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Summary

The conviction that Gilles Deleuze is doing something radical in his work has been accompanied by a corresponding anxiety as to how to read it. In this rigorous and lucid work, Ian Buchanan takes up the challenge by answering the following questions: How should we read Deleuze? How should we readwithDeleuze? To show us how Deleuzers"s philosophy works, Buchanan begins with Melvillers"s notion that "a great book is always the inverse of another book that could only be written in the soul, with silence and blood." Buchanan demonstrates that the figure of two books-one written in ink and the other written in blood-lies at the center of Deleuzers"s hermeneutics and that a special relation must be established in order to read the second book from the first. This relation is Deleuzism. By explicating elemental concepts in Deleuze-desire, flow, the nomad-Buchanan finds that, despite Deleuzers"s self-declared moratorium on dialectics, he was in several important respects a dialectician. In essays that address the "prehistory" of Deleuzers"s philosophy, his methodology, and the utopic dimensions of his thought, Buchanan extracts an apparatus of social critique that arises from the philosopherrs"s utopian impulse. Deleuzismis a work that will engage all those with an interest in the twentieth-centuryrs"s most original philosopher.

Table of Contents

Acknowledgements vii
Part One: Deleuzism
Introduction: The Problem of the Two Books
3(7)
Prehistory, or the Adequacy of Desire
10(30)
Deleuze's Project: The Method in his Madness
40(33)
Transcendental Empiricist Ethics
73(20)
Part Two: Applied Deleuzism
Becoming-woman and the World-Historical
93(24)
Assemblages and Utopia, or Things don't have to be this Way
117(26)
Schizophrenic Utopianism
143(32)
Deleuze and Popular Music
175(23)
Conclusion: A Dialectical Deleuze?
192(6)
Bibliography 198(9)
Index 207

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