Series Preface |
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xiii | |
Permissions |
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xv | |
Preface |
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1 | (2) |
The Pure and the Impure: Literature After Silence |
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3 | (26) |
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PART I POSTWAR POSITIONS |
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From Resistance to Commitment (A Time for Timeliness) |
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29 | (20) |
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29 | (14) |
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43 | (6) |
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Resistance to Commitment (A Space for Timelessness) |
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49 | (18) |
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``Three Cheers for Uncommitted Literature'' |
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49 | (3) |
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Review: Les Cahiers de la Pleiade |
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52 | (3) |
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from Literature in Your Face |
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55 | (5) |
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``The Ultimate Bibliophilia'' |
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60 | (7) |
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PART II COLD WAR AESTHETICS |
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Politics and Mass Culture |
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67 | (34) |
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67 | (2) |
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69 | (13) |
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``On a Portrait of Stalin'' |
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82 | (6) |
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88 | (6) |
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94 | (3) |
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97 | (4) |
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101 | (46) |
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``The Damsel with the Mirrors'' |
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101 | (11) |
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``The Novel, Work of Bad Faith'' |
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112 | (12) |
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``The Mimetic Desire of Paolo and Francesca'' |
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124 | (8) |
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``The Autobiographer as Torero'' |
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132 | (9) |
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``Death Every Afternoon'' |
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141 | (6) |
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147 | (112) |
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``The Dishonour of the Poets'' |
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147 | (7) |
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154 | (4) |
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``Conversation Under the Chestnut Tree'' |
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158 | (6) |
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164 | (1) |
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165 | (24) |
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168 | (21) |
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PART III THE CENTRAL CASE OF MALLARME |
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``Requiem for a Poet: Mallarme'' |
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189 | (7) |
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``Mallarme's Experience Proper'' and ``The Central Point'' |
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196 | (4) |
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from Introduction to the Psychoanalysis of Mallarme |
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200 | (7) |
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from Mallarme's Imaginative Universe |
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207 | (12) |
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``Mallarme's Happiness?'' |
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219 | (7) |
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226 | (9) |
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235 | (10) |
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``Nietzsche and Mallarme'' |
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245 | (3) |
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``The Hymn of Spiritual Hearts'' |
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248 | (11) |
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PART IV NOVELTIES |
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259 | (24) |
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``A Future for the Novel'' |
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259 | (6) |
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265 | (6) |
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from The Age of Suspicion |
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271 | (4) |
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``Reading Badly to Avoid Feeling Pain'' |
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275 | (8) |
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283 | (30) |
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``Structuralism and Literary Criticism'' |
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283 | (17) |
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300 | (2) |
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``Prolegomena to the Concept of 'Text' '' |
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302 | (3) |
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305 | (8) |
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PART V PSYCHOANALYSIS AND LITERATURE |
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313 | (16) |
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Methodological Postface to Psychocriticism of the Comic Genre |
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313 | (3) |
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``Psychoanalysis and Literary Understanding'' |
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316 | (4) |
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320 | (4) |
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``Interpreting [with] Freud'' |
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324 | (5) |
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Shifting Fate of a Keystone Concept: ``Castration'' |
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329 | (162) |
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329 | (6) |
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``Lecture of 20 May 1975'' |
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335 | (8) |
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343 | (3) |
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346 | (1) |
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347 | (3) |
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from Speculum of the Other Woman |
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350 | (5) |
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PART VI LITERATURE/THEORY/SCIENCE |
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from The Poetics of Space |
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355 | (4) |
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359 | (11) |
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``Trapping One's Own Culture'' |
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370 | (3) |
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PART VII CHANGING TIMES---AND SPACES |
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``Literature Twenty Years Later'' |
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373 | (6) |
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``Proposal for Revue Internationale'' |
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379 | (12) |
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Situationist International, ``All the King's Men'' |
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391 | (6) |
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``20 May 1968: Description of the Birth of the Students---Writers Action Committee'' |
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397 | (7) |
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404 | (6) |
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``The Laugh of the Medusa'' |
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410 | (12) |
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422 | (9) |
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``The Teaching of Leo Frobenius'' |
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431 | (6) |
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437 | (8) |
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``Prologue to the Review Souffles'' |
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445 | (5) |
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450 | (11) |
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PART VIII THE SOUND TRACK |
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461 | (6) |
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``The Text of a Textless Theater'' |
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467 | (7) |
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``The Organ and the Vacuum Cleaner'' |
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474 | (13) |
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PART IX COMMITMENT REDUX |
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``On the Need to Keep the Word Commitment'' |
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487 | (4) |
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``Commitment and Autonomy'' |
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491 | |
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