Introduction |
|
xiii | |
Why Write about Art? |
|
xiii | |
How Will This Book Help? |
|
xiii | |
|
Principles of Effective Writing |
|
|
1 | (28) |
|
The Four Modes of Discourse |
|
|
2 | (4) |
|
|
2 | (1) |
|
|
2 | (1) |
|
|
3 | (2) |
|
|
5 | (1) |
|
Types of Writing about Art |
|
|
6 | (5) |
|
|
6 | (1) |
|
|
6 | (1) |
|
|
6 | (1) |
|
|
7 | (1) |
|
|
7 | (1) |
|
|
7 | (1) |
|
Other Types of Writing about Art |
|
|
8 | (1) |
|
|
8 | (1) |
|
Museum and Gallery Labels |
|
|
9 | (1) |
|
|
10 | (1) |
|
Approaches to Art Criticism |
|
|
11 | (6) |
|
|
12 | (1) |
|
Formalistic Art Criticism |
|
|
12 | (1) |
|
Contextualist Art Criticism |
|
|
13 | (1) |
|
Psychoanalytical Art Criticism |
|
|
13 | (1) |
|
Ideological Art Criticism |
|
|
14 | (3) |
|
The Process for Writing about Art |
|
|
17 | (12) |
|
|
17 | (1) |
|
|
18 | (1) |
|
Posing a Research Question |
|
|
18 | (1) |
|
Researching Your Topic and Taking Notes |
|
|
19 | (1) |
|
|
19 | (1) |
|
Identifying the Counterarguments |
|
|
20 | (1) |
|
Asking the Proof Question |
|
|
20 | (1) |
|
Designing Your Points of Proof |
|
|
20 | (1) |
|
|
21 | (1) |
|
|
21 | (1) |
|
|
21 | (1) |
|
|
22 | (1) |
|
Writing the Body Paragraphs |
|
|
22 | (3) |
|
|
25 | (1) |
|
|
26 | (1) |
|
|
26 | (1) |
|
Revising, Editing, and Proofreading Your Paper |
|
|
27 | (1) |
|
|
27 | (2) |
|
The Language of Art and the Formal Analysis |
|
|
29 | (22) |
|
|
30 | (10) |
|
|
30 | (3) |
|
|
33 | (3) |
|
|
36 | (1) |
|
|
37 | (1) |
|
|
38 | (1) |
|
|
38 | (1) |
|
|
39 | (1) |
|
|
39 | (1) |
|
|
39 | (1) |
|
|
40 | (3) |
|
Planning the Formal Analysis |
|
|
40 | (2) |
|
Writing the Formal Analysis |
|
|
42 | (1) |
|
A Sample Formal Analysis Essay |
|
|
43 | (7) |
|
``Chantet Lane: A Post-Impressionist Walk in the American Southwest'' |
|
|
43 | (7) |
|
|
Revising Editing and Proofreading Your Paper |
|
|
50 | (1) |
|
|
50 | (1) |
|
Writing the Expository Essay |
|
|
51 | (36) |
|
|
52 | (5) |
|
A Sample Expository Essay |
|
|
57 | (3) |
|
``Strength in Stone: Michelangelo's David'' |
|
|
57 | (3) |
|
|
Topic Suggestions for Expository Essays |
|
|
60 | (3) |
|
Templates for Planning the Expository Essay |
|
|
63 | (1) |
|
|
64 | (9) |
|
``Gothic Nightmares in Romantic Painting'' |
|
|
66 | (7) |
|
|
Organizing the Comparison-Contrast Essay |
|
|
73 | (12) |
|
``Don't Worry, Be Happy: Minoan Art and Architecture'' |
|
|
75 | (4) |
|
|
``Nobility in Human Suffering in the Work of Theodore Gericault'' |
|
|
79 | (6) |
|
|
Revising, Editing, and Proofreading Your Paper |
|
|
85 | (2) |
|
|
85 | (2) |
|
Writing the Argumentative Essay |
|
|
87 | (18) |
|
|
87 | (1) |
|
|
88 | (1) |
|
Planning the Argumentative Essay |
|
|
88 | (4) |
|
|
88 | (1) |
|
|
89 | (3) |
|
|
92 | (1) |
|
Template for Organizing the Argumentative Essay |
|
|
92 | (2) |
|
Writing the Body Paragraphs |
|
|
94 | (1) |
|
A Sample Argumentative Essay |
|
|
95 | (8) |
|
``American Myths, Patriotism, and Art'' |
|
|
97 | (6) |
|
|
Revising, Editing, and Proofreading Your Paper |
|
|
103 | (2) |
|
|
103 | (2) |
|
Writing the Essay Examination |
|
|
105 | (10) |
|
Preparing for the Examination |
|
|
105 | (3) |
|
|
108 | (1) |
|
|
108 | (1) |
|
Preparing to Answer the Essay Question |
|
|
108 | (1) |
|
|
109 | (1) |
|
A Sample Essay Examination Question and Answer |
|
|
109 | (6) |
|
Before Turning in the Exam |
|
|
113 | (2) |
|
Writing the Exhibition Review |
|
|
115 | (28) |
|
|
116 | (2) |
|
|
118 | (4) |
|
``Knavery Trickery and Deceit'' |
|
|
118 | (4) |
|
|
Visiting the Gallery or Museum |
|
|
122 | (2) |
|
Written Material at the Show or Exhibition |
|
|
123 | (1) |
|
|
123 | (1) |
|
Moving through the Exhibition |
|
|
123 | (1) |
|
|
124 | (1) |
|
|
124 | (5) |
|
|
125 | (1) |
|
Developing a Controlling Idea for Your Introduction |
|
|
125 | (1) |
|
The Historical Introduction |
|
|
125 | (1) |
|
|
126 | (1) |
|
|
126 | (1) |
|
What I Expected versus What I Got |
|
|
126 | (1) |
|
|
127 | (1) |
|
|
127 | (1) |
|
|
127 | (1) |
|
|
128 | (1) |
|
Ending the Introductory Paragraph with a Thesis |
|
|
128 | (1) |
|
Writing the Body Paragraphs |
|
|
129 | (9) |
|
|
129 | (1) |
|
|
130 | (1) |
|
|
130 | (1) |
|
|
131 | (1) |
|
|
131 | (2) |
|
|
133 | (1) |
|
|
133 | (1) |
|
|
134 | (1) |
|
|
134 | (1) |
|
Comparable and Influential Artists |
|
|
135 | (1) |
|
|
136 | (1) |
|
|
137 | (1) |
|
|
137 | (1) |
|
|
138 | (3) |
|
The Historical Conclusion |
|
|
139 | (1) |
|
|
139 | (1) |
|
Welcome or Congratulations |
|
|
140 | (1) |
|
|
140 | (1) |
|
|
141 | (1) |
|
|
141 | (1) |
|
|
141 | (1) |
|
Revising, Editing, and Proofreading Your Review |
|
|
142 | (1) |
|
|
142 | (1) |
|
Writing the Research Paper |
|
|
143 | (42) |
|
|
144 | (1) |
|
|
145 | (4) |
|
|
145 | (1) |
|
|
145 | (1) |
|
Finding Periodical Articles |
|
|
146 | (2) |
|
Finding Newspaper Articles |
|
|
148 | (1) |
|
|
148 | (1) |
|
Templates for Planning the Research Paper |
|
|
149 | (3) |
|
Writing the Research Paper |
|
|
152 | (1) |
|
|
152 | (2) |
|
Paraphrasing versus Plagiarizing |
|
|
152 | (1) |
|
Original Passage from Source |
|
|
152 | (1) |
|
|
153 | (1) |
|
|
153 | (1) |
|
Incorporating Quotations into Your Paper |
|
|
153 | (1) |
|
Acknowledged Quotation: Correct |
|
|
153 | (1) |
|
Unacknowledged Quotation: Incorrect |
|
|
153 | (1) |
|
|
154 | (3) |
|
|
154 | (1) |
|
|
155 | (1) |
|
Second, or Subsequent, References |
|
|
156 | (1) |
|
|
156 | (1) |
|
|
157 | (11) |
|
``Ben Shahn's Use of Photography in His Paintings'' |
|
|
158 | (8) |
|
|
MLA (Modern Language Association) Documentation System |
|
|
166 | (1) |
|
Models for Parenthetical Source Citations |
|
|
166 | (1) |
|
Special Punctuation Considerations When Citing Sources |
|
|
167 | (1) |
|
|
168 | (1) |
|
|
168 | (15) |
|
``The Elgin Marbles: Saved or Stolen?'' |
|
|
169 | (14) |
|
|
Revising, Editing, and Proofreading Your Research Paper |
|
|
183 | (2) |
|
|
183 | (2) |
Handbook |
|
185 | (26) |
|
Definitions of Basic Terms |
|
|
185 | (6) |
|
|
185 | (3) |
|
|
188 | (1) |
|
|
189 | (1) |
|
|
190 | (1) |
|
|
191 | (1) |
|
|
191 | (7) |
|
|
191 | (2) |
|
|
193 | (2) |
|
|
195 | (1) |
|
|
196 | (1) |
|
|
196 | (2) |
|
|
198 | (5) |
|
|
198 | (1) |
|
|
199 | (1) |
|
Awkward Sentence Constructions |
|
|
200 | (3) |
|
|
203 | (8) |
|
|
203 | (2) |
|
|
205 | (1) |
|
|
206 | (1) |
|
|
206 | (1) |
|
|
206 | (1) |
|
|
207 | (4) |
Credits |
|
211 | (2) |
Notes |
|
213 | (3) |
Bibliography |
|
216 | (3) |
Index |
|
219 | |