
Music in Theory and Practice Volume 1
by Benward, Bruce; Saker, Marilyn-
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Summary
The two-volume format ensures exhaustive coverage and maximum support for students and faculty alike. Volume I serves as a general introduction to music theory while Volume II offers a survey of the theoretical underpinnings of musical styles and forms from Gregorian Chant through the present day. The supplemental instructor's materials provide clear-cut solutions to assignment materials. Music in Theory and Practice is a well-rounded textbook that integrates the various components of musical structure and makes them accessible to students at the undergraduate level.
Table of Contents
Preface Introduction: The Materials of Music: Sound and TimePart A: The Fundamentals of Music 1 Notation2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Part A: The Fundamentals of Music 1 Notation2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
2 Scales, Tonality, Key, Modes3 Intervals and Transposition4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
4 ChordsPart B: The Structural Elements of Music 5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
5 Cadences and Nonharmonic Tones6 Melodic Organization7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
7 Texture and Textural Reduction8 Species Counterpoint9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
9 Voice Leading in Four-Part Chorale Writing10 Harmonic Progression and Harmonic Rhythm11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
11 The Dominant Seventh Chord12 The Leading-Tone Seventh Chords13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
13 Nondominant Seventh Chords14 Secondary Dominants and Leading-Tone Chords15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
15 Modulation16 Two-Part (Binary) Form17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
17 Three-Part (Ternary) FormAppendix A Summary of Part-Writing PracticesAppendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix B Macro Analysis SymbolsAppendix C Popular Music Chord SymbolsAppendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix D Expression MarksAppendix E Instrument Ranges, Transpositions, and Foreign NamesAppendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Appendix F HistoryCreditsIndexes
Musical ExamplesSubject Index
Indexes
Musical ExamplesSubject Index
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