Hollywood Dealmaking : Negotiating Talent Agreements

by
Format: Trade Paper
Pub. Date: 2002-06-01
Publisher(s): Allworth Press
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Summary

Two entertainment attorneys and Hollywood insiders explain all the ins and outs of negotiating in the movie industry, including back ends, gross and adjusted gross profits, deferments, box office bonuses, copyrights, and much more. This easy-to-follow referencewritten clearly, without confusing legal jargonis packed with expert insights on distribution, licensing, and merchandising. The book's invaluable resource section includes definitions of lingo for acquisition agreements and employment deals, twelve ready-to-use sample contracts, and a directory of entertainment attorneys in both New York and Los Angeles. With the negotiating tips in this guide, agents, writers, directors, actors, financiers, and filmmakers will save thousands of dollars in attorney fees.

Author Biography

Dina Appleton is the Vice President of Business and Legal Affairs at Writers & Artists Agency, a talent and literary agency with offices in New York and Los Angeles. She is a member of both the Law Society of Upper Canada and the California State Bar and serves on the Beverly Hills Bar Association's Entertainment Law Executive Committee and the USC Entertainment Symposium's Planning Committee. She lives in Los Angeles with her husband and son.



Daniel Yankelevits is an executive in the Business and Legal Affairs Group at DreamWorks SKG and teaches an annual entertainment law seminar at UCLA. He previously served as Director of Business Affairs at HBO and at New Line Cinema and was co-chair of the Beverly Hills Bar Association¦s Entertainment Section. He is a graduate of Harvard Law School and currently lives in Los Angeles with his wife and two children.

Table of Contents

Introduction to the Dealmaking Process
1(14)
The Players
Studios versus Independent Producers
The Art of Negotiation: Tips from Industry Players
Rights Acquisitions Agreements
15(20)
The Option/Purchase Deal
Deal Point Summary: Option/Purchase Agreements
Life Story Rights Agreements
Feature Writer Employment Deals
35(28)
Making the Deal
Deal Point Summary: Features Writer Agreements
Television Writer/Producer Agreements
63(22)
The Economics of Television
Making the Deal Writers of Staff
Overall Deals
Deal Point Summary: Television Writer/Producer Agreements
Feature Film and Television Director Agreements
85(20)
The Deal: Feature Directing
Television Directors
Deal Point Summary: Director Agreements
Film Producers
105(14)
Services: The Producer's Role
Making the Deal
Deal Point Summary: Producer Agreements
Feature Actor Agreements
119(20)
Negotiating the Deal
Deal Point Summary: Feature Actor Agreements
Television Actor Deals
139(20)
Negotiating the Deal
Renegotiation
Holding Deals
Movies for Television/Movies of the Week
Deal Point Summary: Television Actor Agreements
Crew (Below-The-Line) Agreements
159(8)
Sample Deal Memo: Feature Film Composer
Sample Deal Memo: Television Pilot/Series Casting Director
Sample Deal Memo: Music Editor, TV Series
Sample Deal Memo: Postproduction Supervisor, Feature Film
Deal Point Summary: Below-the-Line Agreements
Net Profits
167(24)
Feature Film Net Profits
Key Terms
Negotiable Issues/Areas of Complaint
Gross and Adjusted Gross Receipts (AGR)
Television Net Profits
Conclusion
Deal Point Summary: Net Proceeds Negotiations
The Basics of Copyright Law
191(10)
Copyright Issues
Appendix A Sample contracts/Forms 201(30)
Certificate of Authorship/Certificate of Employment
Nudity Rider
Publisher's Release
Materials Release/Submission Release
Annotation Guide
Personal Depiction Release
Life Story Option/Purchase Agreement
Screenplay Purchase Agreement
Appendix B The Lingo 231(11)
About the Authors 242(1)
Index 243

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