Design Elements, Third Edition Understanding the rules and knowing when to break them - A Visual Communication Manual

by
Edition: 3rd
Format: Paperback
Pub. Date: 2020-09-08
Publisher(s): Rockport Publishers
  • Free Shipping Icon

    This Item Qualifies for Free Shipping!*

    *Excludes marketplace orders.

  • Buyback Icon We Buy This Book Back!
    In-Store Credit: $2.63
    Check/Direct Deposit: $2.50
List Price: $42.00

Buy New

Arriving Soon. Will ship when available.
$40.00

Rent Book

Select for Price
There was a problem. Please try again later.

Rent Digital

Rent Digital Options
Online:1825 Days access
Downloadable:Lifetime Access
$48.00
$48.00

Used Book

We're Sorry
Sold Out

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

A new and updated 3rd Edition of Rockport's best-selling Design Elements, a visually rich and accessible handbook that presents the fundamentals of design in lists, tips, brief text, and examples. With new images and diagrams, the book covers everything from working with grids, color application, typography, and imagery to how to finally put it all together.

Features include:
  • The ultimate primer on graphic design's basic visual toolkit—dot, line, plane, texture, space, and contrast—and how these basics underpin all successful layouts
  • An in-depth look at color—from its optical qualities and its effect on type to its potential for communication concepts and emotions
  • One of the most thorough compilations of typography concepts to be found—including information on letterform structure and optics, combining typeface styles, the mechanics of detailed text typesetting, and using type as image
  • An extensive overview of imagery—the endless possibilities of medium, depiction, abstraction, stylization, and how these all communicate effectively
  • Methods for integrating type and image, including a tutorial on using grid systems to structure layouts
  • Twenty rules for making good design—and the best ways to break them

Being a creative designer is often about coming up with unique design solutions. But when the basic rules of design are ignored in an effort to be distinctive, design becomes useless. In language, a departure from the rules is only appreciated as great literature if recognition of the rules underlies the text. Graphic design is a "visual language," and brilliance is recognized in designers whose work seems to break all the rules, yet communicates its messages clearly.

Author Biography

Timothy Samara is a graphic designer based in New York City, where he divides his time between teaching, writing, lecturing, and consulting through STIM Visual Communication. His 18-year career in branding and information design has explored projects in print, packaging, environments, user interface design, and animation. He has been a senior art director at Ruder Finn, New York's largest public relations firm, and senior art director at Pettistudio, a small multidisciplinary design firm. Before relocating to Manhattan, he was principal of Physiologic in Syracuse, located in upstate New York. In 1990, he graduated a Trustee Scholar from the Graphic Design program at the University of the Arts, Philadelphia. Mr. Samara is a faculty member at New York's School of Visual Arts, New York University, Purchase College/SUNY, and The New School, and has published six books on design and typography, all through Rockport Publishers: Making and Breaking the Grid; Typography Workbook; Publication Design Workbook; Type Style Finder; Design Elements, Design Evolution, and, most recently, Letterforms, released in September, 2018. Mr. Samara and his partner live in the Williamsburg neighborhood of Brooklyn.

Table of Contents

What Is Graphic Design?
Twenty Rules for Making Good Design
 
FORM AND SPACE
DEFINING VISUAL LANGUAGE
ATTRIBUTES OF FORM
PUTTING STUFF INTO SPACE
COMPOSITIONAL STRATEGIES
 
COLOR FUNDAMENTALS
THE IDENTITY OF COLOR
CHROMATIC INTERACTION
COLOR LOGIC AND SYSTEMS
WHEN COLOR MEANS SOMETHING
COLOR IN THE REAL WORLD
 
Choosing and Using Type
STRUCTURE AND OPTICS
ISSUES RELATED TO STYLE
THE MECHANICS OF TEXTSETTING
TYPE IS VISUAL, TOO
TYPE AS INFORMATION
 
The World of Imagery
THE NATURE OF IMAGES
MEDIA AND METHODS
CONTENT, CONCEPT, CONTEXT
NARRATIVE MASSAGE
 
Putting it all Together
MERGING TYPE AND IMAGE
WORKING WITH GRIDS
INTUITIVE ARRANGEMENT
DESIGN AS A SYSTEM
THE WORKING PROCESS
 
Causin’ Some Trouble: Breaking Every Rule in This Book
Index (By Subject)
Directory of Contributors
About the Author and Acknowledgments


 

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.