Narrative, Apparatus, Ideology : A Film Theory Reader

by
Format: Paperback
Pub. Date: 1986-08-01
Publisher(s): Columbia Univ Pr
  • Free Shipping Icon

    This Item Qualifies for Free Shipping!*

    *Excludes marketplace orders.

List Price: $42.00

Buy New

Arriving Soon. Will ship when available.
$40.00

Buy Used

Arriving Soon. Will ship when available.
$30.00

Rent Textbook

Select for Price
There was a problem. Please try again later.

eTextbook

We're Sorry
Not Available

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

This book includes many seminal articles by film scholars such as Christian Metz, Jean-Louis Baudry, Stephen Heath, Peter Wollen, Laura Mulvey, and Noel Burch. Also included are articles by the era's leading cultural thinkers: Roland Barthes, Julia Kristeva, and Jean-Francçois Lyotard, to name a few.Philip Rosen has carefully organized these essays to open the reader to a number of central issues in film theory including the classical narrative text, oppositional and avant-garde cinema, subject positioning, the cinematic apparatus, and ideology. Rosen's introductions to each section explain the assumptions, ideas, and arguments important to the articles, and help place the essays in the context of the history of film theory, of narrative analysis, and of social and cultural theory.

Table of Contents

Structures of Filmic Narrative Introduction: The Saussurian Impulse and Cinema Semiotics
""Classical Hollywood Cinema: Narrational Principles and Procedures""
""Problems of Denotation in the Fiction Film""
""Segmenting/Analyzing""
""The Obvious and the Code""
""The Spectator-in-the-Text: The Rhetoric of Stagecoach""
""Godard and Counter-Cinema: Vent d' Est""
""The Concept of Cinema
Table of Contents provided by Publisher. All Rights Reserved.

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.