| Acknowledgments |
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vii | |
| Introduction |
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xvii | |
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1 | (3) |
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4 | (1) |
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Today the pomegranate tree was in bloom |
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5 | (1) |
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It is an exquisite fading away, I think |
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6 | (3) |
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Marta Alvarado, profesora de historia |
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9 | (2) |
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Marta Alvarado, History Professor |
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11 | (2) |
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Umiliana Cardenas, pescadora de poetas |
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13 | (1) |
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Umiliana Cardenas, Fisher-Poet |
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14 | (1) |
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15 | (3) |
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18 | (3) |
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21 | (3) |
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24 | (1) |
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25 | (1) |
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26 | (3) |
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29 | (2) |
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31 | (1) |
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32 | (5) |
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37 | (1) |
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To a Linguist Studying Discourse Strategies of Bilingual/Bicultural Students |
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38 | (2) |
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Giannina Braschi, translation |
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Las cosas que les pasan a los hombres en Nueva York! |
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40 | (2) |
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The Things That Happen to Men in New York! |
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42 | (2) |
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44 | (2) |
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46 | (2) |
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You Are Real as Earth, y Mas |
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48 | (2) |
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50 | (2) |
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52 | (1) |
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53 | (4) |
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57 | (2) |
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59 | (1) |
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60 | (1) |
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61 | (1) |
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Beneath the Shadow of the Freeway |
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62 | (4) |
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66 | (4) |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (4) |
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77 | (3) |
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You Bring Out the Mexican in Me |
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80 | (3) |
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With Lorenzo at the Center of the Universe, el Zocalo, Mexico City |
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83 | (3) |
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Once Again I Prove the Theory of Relativity |
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86 | (2) |
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Absolution in the New Year |
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88 | (2) |
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90 | (2) |
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Who Will Not Be Vanquished? |
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92 | (3) |
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Lucha Corpi, translations |
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Catherine Rodriguez-Nieto |
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95 | (3) |
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98 | (3) |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (2) |
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107 | (1) |
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108 | (1) |
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La Vie: I Never Said It Was Simple |
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109 | (3) |
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La Malinche a Cortes y Vice Versa |
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112 | (2) |
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La Malinche to Cortes and Vice Versa |
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114 | (2) |
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116 | (1) |
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117 | (2) |
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119 | (3) |
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122 | (2) |
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124 | (2) |
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126 | (2) |
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128 | (2) |
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130 | (1) |
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131 | (1) |
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132 | (2) |
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134 | (1) |
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135 | (1) |
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136 | (2) |
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Beggar on the Cordoba Bridge |
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138 | (1) |
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La tia que nunca come azucar |
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139 | (2) |
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141 | (2) |
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143 | (2) |
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Notes on Why Misogyny Is an Art Form |
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145 | (1) |
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146 | (1) |
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147 | (2) |
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149 | (2) |
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cuando se habla de nombres |
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151 | (4) |
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155 | (2) |
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157 | (1) |
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158 | (4) |
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Nativity: For Two Salvadoran Women, 1986--1987 |
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162 | (2) |
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La Buena Pastora: The Good Shepherdess |
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164 | (1) |
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165 | (1) |
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166 | (1) |
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167 | (2) |
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169 | (2) |
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The border, she is a woman |
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171 | (1) |
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172 | (1) |
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173 | (1) |
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174 | (2) |
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A Cartography of Passions |
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176 | (3) |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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On Seeing Vermeer's Geographer |
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182 | (2) |
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184 | (1) |
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185 | (2) |
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187 | (1) |
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188 | (3) |
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191 | (1) |
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192 | (4) |
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196 | (2) |
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History Revisited: In Quebec, with a Friend |
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198 | (1) |
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199 | (2) |
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201 | (2) |
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203 | (6) |
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209 | (2) |
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211 | (2) |
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213 | (4) |
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217 | (3) |
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220 | (2) |
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222 | (3) |
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225 | (4) |
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229 | (2) |
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231 | (2) |
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233 | (2) |
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235 | (1) |
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236 | (2) |
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238 | (3) |
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241 | (4) |
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245 | (1) |
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246 | (1) |
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247 | (1) |
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248 | (1) |
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249 | (2) |
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Even the Eagles Must Gather |
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251 | (2) |
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253 | (3) |
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256 | (3) |
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259 | (1) |
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260 | (1) |
| Glossary of Spanish Terms and Phrases |
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261 | (14) |
| Notes on Historical and Mythological Characters |
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275 | (2) |
| Notes on Contributors |
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277 | (28) |
| Credits and Publication Histories |
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305 | |