Summary
Now in Paperback Jenny Holzer gained widespread recognition when texts from her Truisms series appeared on a vast electronic advertising board overlooking Times Square. Throughout her career, Holzer has intrigued audiences by placing her provocative messages in unexpected contexts, including posters, metal plaques, stone benches, electronic signs, television spots and Web sites. Her canny melding of the mediums of mass culture with an unadorned, emphatic language is perfectly attuned to an age of advertising slogans, headlines and sound bites. Yet despite the very public nature of much of her work, Holzer has also created more intimate pieces for display in galleries and museums. Her stunning installation at the 1990 Venice Biennale was awarded first prize and brought the artist international acclaim, proving that Holzer's art is equally compelling wherever it is shown--in a setting calculated to reach the masses or in the most rarefied art spaces. This book features a complete collection of the artist's writings, up to and including her 1996 text for a monument in Erlauf, Austria, accompanied by color photography of the entire range of her installations and projects. In an insightful essay and a lively interview with the artist, Diane Waldman traces the history of Holzer's series of writings and the varied environments in which they have appeared. The volume is rounded off with a chronology, exhibition history and bibliography.
Author Biography
David Joselit is Assistant Professsor of Art History at UCLA, Irvine. Formerly at Boston's ICA, where he curated numerous exhibitions on post-war art, he is a regular contributor to Artforum and Art in America. His book Infinite Regress: Marcel Duchamp, 1910-1941 was published by MIT in 1998.
Joan Simon is a Paris-based, American-born writer, curator and arts administrator. She organized Jenny Holzer's first US museum exhibition and catalogue, and her books include the Bruce Nauman catalogue raisonné (1994) and Ann Hamilton (1998).
Renata Salecl is a Slovenian cultural theorist and philosopher. Her many books include The Spoils of Freedom: Psychoanalysis and Feminism after the Fall of Socialism (1994) and Voice and Gaze as Love Objects (1996).
Table of Contents
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Interview Joan Simon in conversation with Jenny Holzer |
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6 | (34) |
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Survey Voices, Bodies and Spaces: The Art of Jenny Holzer |
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40 | (38) |
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Focus Cut-and-Dried Bodies, or How to Avoid the Pervert Trap |
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78 | (12) |
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Artist's Choice III Seen, III Said (extract), 1981 |
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90 | (12) |
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Crowds and Power (extracts), 1960 |
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94 | (8) |
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Artist's Writings Book Report -- A Response to Artist's Choice, 1997 |
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102 | (42) |
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116 | (10) |
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Inflammatory Essays (extract), 1979-82 |
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126 | (6) |
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Living (extract), 1980-82 |
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132 | (4) |
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Under a Rock (extract), 1986 |
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136 | (2) |
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138 | (2) |
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140 | (2) |
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142 | (2) |
Chronology |
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144 | (15) |
Bibliography, List of Illustrations |
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159 | |