Meret Oppenheim

by
Format: Hardcover
Pub. Date: 2007-04-01
Publisher(s): Hatje Cantz Verlag Gmbh & Co Kg
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Summary

Much more than "just" the fur cup: this lavishly illustrated monograph presents the multifaceted work and colorful life of the great artist and Surrealist muse, Meret Oppenheim (1913-1985). Once enmeshed in scandal, known as a mysterious model and a mythical personality, she emerged among the most far-sighted artists of her epoch. Her oeuvre, which includes painting, sculpture, photography, poetry, drawings and design objects, constitutes an important contribution to twentieth-century art. Alongside the legendary Breakfast in Fur,from the collection of The Museum of Modern Art, New York and important pieces from Vienna, Paris and Stockholm, Retrospective: An Enormously Tiny Bit of a Lotincludes many never-before seen works from private collections. While Oppenheim's works forbid formal classification, major themes can be distinguished: borders and connections between nature and culture; man and woman; day and night; and, as befits a Surrealist, dream and reality. Here, art historical writing and detailed analyses shed light on gender-specific issues in Oppenheim's work, along with broader concerns and major artistic advances. In addition, previously unpublished fragments of Oppenheim's own writing recollect many of her companions and artistic colleagues, and an illustrated biography completes the picture.

Table of Contents

Sorceress of diversity - an introductionp. 11
Meret Oppenheim's Objet de Desirp. 21
How it came to be : Meret Oppenheim's path to becoming an artist, as told by herself ...p. 39
The "omnipotence of dream" - dream and the unconscious in the oeuvre of Meret Oppenheimp. 51
Caterpillars, pupae, butterflies - metamorphoses in the works of Meret Oppenheimp. 65
Drawing - language of transformation you cannot do art with the intellectp. 79
Built-up metaphysics the "Meret Oppenheim Fountain" in Bern of 1983p. 91
Between material and fiction aspects of materiality in the works of Meret Oppenheimp. 107
"There is no such thing as 'feminine art.'" Some thoughts on the early feminist reception of Meret Oppenheimp. 123
Possible questions for Meret Oppenheim interview by Valie Export in letter formp. 136
Catalogue and imagesp. 140
Giacometti's Earp. 158
From a conversation between Meret Oppenheim and Christiane Meyer-Thossp. 293
Incidents and events in Carona, in the long year of games (1971) : Vestimenta Helveticap. 307
Table of Contents provided by Blackwell. All Rights Reserved.

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