First published in 1968, The Empty Space is a timeless analysis of theatre, from perhaps the most influential director of the twentieth century. In The Empty Space, groundbreaking director Peter Brook draws on a life in love with the stage to explore the issues facing any theatrical performance. Here he describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht's revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, his book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

Peter Brook is one of the world’s best-known theatre directors. Outstanding in a career full of remarkable achievements are his productions of Titus Andronicus (1955) with Laurence Olivier, King Lear (1962) with Paul Scofield, and The Marat/Sade (1964) and A Midsummer Night’s Dream (1970), both for the Royal Shakespeare Company.

Since moving to Paris and establishing the International Centre for Theatre Research in 1970 and the International Centre for Theatre Creation when he opened the Bouffes du Nord in 1974, he has produced a series of events which push at the boundaries of theatre, such as Conference of the Birds (1976), The Ik (1975), The Mahabharata (1985), and The Tragedy of Carmen (1981) to name but a few.

His films include Lord of the Flies (1963), King Lear (1970), The Mahabharata (1989), Tell Me Lies (restored 2013), and Meetings with Remarkable Men (restored 2017).

His hugely influential books, from The Empty Space (1968) to The Quality of Mercy (2013) and Tip of the Tongue (2017), have been published in many languages throughout the world.