| Introduction |
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17 | (4) |
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Aloysius Bertrand (1807-1841) |
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21 | (5) |
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The Five Fingers of the Hand |
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Ivan Turgenev (1818-1883) |
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26 | (3) |
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Charles Baudelaire (1821-1867) |
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29 | (3) |
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Stephane Mallarme (1842-1898) |
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32 | (2) |
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Arthur Rimbaud (1854-1891) |
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34 | (4) |
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Gertrude Stein (1874-1946) |
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38 | (3) |
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Sherwood Anderson (1876-1941) |
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41 | (2) |
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Song of the Soul of Chicago |
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Leon-Paul Fargue (1876-1947) |
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43 | (2) |
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45 | (2) |
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The Beggar Woman of Naples |
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The Wallpaper of Mr. R. K. |
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Aleksei Remizov (1877-1957) |
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47 | (2) |
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Juan Ramon Jimenez (1881-1958) |
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49 | (2) |
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51 | (1) |
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William Carlos Williams (1883-1963) |
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52 | (1) |
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Two Selections From Kora in Hell |
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H. D. (Hilda Doolittle) (1884-1961) |
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53 | (3) |
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56 | (3) |
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59 | (3) |
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Monomaniacal Possessor of the Firmament |
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The Dragon Carries the Inscription ``Kunigundula'' and is Led on a Leash |
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The Cities have been Cut Off at the Feet |
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For That Reason we are Also not Obliged to Polish the Claws, Horns, and Weather Vanes |
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62 | (1) |
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From Revelation and Defeat |
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Pierre Reverdy (1889-1960) |
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63 | (2) |
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Cesar Vallejo (1892-1938) |
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65 | (2) |
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67 | (1) |
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Eugenio Montale (1896-1982) |
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68 | (3) |
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Where the Tennis Court Was |
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Thornton Wilder (1897-1975) |
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71 | (1) |
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Jorge Luis Borges (1899-1986) |
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72 | (2) |
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Henri Michaux (1899-1984) |
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74 | (3) |
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``I am Writing to you from a Far-Off Country'' (1, 2, 7, 11, 12) |
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Francis Ponge (1899-1988) |
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77 | (5) |
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The Pleasures of the Door |
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George Seferis (1900-1971) |
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82 | (3) |
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``Its Time for Me to Go'' |
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85 | (1) |
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86 | (6) |
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``This Plant, So Exceptional . . .'' |
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``Should The Schoolboy Pull . . .'' |
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``She Stops Short . . .'' |
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``One Day I Suddenly Notice . . .'' |
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``The Landscapes They Walk Through . . .'' |
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``The Women Say: `It Looks Like Rain' . . .'' |
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Silvina Ocampo (1903-1993) |
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92 | (1) |
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Report on Heaven and Hell |
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93 | (1) |
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``The Makers of Perpetuum Mobile . . .'' |
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``Once I Came to Paradise . . .'' |
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Attila Jozsef (1905-1937) |
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94 | (2) |
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Daniel Kharms (1905-1942) |
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96 | (2) |
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The Beginnings of a Beautiful Day |
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Gilberto Owen (1905-1952) |
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98 | (1) |
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99 | (3) |
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The Dowry of Maubergeonne |
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102 | (5) |
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107 | (2) |
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Yannis Ritsos (1909-1990) |
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109 | (2) |
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Elizabeth Bishop (1911-1979) |
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111 | (2) |
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113 | (2) |
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Kenneth Patchen (1911-1972) |
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115 | (1) |
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Abraham Sutzkever (1913-) |
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116 | (6) |
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Julio Cortazar (1914-1984) |
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122 | (7) |
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Instructions on How to Cry |
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The Loss and Recovery of the Hair |
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William Stafford (1914-1993) |
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129 | (1) |
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Juan Jose Arreola (1918-) |
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130 | (1) |
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Alfonsas Nyka-Niliunas (1919-) |
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131 | (1) |
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132 | (2) |
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134 | (2) |
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Agnes Nemes Nagy (1922-1992) |
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136 | (10) |
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The Proportions of the Street |
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Italo Calvino (1923-1985) |
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146 | (6) |
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152 | (6) |
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A Special Performance for Statues |
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A Brief Reflection on Brief Reflections |
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Wislawa Szymborska (1923-) |
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158 | (2) |
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160 | (2) |
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What Mr. Cogito Thinks About Hell |
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162 | (2) |
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164 | (3) |
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Visiting Emily Dickinson's Grave with Robert Francis |
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167 | (2) |
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The Bricklayer's Lunch Hour |
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A Supermarket in California |
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169 | (1) |
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170 | (2) |
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172 | (1) |
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173 | (9) |
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Postcards from the Maginot Line |
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182 | (5) |
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187 | (1) |
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188 | (5) |
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193 | (5) |
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What Difference Does it Make |
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``Dogs are Supposed . . .'' |
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``It's Snowing in Plouda'' |
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198 | (1) |
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Tomas Transtromer (1931-) |
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199 | (4) |
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Start of a Late Autumn Novel |
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Marco Antonio Montes de Oca (1932-) |
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203 | (1) |
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204 | (2) |
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206 | (3) |
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209 | (1) |
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210 | (3) |
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Editing the Gazette of the Infinite |
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213 | (5) |
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The Windows of the Castle |
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Dr. Nigel Bruce Watson Counting |
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218 | (4) |
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222 | (1) |
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223 | (1) |
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224 | (3) |
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227 | (7) |
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The Poem Against the Horizon |
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Four About Heavy Machinery |
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234 | (1) |
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235 | (2) |
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``My Mother was a Braid . . .'' |
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``I was Stolen by the Gypsies'' |
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``We were so Poor . . .'' |
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``The Hundred-Year-Old China Doll's Head . . .'' |
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``An Arctic Voyager . . .'' |
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``A Much Dwindled, Starker Annotator . . .'' |
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237 | (5) |
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Jose Emilio Pacheco (1939-) |
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242 | (2) |
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From Some Time to this Place |
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244 | (2) |
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The Boys Go to Ask a Neighbor for Some Apples |
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Bloating and Its Remedies |
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246 | (1) |
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247 | (2) |
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249 | (2) |
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Michael Brownstein (1943-) |
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251 | (1) |
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252 | (2) |
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254 | (4) |
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7 or 8 Things I know About Her - A Stolen Biography |
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Bessie Smith at Roy Thomson Hall |
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258 | (3) |
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``A Word is Coming up on the Screen . . .'' |
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261 | (2) |
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``I Know Someone From Another World . . .'' |
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``There's a Certain Point in Each Evening . . .'' |
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263 | (2) |
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Demolition of the Catherdral at Chartres |
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265 | (1) |
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Dulce Lignum, Dulces Clavos |
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266 | (1) |
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267 | (3) |
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270 | (2) |
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272 | (1) |
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273 | (1) |
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274 | (1) |
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275 | (3) |
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Mary Anne Cartelli (1952-) |
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278 | (1) |
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279 | (1) |
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280 | (2) |
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Jayne Anne Phillips (1952-) |
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282 | (2) |
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284 | (2) |
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``Lightning. And the Mile Between'' |
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``Camellia, It's That Moist and Sensitive'' |
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286 | (2) |
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288 | (2) |
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290 | (1) |
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291 | (2) |
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Goodness and the Salt of the Earth |
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293 | (1) |
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Anne Marie Macari (1955-) |
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294 | (1) |
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295 | (1) |
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296 | (3) |
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299 | (1) |
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300 | (3) |
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Cinema Verite: The Death of Alfred, Lord Tennyson |
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Cinema Verite: William Makepeace Thackeray Follows His Bliss |
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Cinema Verite: Jacques Derrida and God's Tsimtsum |
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| Notes on the Authors |
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303 | (14) |
| Acknowledgments |
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