 | (1) |
|
|
|
339 | (1) |
|
|
|
340 | (1) |
|
|
|
341 | (1) |
|
|
|
342 | (1) |
|
|
|
342 | (1) |
|
|
|
343 | (1) |
|
|
|
344 | (3) |
|
|
|
347 | (1) |
|
|
|
347 | (1) |
|
|
|
348 | (1) |
|
|
|
349 | (1) |
|
|
|
349 | (1) |
|
|
|
350 | (1) |
|
|
|
351 | (1) |
|
|
|
352 | (1) |
|
|
|
353 | (1) |
|
Anecdote from William IV Street |
|
|
353 | (1) |
|
I am a Bewohner of an Elfenbeinturm |
|
|
354 | (1) |
|
|
|
354 | (1) |
|
|
|
355 | (1) |
|
|
|
356 | (1) |
|
The Retired Life of the Demons |
|
|
356 | (2) |
|
|
|
358 | (1) |
|
|
|
359 | (1) |
| INSTANT CHRONICLES: A LIFE (1985) |
|
360 | (53) |
| POEMS 1987 |
|
413 | (30) |
|
|
|
413 | (1) |
|
|
|
414 | (1) |
|
|
|
415 | (1) |
|
|
|
416 | (1) |
|
|
|
417 | (1) |
|
|
|
418 | (1) |
|
|
|
419 | (1) |
|
The Decline of Science Fiction |
|
|
420 | (1) |
|
|
|
420 | (2) |
|
|
|
422 | (1) |
|
|
|
423 | (1) |
|
|
|
424 | (1) |
|
|
|
425 | (1) |
|
|
|
425 | (1) |
|
|
|
426 | (2) |
|
|
|
428 | (1) |
|
|
|
429 | (1) |
|
|
|
429 | (1) |
|
|
|
430 | (1) |
|
Murder in the Sitting-Room |
|
|
430 | (1) |
|
The Lady Orders her Funeral |
|
|
431 | (1) |
|
|
|
432 | (1) |
|
|
|
432 | (6) |
|
Waiting for the Bureaucrats |
|
|
438 | (1) |
|
|
|
439 | (4) |
| UNDER THE CIRCUMSTANCES (1991) |
|
443 | (23) |
|
|
|
443 | (1) |
|
|
|
444 | (1) |
|
|
|
444 | (1) |
|
One can't go on feeling guilty for ever |
|
|
445 | (1) |
|
|
|
445 | (1) |
|
|
|
446 | (1) |
|
|
|
447 | (1) |
|
|
|
447 | (2) |
|
|
|
449 | (1) |
|
|
|
449 | (1) |
|
|
|
450 | (1) |
|
|
|
451 | (1) |
|
|
|
451 | (1) |
|
|
|
452 | (1) |
|
|
|
453 | (1) |
|
|
|
453 | (1) |
|
Every bullet has its bill |
|
|
454 | (1) |
|
|
|
454 | (1) |
|
|
|
455 | (1) |
|
Seminar on contemporary Chinese writing |
|
|
456 | (1) |
|
|
|
457 | (1) |
|
|
|
458 | (1) |
|
|
|
459 | (1) |
|
|
|
460 | (1) |
|
|
|
460 | (1) |
|
|
|
460 | (1) |
|
|
|
461 | (1) |
|
|
|
462 | (1) |
|
|
|
463 | (1) |
|
|
|
463 | (1) |
|
|
|
464 | (1) |
|
|
|
464 | (2) |
| OLD MEN AND COMETS (1993) |
|
466 | (26) |
|
|
|
466 | (1) |
|
|
|
466 | (1) |
|
|
|
467 | (1) |
|
|
|
467 | (1) |
|
|
|
468 | (1) |
|
|
|
469 | (1) |
|
|
|
469 | (1) |
|
|
|
470 | (1) |
|
|
|
471 | (1) |
|
|
|
472 | (1) |
|
|
|
473 | (1) |
|
|
|
473 | (1) |
|
Thinking of the young ladies of Tsuda College |
|
|
474 | (1) |
|
|
|
475 | (1) |
|
|
|
475 | (1) |
|
|
|
476 | (2) |
|
|
|
478 | (1) |
|
First words, last chances |
|
|
478 | (4) |
|
|
|
482 | (1) |
|
|
|
483 | (1) |
|
|
|
483 | (1) |
|
|
|
484 | (1) |
|
|
|
484 | (1) |
|
|
|
485 | (3) |
|
|
|
488 | (1) |
|
|
|
489 | (1) |
|
|
|
490 | (1) |
|
A register of diverse deaths |
|
|
491 | (1) |
|
|
|
491 | (1) |
| from INTERPLAY: A Kind of Commonplace Book (1995) |
|
492 | (11) |
|
|
|
492 | (1) |
|
|
|
492 | (1) |
|
|
|
493 | (1) |
|
|
|
494 | (1) |
|
The drunkenness of things being similar |
|
|
494 | (1) |
|
A thank-you letter from abroad |
|
|
495 | (1) |
|
Caligula on the subject of names |
|
|
496 | (1) |
|
|
|
497 | (1) |
|
|
|
498 | (1) |
|
|
|
499 | (2) |
|
|
|
501 | (1) |
|
|
|
502 | (1) |
| A HOSPITAL JOURNAL (1997) |
|
503 | |