Film As a Subversive Art

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Format: Paperback
Pub. Date: 2006-01-31
Publisher(s): Distributed Art Pub Inc
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Summary

A classic returns! The original edition of Amos Vogel's seminal book, Film as a Subversive Artwas first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Artanalyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

Table of Contents

Foreword 1(4)
Scott MacDonald
Preface 5(4)
Amos Vogel
The Film Experience 9(3)
The World View of Subversive Cinema 12(19)
Part One WEAPONS OF SUBVERSION: THE SUBVERSION OF FORM
31(88)
The Revolutionary Film Avant-Garde in Soviet Russia
32(13)
Aesthetic Rebels and Rebellious Clowns
45(31)
Expressionism: The Cinema of Unrest
53(7)
Surrealism: The Cinema of Shock
60(9)
Dada and Pop: Anti-Art?
69(4)
The Comic Tradition
73(3)
The Destruction of Time and Space
76(7)
The Destruction of Plot and Narrative
83(6)
The Assault on Montage
89(9)
The Triumph and Death of the Moving Camera
98(8)
The Camera Moves
102(1)
Minimal Cinema
103(3)
The Devaluation of Language
106(2)
Straining towards the Limits
108(11)
The Elimination of Reality
The Subversion of Illusion
The Elimination of the Image
The Elimination of the Screen
The Elimination of the Camera
The Elimination of the Artist
Part Two WEAPONS OF SUBVERSION: THE SUBVERSION OF CONTENTxs
119(72)
International Left and Revolutionary Cinema
120(53)
The West: Rebels, Maoists, and the New Godard
122(17)
Subversion in Eastern Europe: Aesopian Metaphors
139(20)
The Third World: A New Cinema
159(10)
East Germany: Against the West
169(4)
The Terrible Poetry of Nazi Cinema
173(8)
Secrets and Revelations
181(10)
Part Three WEAPONS OF SUBVERSION: FORBIDDEN SUBJECTS OF THE CINEMA
191(114)
The Power of the Visual Taboo
192(10)
The Attack on Puritanism: Nudity
202(10)
The End of Sexual Taboos: Erotic and Pornographic Cinema
212(23)
The End of Sexual Taboos: Homosexuality and other Variants
235(23)
The First Mystery: Birth
258(5)
The Ultimate Secret: Death
263(20)
Death
267(10)
Concentration Camps
277(6)
The Attack on God: Blasphemy and Anti-clericalism
283(12)
Trance and Witchcraft
295(10)
Part Four TOWARDS A NEW CONSCIOUSNESS
305(23)
Counterculture and Avant-Garde
306(12)
The Subversion of Subversion
318(5)
The Eternal Subversion
323(5)
Photographic Acknowledgements 328(1)
Bibliography 329(2)
Index of English Film Titles 331(3)
Index of Foreign Film Titles 334(1)
Index of Directors 334

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