Creating Fiction

by
Format: Paperback
Pub. Date: 2001-03-01
Publisher(s): Story Pr
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Summary

The twenty-four contributors to Creating Fiction--members of the Associated Writing Programs--have won awards such as the Pulitzer Prize, the National Book Award, and the National Magazine Award. Now their experience and wisdom can be found in one landmark book. * Learn how to revise and edit from Jane Smiley * Find ways to evoke time and place from Richard Russo * Hear a passionate discussion of the writer's apprenticeship from Charles Johnson * Explore tone and emphasis with Charles Baxter Their sage advice, combined with more than 100 writing exercises, assure that Creating Fiction will engage and delight readers at any level of experience. Julie Checkoway is the head of the creative writing program at the University of Georgia and was the 1998-1999 president of the Associated Writing Programs. Since 1967, the Associated Writing Programs, or AWP, has supported writers and writing programs around the world. AWP currently supports over 20,000 writers at over 320 member colleges and universities and 60 writers' conferences and centers.

Table of Contents

Introductionp. ix
Thinking About Fictionp. 1
Going to See the Elephant: Our Duty as Storytellersp. 2
The Trigger: What Gives Rise to a Story?p. 13
Other Bodies, Ourselves: The Mask of Fictionp. 28
Creative Adventures: The Fiction Writer's Apprenticeshipp. 34
Characterizationp. 43
Icebergs, Glaciers, and Arctic Dreams: Developing Charactersp. 44
Extras, Chorus, Supernumeraries, and Walk-Ons: Bringing Minor Characters to Lifep. 57
Location, Location, Location: Depicting Character Through Placep. 67
Sympathy for the Devil: What to Do About Difficult Charactersp. 81
Point of Viewp. 95
Casting Shadows, Hearing Voices: The Basics of Point of Viewp. 96
A Container of Multitudes, Or When "I" Isn't "Me": The Art of First Personp. 107
And Eyes to See: The Art of Third Personp. 115
Plot, Structure, and Narrativep. 125
Incremental Perturbation: How to Know Whether You've Got a Plot or Notp. 126
Time and Order: The Art of Sequencingp. 135
An Architecture of Light: Structuring the Novel and Story Collectionp. 148
The Lingerie Theory of Literature: Describing and Withholding, Beginning and Endingp. 164
Style and Voicep. 181
You're Really Something: Inflection, Tone, and Pitchp. 182
A Mystified Notion: Some Notes on Voicep. 197
Minimalism and Maximalism: A Question of Stylep. 207
The Conjurer's Art: The Rules of Magical Realism and How to Break Themp. 219
The Comic Point of View: Putting Humor in Your Fictionp. 231
Revising, Editing, and Marketingp. 243
What Stories Teach Their Writers: The Purpose and Practice of Revisionp. 244
Eleven Style Considerations You Can't Live Without: Editing and Polishingp. 256
On Sending Out and Getting Back: Publishing Fictionp. 263
Forty Additional Writing Exercisesp. 273
Table of Contents provided by Syndetics. All Rights Reserved.

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