Creating Digital Content : A Video Production Guide for Web, Broadcast, and Cinema
by Rice, John; McKernan, Brian; Rice, John; McKernan, BrianFormat: Paperback
Pub. Date: 2001-09-26
Publisher(s): MCG
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Summary
Unique, complete tutorial of digital video production techniques from the experts driving the content revolution. Coverage includes; datacasting, webcasting, interactive television, digital cinema, DVD and more. Softcover.
Author Biography
JOHN RICE is a Senior Communication Manager at Sony and former publisher/editorial director of Videography and Corporate Television magazines.
BRIAN McKERNAN is the editor of Digital Cinema magazine and the former Editorial Director of Videography, Television Broadcast, and Government Video.
Table of Contents
THROW ANOTHER ANALOG ON THE DIGITAL FIRE:CONFESSIONS OF A DIGITAL CONTENT CREATOR WHAT HAPPENED TO CONVERGENCE? CHAPTER 1: A DIGITAL PRIMER, SCHUBIN-STYLE CHAPTER 2: ANY CONTENT, ANYWHERE, ANYTIME CHAPTER 3: CONVERGENCE PROGRAMMING IN SPORTS CHAPTER 4: THE NEW DIGITAL CONTENT CONSUMER CHAPTER 5: TOOLS AND THE TRADE CHAPTER 6: THE NONLINEAR AGE CHAPTER 7: DIGITAL RECORDING CHAPTER 8: CGI AND DIGITAL CONTENT CREATION CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 1: A DIGITAL PRIMER, SCHUBIN-STYLE CHAPTER 2: ANY CONTENT, ANYWHERE, ANYTIME CHAPTER 3: CONVERGENCE PROGRAMMING IN SPORTS CHAPTER 4: THE NEW DIGITAL CONTENT CONSUMER CHAPTER 5: TOOLS AND THE TRADE CHAPTER 6: THE NONLINEAR AGE CHAPTER 7: DIGITAL RECORDING CHAPTER 8: CGI AND DIGITAL CONTENT CREATION CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 3: CONVERGENCE PROGRAMMING IN SPORTS CHAPTER 4: THE NEW DIGITAL CONTENT CONSUMER CHAPTER 5: TOOLS AND THE TRADE CHAPTER 6: THE NONLINEAR AGE CHAPTER 7: DIGITAL RECORDING CHAPTER 8: CGI AND DIGITAL CONTENT CREATION CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 5: TOOLS AND THE TRADE CHAPTER 6: THE NONLINEAR AGE CHAPTER 7: DIGITAL RECORDING CHAPTER 8: CGI AND DIGITAL CONTENT CREATION CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 7: DIGITAL RECORDING CHAPTER 8: CGI AND DIGITAL CONTENT CREATION CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 9: AUDIO: MORE THAN HALF THE PICTURE CHAPTER 10: THE CASE FOR PROFESSIONAL COMMUNICATORS IN A DIGITAL AGE CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 11: THE PRACTITIONER’S VIEW CHAPTER 12: OPENING ONLINE DOORS FOR RICH MEDIA CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 13: RICH MEDIA AND LIVESTREAMING MEDIA CHAPTER 14: THE IMPORTANCE OF WEB-SITE DESIGN CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 15: DATACASTING CHAPTER 16: THE VIDEO “PRINTING PRESS” CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 17: THE DTV TRANSITION CHAPTER 18: FORGET HDTV; GET HDTV! CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 19: THE PROMISE OF DIGITAL INTERACTIVE TELEVISION CHAPTER 20: 2000: INTERACTIVE ENHANCED TELEVISION—A HISTORICAL AND CRITICAL PERSPECTIVE CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 21: DIGITAL CENTRAL CASTING CHAPTER 22: PRODUCTION AND POST-PRODUCTION FOR 4:3 AND 16:9 CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 23: TELEVISION: THE “HIGH DEFINITION” CHAPTER 24: IN SEARCH OF THE NEW VIEWING EXPERIENCE CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 25: COMING TO A THEATRE NEAR YOU:DIGITAL CINEMA CHAPTER 26: USING 1080/24P OR 1080/60I FOR DIVERSE PRODUCTION APPLICATIONS CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 27: LOW-REZ CHAPTER 28: INTERVIEW WITH GEORGE LUCAS:BREAKING THE CELLULOID CEILING CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
CHAPTER 29: INTERVIEW WITH JAMES CAMERON:3D DIGITAL HD Glossary Index
Index
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