Dog Culture Writers On The Character Of Canines

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Format: Paperback
Pub. Date: 2004-10-01
Publisher(s): Lyons Press
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Summary

Celebrating contemporary writers and the dogs in their lives, best-selling authors Nicholas Dawidoff, on needing obedience school as much as his dog and Chuck Palahniuk on the otherworldly job of rescue dogs. Rene Steinke describes the shameful gluttony of her boyfriend's dog; Pearl Abraham writes of sneaking a dog into her life in defiance of the Chassidic community; and Elissa Schappell gives us the other side of the coin in her hilarious treatise against dogs. Like the best writing on anything, each of these pieces are both about specific dogs and about all dogs, and, most importantly, about something bigger and more essential than dogs themselves: life, and how we choose to live it. With black-and-white images of the inscrutable canines that inhabit our landscape, this book will surprise and entrance, and make even the most skeptical dog observer see the world in a new way.

Author Biography

KEN FOSTER is the author of The Kind I'm Likely to Get, a New York Times Notable Book of the Year, and editor of The KGB Bar Reader, the anthology Harper's called, "one of the strongest collections of new writing available." He has written for The New York Times Book Review, The San Francisco Chronicle, The Village Voice, McSweeney's, and others. A recipient of fellowships from Yaddo, the New York Foundation for the Arts, and the Sewanee Writers Conference, Foster lives in Tallahassee, Florida, with his two dogs.

Table of Contents

Introductionp. v
What Coco Atep. 1
Pompey the Greatp. 17
"Those Dog Beds Are Dope"p. 29
Fear of the Otherp. 47
Sparkyp. 59
Girl Dog Momp. 73
How to Be Alonep. 85
The Dog Guilt Trip--A Traveloguep. 107
New York Is for the Dogsp. 119
And They Call It Puppy Lovep. 139
Bodhisattvasp. 153
You and Me, Breathingp. 169
Contributorsp. 191
Table of Contents provided by Syndetics. All Rights Reserved.

Excerpts

Coco ate: popcorn, hair pomade, dirty kitty litter, Twinkies, red Chanel lip stick, used tea bags, spaghetti, sandalwood soap, Cheerios, orange peels, ham, cream cheese, though, oddly, never leather or shoes. His lunges for food came to seem like a performance. Punk Rock: Coco growling and grabbing a bagel in his teeth even as I shouted, "No!" Comic: Coco carrying a nail file in his mouth for blocks, refusing to accept the fact that it was tasteless. Existential: the long face and the tail lowered because the one lousy piece of stale bread had been beyond the reach of his leash.
We fed Coco what he needed to stay healthy, but he wanted more. There is something to be said for a vigorous and not too discriminating appetite. He wanted danger, sweetness, blood, strangeness, adventure, salt. Who could blame him? I came to see that part of the pleasure of having a dog is the empathic part, recognizing those sensitivities that we usually think of as human, but another pleasure is in a dog's beastliness. A dog acts like a dog, and I'll admit that I took a vicarious pleasure in watching Coco get the fish skin out of the restaurant's garbage. He was so happy with himself, his tail wagging, devoutly licking and savoring the luminous skin between his paws.

Excerpted from Dog Culture: Writers on the Character of Canines by Ken Foster
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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