| Preface to the First Edition |
|
xxxv | (11) |
| Preface to the Third Edition |
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xlvi | |
| Late Nineteenth Century: 1865-1910 |
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1 | (882) |
| Developments in Women's Writing |
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35 | (212) |
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Julia A. J. Foote (1823-1900) from A Brand Plucked from the Fire |
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37 | (5) |
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Chapter XVII: My Call to Preach the Gospel |
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38 | (1) |
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Chapter XIX: Public Effort--Excommunication |
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39 | (2) |
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Chapter XX: Women in the Gospel |
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41 | (1) |
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Rebecca Harding Davis (1831-1910) |
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42 | (28) |
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45 | (25) |
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Louisa May Alcott (1832-1888) |
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70 | (13) |
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from Work: A Story of Experience Chapter III: Actress |
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73 | (10) |
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Harriet Prescott Spofford (1835-1921) |
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83 | (11) |
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85 | (9) |
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Constance Fenimore Woolson (1840-1894) |
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94 | (18) |
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97 | (15) |
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Elizabeth Stuart Phelps (1844-1911) |
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112 | (18) |
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114 | (16) |
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114 | (7) |
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121 | (9) |
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Sarah Orne Jewett (1849-1909) |
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130 | (25) |
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132 | (7) |
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139 | (16) |
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Mary E. Wilkins Freeman (1852-1930) |
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155 | (36) |
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158 | (9) |
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167 | (11) |
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178 | (13) |
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Pauline Elizabeth Hopkins (1859-1930) |
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191 | (16) |
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General Washington: A Christmas Story |
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193 | (8) |
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"As the Lord Lives, He Is One of Our Mother's Children" |
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201 | (6) |
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A Sheaf of Poetry by Late-Nineteenth-Century American Women |
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207 | (3) |
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210 | (3) |
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210 | (3) |
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Celia Thaxter (1835-1894) |
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213 | (3) |
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213 | (1) |
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214 | (1) |
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215 | (1) |
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Louise Chandler Moulton (1835-1908) |
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216 | (2) |
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A Girl's Funeral in Milan |
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216 | (1) |
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217 | (1) |
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Sarah M.B. Piatt (1836-1919) |
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218 | (6) |
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218 | (1) |
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219 | (1) |
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220 | (1) |
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221 | (1) |
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222 | (2) |
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Ella Wheeler Wilcox (1850-1919) |
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224 | (2) |
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224 | (1) |
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224 | (1) |
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Goddess of Liberty, Answer |
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225 | (1) |
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226 | (2) |
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226 | (1) |
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226 | (1) |
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226 | (1) |
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227 | (1) |
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Lizette Woodworth Reese (1856-1935) |
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228 | (4) |
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228 | (1) |
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229 | (1) |
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229 | (1) |
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230 | (1) |
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230 | (1) |
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231 | (1) |
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231 | (1) |
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Sophie Jewett (1861-1909) |
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232 | (1) |
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232 | (1) |
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232 | (1) |
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233 | (1) |
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E. Pauline Johnson (Takahoinwake) (1861-1913) |
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233 | (2) |
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233 | (1) |
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234 | (1) |
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234 | (1) |
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Louise Imogen Guiney (1861-1920) |
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235 | (2) |
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235 | (1) |
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236 | (1) |
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236 | (1) |
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Elaine Goodale Eastman (1863-1953) |
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237 | (2) |
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The Wood-Chopper to His Ax |
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237 | (1) |
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238 | (1) |
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Alice Dunbar-Nelson (1875-1935) |
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239 | (2) |
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239 | (1) |
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240 | (1) |
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240 | (1) |
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A Sheaf Within a Sheaf: Poems from the 1890s |
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241 | (1) |
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Florence Earle Coates (1850-1927) |
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241 | (1) |
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241 | (1) |
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Mary E. Wilkins Freeman (1852-1930) |
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242 | (1) |
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242 | (1) |
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Ella Higginson (1862-1940) |
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243 | (1) |
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243 | (1) |
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Eleanor B. Caldwell (fl.1890) |
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244 | (1) |
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244 | (1) |
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244 | (1) |
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244 | (1) |
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245 | (1) |
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245 | (1) |
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Maude Caldwell Perry (1873-1963) |
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246 | (1) |
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246 | (1) |
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Sarah Norcliffe Cleghorn (1876-1959) |
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246 | (1) |
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246 | (1) |
| Regional Voices, National Voices |
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247 | (402) |
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African-American Folktales |
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249 | (21) |
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250 | (9) |
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When Brer Deer and Brer Terrapin Runned a Race |
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250 | (2) |
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Why Mr. Dog Runs Brer Rabbit |
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252 | (1) |
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252 | (2) |
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254 | (2) |
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Fox and Rabbit in the Well |
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256 | (1) |
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257 | (2) |
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259 | (2) |
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259 | (1) |
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259 | (2) |
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261 | (2) |
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Two Tales from Eatonville Florida |
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261 | (2) |
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263 | (7) |
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263 | (1) |
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263 | (1) |
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Ole Massa and John Who Wanted to Go to Heaven |
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264 | (1) |
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265 | (1) |
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266 | (1) |
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John Steals a Pig and a Sheep |
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267 | (1) |
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267 | (1) |
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Old Boss Wants into Heaven |
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267 | (3) |
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Samuel Langhorne Clemens (Mark Twain) (1835-1910) |
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270 | (41) |
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274 | (3) |
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277 | (3) |
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from Old Times on the Mississippi |
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|
280 | (13) |
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Chapter I: "Cub" Wants to Be a Pilot |
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|
280 | (5) |
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Chapter II: A "Cub" Pilot's Experience; or, Learning the River |
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285 | (8) |
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Adventures of Huckleberry Finn is available as a separately bound supplement to Volume 2 of the Anthology. |
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|
|
The Facts Concerning the Recent Carnival of Crime in Connecticut |
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293 | (10) |
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303 | (3) |
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306 | (3) |
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309 | (2) |
|
George Washington Cable (1844-1925) |
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311 | (17) |
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313 | (15) |
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328 | (7) |
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330 | (5) |
|
Joel Chandler Harris (1848-1908) |
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335 | (13) |
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from Uncle Remus: His Songs and His Sayings |
|
|
337 | (3) |
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Chapter II: The Wonderful Tar-Baby Story |
|
|
337 | (1) |
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Chapter IV: How Mr. Rabbit Was Too Sharp for Mr. Fox |
|
|
338 | (2) |
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from Free Joe, and Other Georgian Sketches Free Joe and the Rest of the World |
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|
340 | (8) |
|
Charles Waddell Chesnutt (1858-1932) |
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348 | (29) |
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350 | (8) |
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358 | (7) |
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365 | (12) |
|
Paul Laurence Dunbar (1872-1906) |
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377 | (15) |
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Mr. Cornelius Johnson, Office-Seeker |
|
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379 | (6) |
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from Lyrics of Lowly Life |
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385 | (7) |
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385 | (2) |
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387 | (2) |
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389 | (1) |
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390 | (2) |
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from Lyrics of the Hearthside Sympathy |
|
|
392 | (1) |
|
Alexander Lawrence Posey (1873-1908) |
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392 | (7) |
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395 | (1) |
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Hotgun on the Death of Yadeka Harjo |
|
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396 | (1) |
|
Fus Fixico's Letter Number 44 |
|
|
397 | (2) |
|
John Milton Oskison (1874-1947) |
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399 | (6) |
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400 | (5) |
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Alice Dunbar-Nelson (1875-1935) |
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405 | (7) |
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407 | (5) |
|
William Dean Howells (1837-1920) |
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|
412 | (37) |
|
from Suburban Sketches Scene |
|
|
414 | (3) |
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from The Rise of Silas Lapham Chapter XIV |
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|
417 | (3) |
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430 | (2) |
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from Criticism and Fiction |
|
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432 | (2) |
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434 | (10) |
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444 | (5) |
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449 | (78) |
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452 | (40) |
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492 | (6) |
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498 | (29) |
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527 | (27) |
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529 | (4) |
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533 | (3) |
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536 | (2) |
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538 | (8) |
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546 | (4) |
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550 | (4) |
|
Ambrose Bierce (1842-1914?) |
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554 | (5) |
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555 | (4) |
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Hamlin Garland (1860-1940) |
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559 | (31) |
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561 | (29) |
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590 | (9) |
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592 | (7) |
|
Stephen Crane (1871-1900) |
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599 | (37) |
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602 | (6) |
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608 | (16) |
|
The Bride Comes to Yellow Sky |
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624 | (8) |
|
from The Black Riders and Other Lines (God Lay Dead in Heaven) |
|
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632 | (3) |
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633 | (2) |
|
(Do Not Weep, Maiden, For War Is Kind) |
|
|
633 | (1) |
|
(The Impact of a Dollar Upon the Heart) |
|
|
633 | (1) |
|
(A Man Said to the Universe) |
|
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634 | (1) |
|
(A newspaper Is a Collection of Half-Injustices) |
|
|
634 | (1) |
|
(There Was a Man With Tongue of Wood) |
|
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635 | (1) |
|
from Uncollected Poems (Chant You Loud of Punishments) |
|
|
635 | (1) |
|
|
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636 | (13) |
|
|
|
637 | (12) |
| Issues and Visions in Post-Civil War America |
|
649 | (175) |
|
Standing Bear (Ponca) (1829-1908) |
|
|
650 | (3) |
|
What I Am Going to Tell You Here Will Take Me Until Dark |
|
|
651 | (2) |
|
|
|
653 | (3) |
|
Charles Alexander Eastman (Sioux) (1858-1939) |
|
|
656 | (3) |
|
from The Soul of the Indian Chapter I: The Great Mystery |
|
|
658 | (4) |
|
from From the Deep Woods to Civilization Chapter VII: The Ghost Dance War |
|
|
662 | (7) |
|
Sarah Winnemucca (Thocmetony) (c.1844-1891) |
|
|
669 | (12) |
|
from Life Among the Piutes From Chapter I |
|
|
671 | (10) |
|
Marietta Holley (Josiah Allen's Wife) (1836-1926) |
|
|
681 | (6) |
|
from Samantha Among the Brethren Chapter XIX |
|
|
683 | (4) |
|
Frances Ellen Watkins Harper (1825-1911) |
|
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687 | (19) |
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689 | (1) |
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690 | (1) |
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691 | (3) |
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694 | (2) |
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696 | (1) |
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697 | (7) |
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697 | (4) |
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701 | (3) |
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704 | (2) |
|
Anna Julia Cooper (1858?-1964) |
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706 | (17) |
|
from A Voice from the South |
|
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709 | (14) |
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|
709 | (1) |
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710 | (13) |
|
Charlotte Perkins Gilman (1860-1935) |
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723 | (21) |
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725 | (12) |
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737 | (7) |
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744 | (9) |
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746 | (7) |
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753 | (17) |
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755 | (2) |
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757 | (5) |
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762 | (3) |
|
EI Hijo Desobediente/The Disobedient Son |
|
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765 | (2) |
|
Recordando al Presidente/Remembering the President |
|
|
767 | (1) |
|
Corrido de Cesar Chavez/Ballad of Cesar/Chavez |
|
|
768 | (2) |
|
Finely Peter Dunne (1867-1936) |
|
|
770 | (10) |
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|
772 | (2) |
|
The Popularity of Firemen |
|
|
774 | (2) |
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776 | (1) |
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777 | (3) |
|
Upton Sinclair (1878-1968) |
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780 | (22) |
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782 | (20) |
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782 | (6) |
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788 | (6) |
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794 | (2) |
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796 | (2) |
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798 | (1) |
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799 | (3) |
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802 | (22) |
|
from Mont-Saint-Michael and Charters Chapter VI: The Virgin of Chartres |
|
|
804 | (11) |
|
from the Education of Henry Adams Chapter XXV: The Dynamo and the Virgin |
|
|
815 | (9) |
| New Explorations of an "American" Self |
|
824 | (59) |
|
Abraham Cahan (1860-1951) |
|
|
825 | (8) |
|
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|
827 | (6) |
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|
827 | (3) |
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830 | (2) |
|
Chapter 10: A Defeated Victor |
|
|
832 | (1) |
|
Edith Maud Eaton (Sui-Sin Far) (1865-1914) |
|
|
833 | (17) |
|
Leaves from the Mental Portfolio of an Eurasian |
|
|
834 | (9) |
|
from Mrs. Spring Fragrance In the Land of the Free |
|
|
843 | (7) |
|
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850 | (9) |
|
from Earth Horizon Chapter III |
|
|
852 | (7) |
|
Gertrude Bonnin (Zitkala-Sa) (Sioux) (1876-1938) |
|
|
859 | (14) |
|
from Impressions of an Indian Childhood The Big Red Apples |
|
|
860 | (3) |
|
from the School Days of an Indian Girl |
|
|
863 | (8) |
|
Chapter I: The Land of Red Apples |
|
|
863 | (1) |
|
Chapter II: The Cutting of My Long Hair |
|
|
864 | (2) |
|
Chapter III: The Snow Episode |
|
|
866 | (1) |
|
Chapter VI: Four Strange Summers |
|
|
867 | (2) |
|
Chapter VII: Incurring My Mother's Displeasure |
|
|
869 | (2) |
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871 | (2) |
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|
873 | (10) |
|
from The Promised Land from Chapter XI |
|
|
875 | (8) |
| Modern Period: 1910-1945 |
|
883 | (1128) |
| Toward the Modern Age |
|
915 | (299) |
|
Booker Taliaferro Washington (1856-1915) |
|
|
916 | (27) |
|
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|
918 | (25) |
|
Chapter I: A Slave Among Slaves |
|
|
918 | (6) |
|
Chapter III: The Struggle for an Education |
|
|
924 | (7) |
|
Chapter VI: Black Race and Red Race |
|
|
931 | (3) |
|
Chapter XIII: Two Thousand Miles for a Five-Minute Speech |
|
|
934 | (1) |
|
Chapter XIV: The Atlanta Exposition Address |
|
|
935 | (8) |
|
W.E.B. Du Bois (1868-1963) |
|
|
943 | (25) |
|
from The Souls of Black Folk |
|
|
946 | (20) |
|
Chapter I: Of Our Spiritual Strivings |
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|
946 | (5) |
|
Chapter III: Of Mr. Booker T. Washington and Others |
|
|
951 | (9) |
|
Chapter XIV: Of the Sorrow Songs |
|
|
960 | (6) |
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|
966 | (2) |
|
James Weldon Johnson (1871-1938) |
|
|
968 | (22) |
|
Lift Every Voice and Sing |
|
|
969 | (1) |
|
O Black and Unknown Bards |
|
|
970 | (2) |
|
from Autobiography of An Ex-Colored Man |
|
|
972 | (16) |
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|
972 | (16) |
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988 | (2) |
|
Edwin Arlington Robinson (1869-1935) |
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990 | (10) |
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991 | (1) |
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992 | (3) |
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995 | (1) |
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996 | (1) |
|
The Tree in Pamela's Garden |
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997 | (1) |
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998 | (2) |
|
Ellen Glasgow (1873-1945) |
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1000 | (12) |
|
The Professional Instinct |
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|
1001 | (11) |
|
Edith Wharton (1862-1937) |
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|
1012 | (67) |
|
The Valley of Childish Things |
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1014 | (1) |
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1015 | (19) |
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1034 | (13) |
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1047 | (11) |
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1058 | (13) |
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1071 | (8) |
|
Edgar Lee Masters (1869-1950) |
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|
1079 | (6) |
|
from Spoon River Anthology |
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|
1081 | (2) |
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1081 | (1) |
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1081 | (1) |
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1082 | (1) |
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1083 | (1) |
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from The New Spoon River Cleanthus Trilling |
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1083 | (1) |
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1084 | (1) |
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1084 | (1) |
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Great Audiences and Great Poets |
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|
1084 | (1) |
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from The Harmony of Deeper Music Not to See Sandridge Again |
|
|
1084 | (1) |
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1085 | (37) |
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1087 | (35) |
|
Susan Glaspell (1876-1948) |
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1122 | (12) |
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1124 | (10) |
|
Robinson Jeffers (1887-1962) |
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1134 | (12) |
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1136 | (3) |
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1139 | (1) |
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1139 | (1) |
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1140 | (2) |
|
Self-Criticism in February |
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1142 | (1) |
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1142 | (1) |
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1143 | (1) |
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1144 | (1) |
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1144 | (1) |
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1145 | (1) |
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1145 | (1) |
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1146 | (18) |
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1148 | (1) |
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1148 | (1) |
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1149 | (1) |
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1150 | (3) |
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1153 | (1) |
|
An Old Man's Winter Night |
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1154 | (1) |
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1154 | (1) |
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1155 | (1) |
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1156 | (1) |
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1156 | (3) |
|
Stopping by Woods on a Snowy Evening |
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|
1159 | (1) |
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|
|
1160 | (1) |
|
|
|
1160 | (1) |
|
|
|
1161 | (1) |
|
|
|
1161 | (1) |
|
|
|
1162 | (1) |
|
|
|
1162 | (2) |
|
Sherwood Anderson (1876-1941) |
|
|
1164 | (14) |
|
|
|
1166 | (3) |
|
|
|
1169 | (9) |
|
Theodore Dreiser (1871-1945) |
|
|
1178 | (26) |
|
|
|
1179 | (25) |
|
Edna St. Vincent Millay (1892-1950) |
|
|
1204 | (10) |
|
|
|
1206 | (1) |
|
|
|
1206 | (1) |
|
[Euclid alone has looked on Beauty Bare] |
|
|
1207 | (1) |
|
|
|
1208 | (1) |
|
[Love is not all: it is not meat nor drink] |
|
|
1208 | (1) |
|
[Oh, sleep foreover in the Latmian cave] |
|
|
1209 | (1) |
|
|
|
1209 | (1) |
|
|
|
1210 | (1) |
|
[Here lies, and none to mourn him but the sea] |
|
|
1210 | (1) |
|
[His stalk the dark delphinium] |
|
|
1211 | (1) |
|
Sonnet xli: "I, being born a woman and distressed" |
|
|
1211 | (1) |
|
Sonnet xcv: "Women have loved before as I love Now" |
|
|
1212 | (1) |
|
Justice Denied in Massachusetts |
|
|
1212 | (2) |
| Alienation and Literary Experimentation |
|
1214 | (364) |
|
|
|
1215 | (26) |
|
|
|
1217 | (1) |
|
|
|
1218 | (1) |
|
|
|
1219 | (1) |
|
In a Station of the Metro |
|
|
1219 | (1) |
|
|
|
1220 | (1) |
|
|
|
1220 | (1) |
|
from Hugh Selwyn Mauberley (Life and Contacts) |
|
|
1221 | (10) |
|
|
|
1231 | (10) |
|
I [And then went down to the ship] |
|
|
1231 | (2) |
|
|
|
1233 | (2) |
|
XLV [With usura hath no man a house of good stone] |
|
|
1235 | (2) |
|
LXXXI [Yet/Ere the season died a-cold] |
|
|
1237 | (2) |
|
Notes for CXVII et seq. [For the blue flash and the moments] |
|
|
1239 | (1) |
|
CXX [I have tried to write Paradise] |
|
|
1240 | (1) |
|
|
|
1241 | (14) |
|
|
|
1244 | (1) |
|
|
|
1244 | (3) |
|
|
|
1247 | (1) |
|
|
|
1247 | (1) |
|
|
|
1248 | (1) |
|
Madonna of the Evening Flowers |
|
|
1249 | (1) |
|
|
|
1250 | (1) |
|
|
|
1250 | (1) |
|
|
|
1250 | (1) |
|
|
|
1251 | (4) |
|
Gertrude Stein (1874-1946) |
|
|
1255 | (12) |
|
from The Making of Americans |
|
|
1257 | (2) |
|
|
|
1259 | (1) |
|
|
|
1260 | (1) |
|
|
|
1261 | (1) |
|
from The Geographical History of America or the Relation of Human Nature to the Human Mind |
|
|
1261 | (3) |
|
|
|
1264 | (2) |
|
from The Mother of Us All |
|
|
1266 | (1) |
|
William Carlos Williams (1883-1963) |
|
|
1267 | (22) |
|
|
|
1270 | (1) |
|
|
|
1270 | (1) |
|
|
|
1271 | (1) |
|
|
|
1272 | (1) |
|
|
|
1272 | (1) |
|
|
|
1273 | (1) |
|
|
|
1274 | (1) |
|
|
|
1275 | (2) |
|
|
|
1277 | (1) |
|
|
|
1278 | (1) |
|
|
|
1278 | (3) |
|
Fine Work with Pitch and Copper |
|
|
1281 | (1) |
|
|
|
1281 | (1) |
|
|
|
1282 | (1) |
|
Burning the Christmas Greens |
|
|
1283 | (2) |
|
|
|
1285 | (2) |
|
|
|
1287 | (2) |
|
Eugene O'Neill (1888-1953) |
|
|
1289 | (34) |
|
|
|
1291 | (32) |
|
|
|
1323 | (6) |
|
|
|
1324 | (5) |
|
Elizabeth Madox Roberts (1881-1941) |
|
|
1329 | (11) |
|
|
|
1331 | (9) |
|
H.D. (Hilda Doolittle) (1886-1961) |
|
|
1340 | (9) |
|
|
|
1341 | (1) |
|
|
|
1342 | (1) |
|
|
|
1343 | (1) |
|
|
|
1344 | (1) |
|
|
|
1344 | (5) |
|
from The Walls Do Not Fall [43] |
|
|
1344 | (2) |
|
from Tribute to the Angels [8,12,19,20,23,43] |
|
|
1346 | (3) |
|
A Sheaf of Political Poetry in the Modern Period |
|
|
1349 | (3) |
|
|
|
1352 | (1) |
|
|
|
1352 | (1) |
|
Kenneth Fearing (1902-1961) |
|
|
1353 | (3) |
|
|
|
1353 | (1) |
|
|
|
1354 | (2) |
|
|
|
1356 | (2) |
|
|
|
1356 | (2) |
|
Tillie Lerner Olsen (b. 1913) |
|
|
1358 | (2) |
|
I Want You Women Up North to Know |
|
|
1358 | (2) |
|
|
|
1360 | (4) |
|
A Communication to Nancy Cunard |
|
|
1360 | (4) |
|
Langston Hughes (1902-1967) |
|
|
1364 | (7) |
|
|
|
1364 | (2) |
|
Come to the Waldorf-Astoria |
|
|
1366 | (2) |
|
|
|
1368 | (3) |
|
|
|
1371 | (1) |
|
|
|
1371 | (1) |
|
|
|
1372 | (6) |
|
|
|
1372 | (1) |
|
|
|
1373 | (1) |
|
|
|
1374 | (1) |
|
|
|
1374 | (4) |
|
Genevieve Taggard (1894-1948) |
|
|
1378 | (7) |
|
Up State--Depression Summer |
|
|
1378 | (2) |
|
|
|
1380 | (3) |
|
|
|
1383 | (1) |
|
To the Veterans of the Abraham Lincoln Brigade |
|
|
1384 | (1) |
|
E.E. Cummings (1894-1962) |
|
|
1385 | (11) |
|
|
|
1386 | (1) |
|
[into the Strenuous briefness] |
|
|
1387 | (2) |
|
[the Cambridge ladies who live in furnished souls] |
|
|
1387 | (1) |
|
[i like my body when it is with your] |
|
|
1388 | (1) |
|
|
|
1388 | (1) |
|
|
|
1389 | (1) |
|
[i sing of Olaf glad and big] |
|
|
1390 | (1) |
|
|
|
1391 | (1) |
|
|
|
1392 | (1) |
|
[anyone lived in a pretty how town] |
|
|
1392 | (2) |
|
|
|
1394 | (1) |
|
[what if a much of a which of a wind] |
|
|
1395 | (1) |
|
[pity this busy monster, manunkind] |
|
|
1395 | (1) |
|
|
|
1396 | (1) |
|
|
|
1396 | (36) |
|
The Love Song of J. Alfred Prufrock |
|
|
1399 | (4) |
|
|
|
1403 | (2) |
|
Tradition and the Individual Talent |
|
|
1405 | (6) |
|
|
|
1411 | (15) |
|
|
|
1426 | (6) |
|
F. Scott Fitzgerald (1896-1940) |
|
|
1432 | (52) |
|
|
|
1434 | (36) |
|
|
|
1470 | (14) |
|
Katherine Anne Porter (1890-1980) |
|
|
1484 | (17) |
|
The Jilting of Granny Weatherall |
|
|
1486 | (7) |
|
|
|
1493 | (8) |
|
Marianne Moore (1887-1972) |
|
|
1501 | (11) |
|
|
|
1502 | (1) |
|
|
|
1503 | (2) |
|
|
|
1505 | (1) |
|
An Egyptian Pulled Glass Bottle in the Shape of a Fish |
|
|
1505 | (1) |
|
|
|
1506 | (3) |
|
|
|
1509 | (1) |
|
|
|
1510 | (1) |
|
The Mind Is an Enchanting Thing |
|
|
1511 | (1) |
|
|
|
1512 | (7) |
|
|
|
1514 | (1) |
|
|
|
1514 | (1) |
|
|
|
1515 | (1) |
|
|
|
1516 | (2) |
|
|
|
1518 | (1) |
|
|
|
1518 | (1) |
|
Ernest Hemingway (1899-1961) |
|
|
1519 | (14) |
|
Hills Life White Elephants |
|
|
1522 | (3) |
|
from A Farewell to Arms Chapter XXVII |
|
|
1525 | (8) |
|
Wallace Stevens (1879-1955) |
|
|
1533 | (11) |
|
|
|
1534 | (4) |
|
|
|
1538 | (1) |
|
Peter Quince at the Clavier |
|
|
1538 | (3) |
|
|
|
1541 | (1) |
|
A High-Toned Old Christian Woman |
|
|
1541 | (1) |
|
|
|
1542 | (1) |
|
The Course of a Particular |
|
|
1543 | (1) |
|
|
|
1543 | (1) |
|
William Faulkner (1897-1962) |
|
|
1544 | (22) |
|
|
|
1548 | (6) |
|
|
|
1554 | (12) |
|
|
|
1566 | (12) |
|
|
|
1568 | (1) |
|
|
|
1569 | (1) |
|
|
|
1570 | (1) |
|
|
|
1570 | (6) |
|
|
|
1570 | (2) |
|
|
|
1572 | (4) |
|
|
|
1576 | (2) |
| The New Negro Renaissance |
|
1578 | (151) |
|
|
|
1581 | (11) |
|
|
|
1584 | (8) |
|
|
|
1592 | (19) |
|
|
|
1594 | (17) |
|
|
|
1594 | (1) |
|
|
|
1595 | (1) |
|
|
|
1596 | (6) |
|
|
|
1602 | (1) |
|
|
|
1602 | (9) |
|
Langston Hughes (1902-1967) |
|
|
1611 | (31) |
|
The Negro Speaks of Rivers |
|
|
1612 | (1) |
|
|
|
1613 | (1) |
|
|
|
1614 | (1) |
|
|
|
1614 | (2) |
|
|
|
1616 | (1) |
|
|
|
1616 | (1) |
|
|
|
1617 | (1) |
|
|
|
1617 | (1) |
|
|
|
1618 | (1) |
|
|
|
1618 | (1) |
|
|
|
1619 | (1) |
|
|
|
1619 | (2) |
|
|
|
1621 | (8) |
|
The Negro Artist and the Racial Mountain |
|
|
1629 | (4) |
|
When the Negro Was in Vogue |
|
|
1633 | (5) |
|
|
|
1638 | (2) |
|
|
|
1640 | (2) |
|
Countee Cullen (1903-1946) |
|
|
1642 | (8) |
|
|
|
1643 | (1) |
|
|
|
1644 | (1) |
|
Simon the Cyrenian Speaks |
|
|
1644 | (1) |
|
|
|
1645 | (1) |
|
|
|
1645 | (1) |
|
|
|
1646 | (3) |
|
Scottsboro, Too, Is Worth Its Song |
|
|
1649 | (1) |
|
Gwendolyn, B. Bennett (1902-1981) |
|
|
1650 | (3) |
|
|
|
1650 | (1) |
|
|
|
1651 | (1) |
|
|
|
1652 | (1) |
|
Lines Written at the Grave of Alexander Dumas |
|
|
1652 | (1) |
|
Arna Bontemps (1902-1973) |
|
|
1653 | (2) |
|
A Black Man Talks of Reaping |
|
|
1654 | (1) |
|
|
|
1654 | (1) |
|
Sterling A. Brown (1901-1989) |
|
|
1655 | (15) |
|
When de Saints Go Ma'ching Home |
|
|
1657 | (4) |
|
|
|
1661 | (2) |
|
|
|
1663 | (1) |
|
|
|
1664 | (4) |
|
|
|
1668 | (1) |
|
|
|
1669 | (1) |
|
Zora Neale Hurston (1891-1960) |
|
|
1670 | (18) |
|
|
|
1672 | (8) |
|
|
|
1680 | (8) |
|
|
|
1688 | (6) |
|
|
|
1689 | (1) |
|
|
|
1689 | (1) |
|
|
|
1690 | (1) |
|
|
|
1690 | (1) |
|
|
|
1691 | (1) |
|
|
|
1691 | (1) |
|
|
|
1691 | (1) |
|
|
|
1692 | (1) |
|
|
|
1693 | (1) |
|
|
|
1693 | (1) |
|
|
|
1694 | (3) |
|
|
|
1695 | (1) |
|
|
|
1696 | (1) |
|
|
|
1696 | (1) |
|
|
|
1697 | (15) |
|
|
|
1699 | (13) |
|
|
|
1699 | (1) |
|
|
|
1700 | (12) |
|
George Samuel Schuyler (1895-1977) |
|
|
1712 | (9) |
|
Our Greatest Gift to America |
|
|
1714 | (5) |
|
|
|
1719 | (2) |
|
|
|
1721 | (8) |
| Issues and Visions in Modern America |
|
1729 | (282) |
|
Randolph Bourne (1886-1918) |
|
|
1730 | (13) |
|
|
|
1732 | (11) |
|
Anzia Yezierska (1881?-1970) |
|
|
1743 | (9) |
|
|
|
1745 | (7) |
|
|
|
1752 | (10) |
|
from Jews Without Money The Soul of a Landlord |
|
|
1754 | (8) |
|
John Dos Passos (1896-1970) |
|
|
1762 | (13) |
|
|
|
1764 | (11) |
|
|
|
1764 | (3) |
|
|
|
1767 | (8) |
|
|
|
1775 | (8) |
|
The Happiest Man on Earth |
|
|
1776 | (7) |
|
Lillian Hellman (1905-1984) |
|
|
1783 | (5) |
|
|
|
1785 | (3) |
|
Mary McCarthy (1912-1989) |
|
|
1788 | (7) |
|
from Memories of a Catholic Girlhood |
|
|
1790 | (5) |
|
Clifford Odets (1906-1963) |
|
|
1795 | (20) |
|
|
|
1797 | (18) |
|
Meridel LeSueur (1900-1996) |
|
|
1815 | (14) |
|
|
|
1817 | (5) |
|
|
|
1822 | (7) |
|
Mourning Dove (Okanogan) (1888-1936) |
|
|
1829 | (7) |
|
|
|
1830 | (6) |
|
|
|
1830 | (2) |
|
The Spirit Chief Names the Animal People |
|
|
1832 | (4) |
|
John Joseph Mathews (Osage) (1894-1979) |
|
|
1836 | (12) |
|
|
|
1837 | (11) |
|
Thomas S. Whitecloud (Chippewa) (1914-1972) |
|
|
1848 | (5) |
|
|
|
1848 | (5) |
|
D'Arcy McNickle (1904-1977) |
|
|
1853 | (8) |
|
|
|
1855 | (6) |
|
Robert Penn Warren (1905-1989) |
|
|
1861 | (12) |
|
Founding Fathers, Early-Nineteenth-Century Style, Southeast U.S.A. |
|
|
1863 | (2) |
|
|
|
1865 | (1) |
|
|
|
1866 | (2) |
|
|
|
1868 | (1) |
|
|
|
1869 | (1) |
|
Amazing Grace in the Back Country |
|
|
1870 | (2) |
|
|
|
1872 | (1) |
|
John Crowe Ransom (1888-1974) |
|
|
1873 | (5) |
|
|
|
1874 | (1) |
|
|
|
1875 | (1) |
|
|
|
1876 | (1) |
|
|
|
1877 | (1) |
|
|
|
1878 | (12) |
|
Ode to the Confederate Dead |
|
|
1880 | (2) |
|
|
|
1882 | (8) |
|
Charles Reznikoff, Louis Zukofsky, and Objectivist Poetry |
|
|
1890 | (4) |
|
Charles Reznikoff (1894-1976) |
|
|
1894 | (8) |
|
[How shall we mourn you who are killed and wasted] |
|
|
1894 | (1) |
|
|
|
1894 | (1) |
|
[The shoemaker sat in the cellar's dusk beside his bench] |
|
|
1894 | (1) |
|
|
|
1895 | (1) |
|
|
|
1895 | (1) |
|
|
|
1896 | (1) |
|
|
|
1896 | (1) |
|
[Among the heaps of brick and plaster lies] |
|
|
1896 | (1) |
|
The English in Virginia, April 1607 |
|
|
1896 | (2) |
|
|
|
1898 | (1) |
|
|
|
1899 | (3) |
|
Louis Zukofsky (1904-1978) |
|
|
1902 | (14) |
|
[Not much more than being] |
|
|
1902 | (1) |
|
|
|
1903 | (1) |
|
[A dying away as of trees] |
|
|
1903 | (1) |
|
[Tall and singularly dark you pass among the breakers] |
|
|
1904 | (1) |
|
|
|
1904 | (2) |
|
All of December Toward New Year's |
|
|
1906 | (2) |
|
|
|
1908 | (1) |
|
|
|
1909 | (1) |
|
|
|
1910 | (1) |
|
|
|
1910 | (3) |
|
|
|
1913 | (3) |
|
John Steinbeck (1902-1968) |
|
|
1916 | (17) |
|
|
|
1918 | (7) |
|
|
|
1925 | (8) |
|
|
|
1925 | (2) |
|
|
|
1927 | (6) |
|
Richard Wright (1908-1960) |
|
|
1933 | (28) |
|
|
|
1935 | (24) |
|
|
|
1959 | (2) |
|
|
|
1961 | (14) |
|
|
|
1962 | (8) |
|
|
|
1962 | (5) |
|
|
|
1967 | (3) |
|
|
|
1970 | (1) |
|
|
|
1970 | (1) |
|
|
|
1971 | (1) |
|
from Prophets for a New Day Ballad of the Hoppy-Toad |
|
|
1972 | (2) |
|
|
|
1974 | (1) |
|
|
|
1974 | (1) |
|
|
|
1975 | (1) |
|
Saunders Redding (1906-1988) |
|
|
1975 | (8) |
|
from No Day of Triumph Chapter One: Troubled in Mind |
|
|
1977 | (6) |
|
Pietro Di Donato (1911-1992) |
|
|
1983 | (10) |
|
|
|
1984 | (9) |
|
Younghill Kang (1903-1972) |
|
|
1993 | (8) |
|
from East Goes West Part One, Book Three |
|
|
1995 | (6) |
|
Carved on the Walls: Poetry by Early Chinese Immigrants |
|
|
2001 | (10) |
|
|
|
2003 | (1) |
|
5 [Four days before the Qiqiao Festival] |
|
|
2003 | (1) |
|
8 [Instead of remaining a citizen of China, I willingly became an ox] |
|
|
2004 | (1) |
|
|
|
2004 | (2) |
|
20 [Imprisonment at Youli, when will it end?] |
|
|
2004 | (1) |
|
30 [After leaping into prison, I cannot come out] |
|
|
2005 | (1) |
|
31 [There are tens of thousands of poems composed on these walls] |
|
|
2005 | (1) |
|
from The Weak Shall Conquer |
|
|
2006 | (1) |
|
35 [Leaving behind my writing brush and removing my sword, I came to America] |
|
|
2006 | (1) |
|
38 [Being idle in the wooden building, I opened a window] |
|
|
2006 | (1) |
|
42 [The dragon out of water is humiliated by ants] |
|
|
2006 | (1) |
|
|
|
2007 | (1) |
|
51 [I hastened here for the sake of my stomach and landed promptly in jail] |
|
|
2007 | (1) |
|
55 [Shocking news, truly sad, reached my ears] |
|
|
2007 | (1) |
|
from Deportees, Transients |
|
|
2007 | (4) |
|
57 [On a long voyage I travelled across the sea] |
|
|
2007 | (1) |
|
64 [Crude Poem Inspired by the Landscape] |
|
|
2008 | (1) |
|
69 [Detained in this wooden house for several tens of days] |
|
|
2009 | (2) |
| Contemporary Period: 1945 to the Present |
|
2011 | (1227) |
| Part I Orthodoxy and Resistance: Cold War Culture and Its Discontents |
|
2018 | (437) |
|
|
|
2023 | (76) |
|
|
|
2026 | (73) |
|
Tennessee Williams (1911-1983) |
|
|
2099 | (11) |
|
|
|
2101 | (9) |
|
|
|
2110 | (14) |
|
|
|
2112 | (12) |
|
Carlos Bulosan (1913-1956) |
|
|
2124 | (8) |
|
from America Is in the Heart |
|
|
2125 | (7) |
|
|
|
2125 | (3) |
|
|
|
2128 | (4) |
|
|
|
2132 | (16) |
|
|
|
2133 | (15) |
|
|
|
2148 | (15) |
|
|
|
2150 | (13) |
|
Flannery O'Connor (1925-1964) |
|
|
2163 | (13) |
|
A Good Man Is Hard to Find |
|
|
2165 | (11) |
|
Joyce Carol Oates (b. 1938) |
|
|
2176 | (13) |
|
Where Are You Going, Where Have You Been? |
|
|
2178 | (11) |
|
|
|
2189 | (10) |
|
|
|
2191 | (8) |
|
Ralph Waldo Ellison (1914-1994) |
|
|
2199 | (22) |
|
A Party down at the Square |
|
|
2201 | (4) |
|
|
|
2205 | (13) |
|
Brave Words for a Startling Occasion |
|
|
2218 | (3) |
|
James Baldwin (1924-1987) |
|
|
2221 | (23) |
|
|
|
2222 | (22) |
|
|
|
2244 | (10) |
|
|
|
2246 | (8) |
|
|
|
2254 | (11) |
|
from No-No Boy Chapter Six |
|
|
2255 | (10) |
|
Tillie Lerner Olsen (b. 1912) |
|
|
2265 | (29) |
|
|
|
2267 | (27) |
|
Muriel Rukeyser (1913-1980) |
|
|
2294 | (8) |
|
|
|
2295 | (2) |
|
|
|
2297 | (1) |
|
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|
2297 | (2) |
|
|
|
2297 | (2) |
|
|
|
2299 | (1) |
|
|
|
2299 | (1) |
|
Martin Luther King, Malcolm X |
|
|
2300 | (1) |
|
|
|
2300 | (1) |
|
Poem White Page/White Page Poem |
|
|
2301 | (1) |
|
Robert Hayden (1913-1980) |
|
|
2302 | (4) |
|
|
|
2303 | (1) |
|
|
|
2303 | (1) |
|
"Summertime and the Living..." |
|
|
2304 | (1) |
|
Mourning Poem for the Queen of Sunday |
|
|
2305 | (1) |
|
Theodore Roethke (1908-1963) |
|
|
2306 | (13) |
|
Frau Bauman, Frau Schmidt, and Frau Schwartze |
|
|
2307 | (2) |
|
|
|
2309 | (1) |
|
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|
2309 | (1) |
|
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|
2310 | (4) |
|
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|
2310 | (2) |
|
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|
2312 | (1) |
|
5. "It was beginning winter" |
|
|
2313 | (1) |
|
Meditations of an Old Woman |
|
|
2314 | (4) |
|
|
|
2314 | (3) |
|
|
|
2317 | (1) |
|
|
|
2318 | (1) |
|
Elizabeth Bishop (1911-1979) |
|
|
2319 | (9) |
|
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|
2321 | (2) |
|
|
|
2323 | (1) |
|
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|
2324 | (2) |
|
|
|
2326 | (2) |
|
Robert Traill Spence Lowell, Jr. (1917-1977) |
|
|
2328 | (9) |
|
Memories of West Street and Lepke |
|
|
2329 | (2) |
|
|
|
2331 | (1) |
|
|
|
2332 | (1) |
|
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|
2333 | (2) |
|
|
|
2335 | (2) |
|
Gwendolyn Brooks (b. 1917) |
|
|
2337 | (13) |
|
The Sundays of Satin-Legs Smith |
|
|
2339 | (4) |
|
|
|
2343 | (1) |
|
|
|
2344 | (1) |
|
A Bronzeville Mother Loiters in Mississippi. Meanwhile, a Mississippi Mother Burns Bacon |
|
|
2345 | (3) |
|
The Last Quatrain of the Ballad of Emmet Till |
|
|
2348 | (1) |
|
|
|
2349 | (1) |
|
|
|
2350 | (10) |
|
"A World Without Objects Is a Sensible Emptiness" |
|
|
2351 | (1) |
|
Pangloss's Song: A Comic-Opera Lyric |
|
|
2352 | (2) |
|
|
|
2354 | (2) |
|
|
|
2356 | (4) |
|
|
|
2360 | (7) |
|
|
|
2362 | (1) |
|
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|
2363 | (1) |
|
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|
2364 | (2) |
|
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|
2366 | (1) |
|
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|
2366 | (1) |
|
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|
2367 | (6) |
|
|
|
2368 | (1) |
|
|
|
2369 | (1) |
|
|
|
2370 | (1) |
|
|
|
2371 | (1) |
|
|
|
2372 | (1) |
|
Charles Olson (1910-1970) |
|
|
2373 | (19) |
|
|
|
2376 | (7) |
|
|
|
2383 | (3) |
|
I, Maximus of Gloucester, to You |
|
|
2386 | (4) |
|
|
|
2390 | (2) |
|
|
|
2392 | (6) |
|
|
|
2393 | (1) |
|
|
|
2394 | (1) |
|
|
|
2395 | (1) |
|
Getting Up Ahead of Someone (Sun) |
|
|
2396 | (1) |
|
|
|
2397 | (1) |
|
Denise Levertov (b. 1923) |
|
|
2398 | (7) |
|
|
|
2400 | (1) |
|
|
|
2400 | (2) |
|
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|
2402 | (1) |
|
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|
2403 | (1) |
|
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|
2404 | (1) |
|
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|
2405 | (10) |
|
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|
2406 | (1) |
|
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|
2407 | (2) |
|
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|
2409 | (3) |
|
|
|
2412 | (1) |
|
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|
2413 | (2) |
|
|
|
2415 | (13) |
|
|
|
2417 | (1) |
|
|
|
2417 | (1) |
|
|
|
2418 | (1) |
|
|
|
2418 | (1) |
|
One-Eye, Two-Eyes, Three-Eyes |
|
|
2419 | (5) |
|
|
|
2424 | (4) |
|
|
|
2424 | (1) |
|
|
|
2425 | (1) |
|
|
|
2425 | (1) |
|
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|
2425 | (1) |
|
|
|
2426 | (1) |
|
|
|
2427 | (1) |
|
|
|
2428 | (5) |
|
|
|
2430 | (1) |
|
Autumn Begins in Martins Ferry, Ohio |
|
|
2430 | (1) |
|
Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota |
|
|
2431 | (1) |
|
Having Lost My Sons, I Confront the Wreckage of the Moon: Christmas, 1960 |
|
|
2431 | (1) |
|
A Centenary Ode: Inscribed to Little Crow, Leader of the Sioux Rebellion in Minnesota, 1862 |
|
|
2432 | (1) |
|
Lawrence Ferlinghetti (b. 1919) |
|
|
2433 | (8) |
|
|
|
2434 | (3) |
|
|
|
2437 | (1) |
|
|
|
2438 | (3) |
|
Allen Ginsberg (1926-1997) |
|
|
2441 | (14) |
|
A Supermarket in California |
|
|
2442 | (1) |
|
|
|
2443 | (9) |
|
|
|
2452 | (3) |
| Part II New Communities, New Identities, New Energies |
|
2455 | (366) |
|
Lorraine Vivian Hansberry (1930-1965) |
|
|
2461 | (62) |
|
|
|
2462 | (61) |
|
|
|
2523 | (5) |
|
|
|
2524 | (4) |
|
Martin Luther King, Jr. (1929-1968) |
|
|
2528 | (13) |
|
|
|
2530 | (3) |
|
I've Been to the Mountaintop |
|
|
2533 | (8) |
|
|
|
2541 | (15) |
|
|
|
2542 | (14) |
|
|
|
2556 | (16) |
|
|
|
2558 | (14) |
|
|
|
2572 | (10) |
|
|
|
2574 | (8) |
|
|
|
2582 | (9) |
|
|
|
2583 | (3) |
|
|
|
2586 | (1) |
|
|
|
2587 | (1) |
|
Not Somewhere Else, but Here |
|
|
2587 | (1) |
|
|
|
2588 | (1) |
|
|
|
2589 | (2) |
|
Bernard Malamud (1914-1986) |
|
|
2591 | (13) |
|
|
|
2592 | (12) |
|
|
|
2604 | (5) |
|
|
|
2606 | (3) |
|
Hisaye Yamamoto (b. 1921) |
|
|
2609 | (11) |
|
|
|
2611 | (9) |
|
|
|
2620 | (11) |
|
|
|
2621 | (8) |
|
|
|
2629 | (2) |
|
Rudolfo A. Anaya (b. 1937) |
|
|
2631 | (10) |
|
from Bless Me, Ultima Dieciocho |
|
|
2632 | (9) |
|
Amiri Baraka (LeRoi Jones) (b. 1934) |
|
|
2641 | (6) |
|
|
|
2642 | (1) |
|
|
|
2643 | (1) |
|
Black People: This Is Our Destiny |
|
|
2644 | (1) |
|
A Poem Some People Will Have to Understand |
|
|
2645 | (1) |
|
|
|
2646 | (1) |
|
|
|
2647 | (8) |
|
|
|
2648 | (1) |
|
|
|
2649 | (1) |
|
"Just Don't Never Give Up on Love" |
|
|
2650 | (3) |
|
A Letter to Dr. Martin Luther King |
|
|
2653 | (2) |
|
|
|
2655 | (1) |
|
Lucille Clifton (b. 1936) |
|
|
2655 | (8) |
|
|
|
2657 | (1) |
|
I Am Accused of Tending to the Past |
|
|
2658 | (1) |
|
at the cemetery, walnut grove plantation, south carolina, 1989 |
|
|
2659 | (1) |
|
|
|
2660 | (1) |
|
|
|
2661 | (2) |
|
Ernest J. Gaines (b. 1933) |
|
|
2663 | (22) |
|
|
|
2664 | (21) |
|
Etheridge Knight (1931-1991) |
|
|
2685 | (5) |
|
|
|
2686 | (2) |
|
The Violent Space (or when your sister sleeps around for money) |
|
|
2688 | (1) |
|
|
|
2689 | (1) |
|
A Poem for Myself (Or Blues for a Mississippi Black Boy) |
|
|
2690 | (1) |
|
|
|
2690 | (12) |
|
|
|
2692 | (10) |
|
Toni Cade Bambara (1939-1995) |
|
|
2702 | (6) |
|
|
|
2704 | (4) |
|
James Alan McPherson (b. 1943) |
|
|
2708 | (18) |
|
|
|
2710 | (16) |
|
Michael S. Harper (b. 1938) |
|
|
2726 | (8) |
|
|
|
2728 | (1) |
|
Nightmare Begins Responsibility |
|
|
2728 | (1) |
|
|
|
2729 | (1) |
|
|
|
2730 | (1) |
|
A Narrative of the Life and Times of John Coltrane: Played by Himself |
|
|
2731 | (1) |
|
|
|
2732 | (2) |
|
|
|
2734 | (8) |
|
|
|
2735 | (3) |
|
|
|
2738 | (2) |
|
|
|
2740 | (2) |
|
|
|
2742 | (7) |
|
The woman in the ordinary |
|
|
2743 | (1) |
|
|
|
2744 | (1) |
|
|
|
2745 | (1) |
|
|
|
2745 | (2) |
|
Putting the good things away |
|
|
2747 | (2) |
|
N. Scott Momaday (Kiowa) (b. 1934) |
|
|
2749 | (10) |
|
from The Way to Rainy Mountain |
|
|
2750 | (9) |
|
James Welch (Blackfeet-Gros Ventre) (b. 1940) |
|
|
2759 | (13) |
|
from Winter in the Blood Part Four |
|
|
2761 | (11) |
|
|
|
2772 | (9) |
|
from...y no se lo trago la tierra/And the Earth Did Not Devour Him |
|
|
2774 | (7) |
|
|
|
2781 | (8) |
|
from Rituals of Survival A Thanksgiving Celebration (Amy) |
|
|
2782 | (7) |
|
|
|
2789 | (4) |
|
|
|
2790 | (1) |
|
|
|
2791 | (1) |
|
|
|
2792 | (1) |
|
Victor Hernandez Cruz (b. 1949) |
|
|
2793 | (5) |
|
|
|
2794 | (1) |
|
|
|
2795 | (2) |
|
|
|
2797 | (1) |
|
Garrett Kaoru Hongo (b. 1951) |
|
|
2798 | (23) |
|
|
|
2800 | (1) |
|
|
|
2801 | (1) |
|
Who Among You Knows the Essence of Garlic? |
|
|
2802 | (2) |
|
And Your Soul Shall Dance |
|
|
2804 | (1) |
|
Something Whispered in the Shakuhachi |
|
|
2804 | (3) |
|
|
|
2807 | (10) |
|
The Unreal Dwelling: My Years in Volcano |
|
|
2817 | (4) |
| Part III Postmodernity and Difference: Promises and Threats |
|
2821 | (417) |
|
David Henry Hwang (b. 1957) |
|
|
2824 | (51) |
|
|
|
2826 | (49) |
|
|
|
2875 | (18) |
|
|
|
2877 | (16) |
|
Donald Barthelme (1931-1989) |
|
|
2893 | (5) |
|
At the End of the Mechanical Age |
|
|
2894 | (4) |
|
Thomas Pynchon (b. 1937?) |
|
|
2898 | (8) |
|
from The Crying of Lot 49 |
|
|
2900 | (6) |
|
|
|
2906 | (13) |
|
I am a cowboy in the boat of Ra |
|
|
2909 | (2) |
|
|
|
2911 | (3) |
|
from Mumbo Jumbo Chapter 10 |
|
|
2914 | (5) |
|
Rolando Hinojosa-Smith (b. 1929) |
|
|
2919 | (10) |
|
Sometimes It Just Happens That Way; That's All |
|
|
2920 | (9) |
|
John Edgar Wideman (b. 1941) |
|
|
2929 | (8) |
|
|
|
2930 | (7) |
|
|
|
2937 | (7) |
|
|
|
2939 | (1) |
|
|
|
2940 | (1) |
|
"Never Take Fire from a Woman" |
|
|
2941 | (1) |
|
|
|
2942 | (1) |
|
|
|
2943 | (1) |
|
Maxine Hong Kingston (b. 1940) |
|
|
2944 | (21) |
|
from The Woman Warrior "White Tigers" |
|
|
2945 | (20) |
|
|
|
2965 | (12) |
|
from The Joy Luck Club The Red Candle |
|
|
2966 | (11) |
|
|
|
2977 | (12) |
|
|
|
2979 | (10) |
|
Janice Mirikitani (b. 1942) |
|
|
2989 | (6) |
|
|
|
2990 | (1) |
|
|
|
2991 | (2) |
|
|
|
2993 | (2) |
|
|
|
2995 | (1) |
|
Theresa Hak Kyung Cha (1951-1982) |
|
|
2995 | (9) |
|
|
|
2997 | (7) |
|
|
|
3004 | (8) |
|
|
|
3006 | (3) |
|
Farm Implements and Rutabagas in a Landscape |
|
|
3009 | (1) |
|
As You Came from the Holy Land |
|
|
3010 | (2) |
|
|
|
3012 | (1) |
|
|
|
3012 | (12) |
|
from The Armies of the Night |
|
|
3014 | (10) |
|
|
|
3024 | (8) |
|
|
|
3025 | (7) |
|
|
|
3032 | (9) |
|
from The Country Between Us |
|
|
3034 | (4) |
|
|
|
3034 | (1) |
|
Because One Is Always Forgotten |
|
|
3035 | (1) |
|
|
|
3036 | (2) |
|
|
|
3038 | (2) |
|
|
|
3040 | (1) |
|
Gloria Anzaldua (b. 1942) |
|
|
3041 | (24) |
|
from Borderlands/La Frontera |
|
|
3042 | (23) |
|
Chapter 3: Entering into the Serpent |
|
|
3042 | (12) |
|
Chapter 7: La conciencia de la mestiza/Towards a New Consciousness |
|
|
3054 | (11) |
|
Judith Ortiz Cofer (b. 1952) |
|
|
3065 | (11) |
|
|
|
3067 | (1) |
|
The Woman Who Was Left at the Altar |
|
|
3067 | (1) |
|
My Father in the Navy: A Childhood Memory |
|
|
3068 | (1) |
|
|
|
3069 | (1) |
|
|
|
3070 | (1) |
|
|
|
3070 | (6) |
|
|
|
3076 | (6) |
|
|
|
3077 | (1) |
|
|
|
3078 | (2) |
|
|
|
3080 | (2) |
|
Helena Maria Viramontes (b. 1954) |
|
|
3082 | (11) |
|
|
|
3083 | (10) |
|
|
|
3093 | (6) |
|
|
|
3094 | (2) |
|
|
|
3096 | (1) |
|
|
|
3097 | (1) |
|
|
|
3098 | (1) |
|
|
|
3098 | (1) |
|
Raymond Carver (1938-1988) |
|
|
3099 | (17) |
|
from Cathedral A Small, Good Thing |
|
|
3101 | (15) |
|
Joy Harjo (Creek) (b. 1951) |
|
|
3116 | (11) |
|
The Woman Hanging from the Thirteenth Floor Window |
|
|
3117 | (2) |
|
|
|
3119 | (2) |
|
|
|
3121 | (1) |
|
|
|
3122 | (1) |
|
|
|
3123 | (1) |
|
|
|
3124 | (2) |
|
|
|
3126 | (1) |
|
Roberta Hill Whiteman (Oneida) (b. 1947) |
|
|
3127 | (6) |
|
|
|
3128 | (5) |
|
|
|
3128 | (1) |
|
In the Longhouse, Oneida Museum |
|
|
3129 | (1) |
|
|
|
3130 | (1) |
|
|
|
3131 | (1) |
|
|
|
3132 | (1) |
|
Louise Erdrich (Chippewa) (b. 1954) |
|
|
3133 | (10) |
|
from Love Medicine Saint Marie (1934) |
|
|
3134 | (9) |
|
Wendy Rose (Hopi) (b. 1948) |
|
|
3143 | (10) |
|
Throat Song: The Rotating Earth |
|
|
3145 | (1) |
|
|
|
3145 | (2) |
|
To the Hopi in Richmond (Santa Fe Indian Village) |
|
|
3147 | (1) |
|
If I Am Too Brown or Too White for You |
|
|
3148 | (1) |
|
|
|
3149 | (2) |
|
|
|
3151 | (2) |
|
|
|
3153 | (9) |
|
|
|
3155 | (1) |
|
|
|
3156 | (2) |
|
|
|
3158 | (1) |
|
|
|
3159 | (3) |
|
|
|
3162 | (7) |
|
|
|
3164 | (1) |
|
|
|
3164 | (1) |
|
|
|
3165 | (1) |
|
|
|
3166 | (1) |
|
|
|
3167 | (2) |
|
|
|
3169 | (5) |
|
|
|
3170 | (1) |
|
|
|
3171 | (1) |
|
My Father, in Heaven, Is Reading Out Loud |
|
|
3171 | (1) |
|
|
|
3172 | (1) |
|
This Room and Everything in It |
|
|
3173 | (1) |
|
Lorna Dee Cervantes (b. 1954) |
|
|
3174 | (10) |
|
Beneath the Shadow of the Freeway |
|
|
3176 | (3) |
|
Poem for the Young White Man |
|
|
3179 | (1) |
|
|
|
3180 | (1) |
|
|
|
3181 | (3) |
|
Aurora Levins Morales (b. 1954) |
|
|
3184 | (5) |
|
|
|
3185 | (1) |
|
|
|
3186 | (2) |
|
Heart of My Heart, Bone of My Bone |
|
|
3188 | (1) |
|
Bharati Mukherjee (b. 1940) |
|
|
3189 | (12) |
|
|
|
3191 | (10) |
|
Leslie Marmon Silko (Laguna) (b. 1948) |
|
|
3201 | (8) |
|
|
|
3202 | (7) |
|
Sandra Cisneros (b. 1954) |
|
|
3209 | (10) |
|
from Woman Hollering Creek and Other Stories Little Miracles, Kept Promises |
|
|
3211 | (8) |
|
Simon Oritz (Acoma Pueblo) (b. 1941) |
|
|
3219 | (7) |
|
|
|
3221 | (5) |
|
|
|
3226 | (12) |
|
|
|
3230 | (8) |
| Permissions Acknowledgments |
|
3238 | (12) |
| Index |
|
3250 | |