Now back in print, author of The Unspeakable Meghan Daum's acclaimed cult classic that revitalized the personal essay for a new generation of writers

Meghan Daum is one of the most celebrated nonfiction writers working today, widely recognized for the fresh, provocative approach with which she unearths hidden fault lines in the American landscape. From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters.

With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In this stirring and surprising collection we see the emergence of a talented new voice in American writing.

<b>MEGHAN DAUM</b> is a columnist for the <i>Los Angeles Times,</i> the author of <i>Unspeakable</i>, <i>Life Would Be Perfect If I Lived in That House,</i> <i>The Quality of Life Report. </i>and the editor of <i>Selfish, Shallow, and Self-Absorbed</i>. Her essays and reviews have appeared in <i>The New Yorker</i>, <i>Harper's</i>, <i>The New York Times Book Review</i>, <i>Vogue</i>, and other publications.

Foreword 7
On the Fringes of the Physical World 13
Publishing and Other Near-Death Experiences 31
My Misspent Youth 39
Carpet Is Mungers 61
Inside the Tube 69
Toy Children 95
According to the Women I'm Fairly Pretty 103
American Shiksa 125
Music Is My Bag 135
Variations on Grief 153