Loose Leaf for Harmony in Context,9781260153866

Loose Leaf for Harmony in Context

by
Edition: 3rd
ISBN13: 9781260153866
ISBN10: 126015386X
Format: Loose-leaf
Pub. Date: 2019-01-17
Publisher(s): McGraw Hill
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Table of Contents

Preface
A Message to the Student: Why Do We Study Music Theory?

Introduction: The Fundamentals of Music
Chapter APitch: Notation and Intervals
Chapter BRhythm and Meter
Chapter CTonality: Scales and Keys
Chapter DThe Rudiments of Harmony I: Triads and Seventh Chords
Chapter EThe Rudiments of Harmony II: Labeling Chords. Musical Texture
Chapter FIntroduction to Species Counterpoint

Part I: Diatonic Harmony
Chapter 1  Harmonic Progression.  The Connection of Chords
Chapter 2The Fundamental Progression:  The Tonic and Dominant Triads in Root Position. 
Chapter 3Harmonic Function; the Subdominant Triad in Root Position
Chapter 4 Triads in First Inversion
Chapter 5The Supertonic: Melody Harmonization
Chapter 6 Nonchord Tones
Chapter 76/4 Chords
Chapter 8The Dominant Seventh and Its Inversions
Chapter 9The Leading-Tone Triad
Chapter 10  Cadences
Chapter 11  Building the Context for Harmony I: Phrase Structure
Chapter 12  Building the Context for Harmony II: Thematic Development
Chapter 13  Harmonic Rhythm; Metric Reduction
Chapter 14  The Mediant, Submediant, and Subtonic Triads
Chapter 15  Other Diatonic Seventh Chords
Chapter 16  Harmonic Sequences

Part II: Chromatic Harmony and Form
Chapter 17  Tonicization I
Chapter 18  Tonicization II
Chapter 19  Tonicization III: Secondary Leading-Tone Chords
Chapter 20  Modulation to Closely-Related Keys
Chapter 21  Small Forms: Binary and Ternary; Variation Forms
Chapter 22  Contrapuntal Genres: Invention and Fugue
Chapter 23  Modal Mixture
Chapter 24  The Neapolitan Chord
Chapter 25  Augmented Sixth Chords
Chapter 26  Chromatic Modulatory Techniques:Modulation to Distantly Related Keys I
Chapter 27  Modulation to Distantly-Related Keys II; Linear Chromaticism I
Chapter 28  Introduction to Large Forms
Chapter 29  Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II;
Chapter 30  The German Romantic Lied: Chromatic Harmony in Context
Chapter 31  Toward (and Beyond) the Limits of Functional Tonality

Appendix: Transposing Instruments

Musical Example Index
Subject Index

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