Acknowledgements* Introduction * Changing History: the Republic and Northern Ireland since 1990 --Michael Parker * Flying High? Culture, Criticism, Theory since 1990 --Scott Brewster * Part One: Drama * ‘Home Places: Irish Drama since 1990’ - Clare Wallace and Ondrej Pilny * ‘Foregrounding the Body and Performance in Plays by Gina Moxley, Emma Donoghue and Marina Carr --Maria Kurdi * ‘The Stuff of Tragedy?  Representations of Irish Political Leaders in the
‘Haughey’ Plays of Carr, Barry and Breen --Anthony Roche * ‘New Articulations of Irishness and Otherness on the Contemporary Irish Stage’ --Martine Pelletier * Part Two: Poetry
 * ‘Scattered and Diverse: Irish Poetry Since 1990’ --Jerzy Jarniewicz and John McDonagh * Architectural Metaphors: Representations of the House in the Poetry of Eiléan Ní
Chuilleanáin and Vona Groarke’ --Lucy Collins * ‘The places I go back to’: Familiarisation and Making Strange in Seamus Heaney’s Later Poetry --Joanna Cowper * ‘Neither Here Nor There’: New Generation Northern Irish Poets (Sinead Morrissey and Nick Laird) --Michael Parker * Part Three: Fiction * ‘Tomorrow we will change our names, invent ourselves again’: Irish Fiction and * Autobiography since 1990 --Liam Harte * Anne Enright and Postnationalism in the Contemporary Irish Novel --Heidi Hansson * Seamus Deane’s Reading in the Dark, John Walsh’s The Falling Angels and John  McGahern’s Memoir --Stephen Regan * Secret Gardens:  Unearthing the Truth in Patrick O’Keeffe’s The Hill Road - Vivian Valvano Lynch * ‘What’s it like being Irish?’: The Return of the Repressed in Roddy Doyle’s Paula Spencer --Jennifer M. Jeffers * Remembering to Forget: Northern Irish Fiction after the Troubles --Neal Alexander * Part  Four : After Words * ‘What Do I Say When They Wheel out Their Dead?’: The Representation of Violence in Northern Irish Art --Shane Alcobia-Murphy * Notes on contributors * Index