Acknowledgments |
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vii | |
The Theme / The Mimesis of Emotions and the Elegiac Redemption of Grief |
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viii | |
SECTION ONE AESTHETIC TRANSMUTATION OF VITAL EMOTIONS IN LITERARY CREATIVITY |
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Two Types of Elegies: Goethe's Rome Elegies and Rilke's Duino Elegies |
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3 | (6) |
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Crossblood: Literature and the Drama of Survival |
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9 | (14) |
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23 | (10) |
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Longing and the Phenomenon of Loneliness |
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33 | (28) |
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Tragedy, Finitude, and the Value-Expressive Dimension |
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61 | (10) |
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Causes of Unhappiness in Dickens' Little Dorrit and Fowles' The French Lieutenant's Woman |
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71 | (16) |
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SECTION TWO MOURNING, REMORSE, SILENCE, MIRTH, IN THEIR AESTHETIC VIRTUALITIES |
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The Christian Sappho: Mourning Albertine in Marceline Desbordes-Valmore's ``Le Mal du Pays'' |
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87 | (8) |
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Concerned with Onself and God Alone: On Kierkegaard's Concept of Remorse as the Basis for His Literary Theory |
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95 | (22) |
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The Subtractive and Nihilistic Modes of Silence: Heidegger and Beckett, Wittgenstein and Giacometti |
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117 | (16) |
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Words of Wonder, Wit, and Well? ... Well-Being! |
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133 | (8) |
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Between Elation and Sorrow: Aesthetic Experience in the Western European Novel |
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141 | (14) |
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Weltschmerz or the Pain of Living |
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155 | (12) |
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Vyacheslav Ivanov's Aesthetic: The Sonnet ``Love'' |
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167 | (8) |
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The Death of a Significant Other |
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175 | (24) |
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The Loss of Gregor Samsa, and Kafka's Use of Language |
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199 | (10) |
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SECTION THREE FROM ABYSMAL SORROW TO ECSTATIC JOY: THE ELEGIAC TRANSMUTATION OF FEELING |
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Ecstasies: Representations of Ecstatic Sorrow and Ecstatic Joy |
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209 | (14) |
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The Problem of Reconciliation in Remorse: Coleridge's Dramatic Theory and Practice |
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223 | (8) |
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Elegy Rebuffed by Pastoral Eclogue in Wallace Stevens' ``Sunday Morning'' |
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231 | (16) |
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Le Clezio: de I'heritage a I' origine. Etude du Proces-verbal a Pawana, le recit d'un secret |
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247 | (10) |
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La Literatura y la Persona Excepcional |
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257 | (20) |
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Index of Names |
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277 | |