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viii | |
Foreword |
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ix | |
Preliminary Remarks |
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xi | |
Textual Note |
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xxiv | |
Acknowledgements |
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xxv | |
PRELUDIUM: UNBINDING NEWTONIAN NARRATIVE |
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1 | (22) |
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Introduction: Altering Single Vision |
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3 | (3) |
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Narrative Processes and Textual Features of Blake's Four Zoas |
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6 | (2) |
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Narrative Implications of the Circle of Destiny Episode |
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6 | (1) |
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Perspective Transformation |
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6 | (1) |
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Aspectual Interconnection |
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7 | (1) |
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Textual Implications of the Circle of Destiny Episode |
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7 | (1) |
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The Four Zoas Narrative and Text Reconsidered |
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8 | (11) |
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8 | (4) |
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Perspective Transformation |
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8 | (2) |
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Aspectual Interconnection: The ``Fall'' as Privileged Event and Pretext |
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10 | (2) |
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The Dialectic of the Text |
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12 | (7) |
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12 | (4) |
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Text as Woven Pattern or Schema |
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16 | (3) |
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Reflections on the Ontology of Reading The Four Zoas |
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19 | (4) |
REGION A: PERSPECTIVE INITIATION IN ``NIGHT THE FIRST'' |
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23 | (88) |
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Introduction: Subverting Origin and Identity |
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25 | (7) |
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Embedded Structures in Night I |
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32 | (8) |
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First Primary Bracket: Tharmas/Enion |
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40 | (52) |
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Tharmas/Enion Phase I: Verbal Interchange |
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43 | (8) |
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Phase II: Re-Enactments and Transitions |
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51 | (7) |
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First Embedded Structure: Los/Enitharmon |
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58 | (4) |
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Los/Enitharmon: First Phase |
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58 | (1) |
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Los/Enitharmon: Transition |
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59 | (1) |
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Los/Enitharmon: Second Phase |
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60 | (2) |
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First Sub-Embedded Structure: The Enitharmon/Los Interpolated Visions |
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62 | (30) |
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Interpolated Visions: Sub-Embedded Structure I: Enitharmon's ``Song of Vala'' |
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63 | (3) |
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Interpolated Visions: Sub-Embedded Structure II: Los's Response |
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66 | (2) |
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Los/Enitharmon: Third Phase: Urizen/Los/Enitharmon |
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68 | (7) |
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Los/Enitharmon: Second Sub-Embedded Structure: The ``Feast'' |
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75 | (6) |
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The Feast: Sub-Embedded Phase: ``The Nuptial Song'' |
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81 | (11) |
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Re-Surfacing of the tharmas/Enion Bracket |
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92 | (2) |
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Second Primary Bracket: ``Eternity'' |
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94 | (15) |
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Eternity Bracket: First Embedded Structure: The Messengers from Beulah Report |
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98 | (11) |
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Eternity Bracket: Second Embedded Structure: The Daughters of Beulah Spread a Couch |
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109 | (1) |
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109 | (2) |
REGION B: FICTIONS OF LINEAR CAUSALITY NIGHTS II-VI |
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111 | (128) |
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Introduction: Mapping Nights II-VI |
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113 | (2) |
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Hierarchical Discontinuitty in Night the [Second] |
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115 | (25) |
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Narrative Involution in Night the Third |
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140 | (22) |
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Telescopic Reduction in Night the Fourth |
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162 | (22) |
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Progressive Re-Enactment in Night the Fifth |
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184 | (29) |
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Retrogressive Re-Enactment in Night the Sixth |
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213 | (26) |
REGION C: NARRATIVE BRANCHING AND CONVERGENCE IN NIGHTS VIIA, VIIB, AND VIII |
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239 | (108) |
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Introduction: Anatomizing the Narrative Field |
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241 | (3) |
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Overlapping Narrative Elements |
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244 | (15) |
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244 | (6) |
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Weaving/Fabricating Embodied Forms |
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250 | (5) |
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255 | (4) |
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The Re-Surfacing of Suppressed Narrative Elements |
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259 | (28) |
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259 | (10) |
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The Lamb of God and Satan |
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269 | (12) |
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281 | (6) |
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287 | (40) |
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288 | (32) |
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Perceptual Structures of the Shadow |
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288 | (10) |
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Narrative Consequences of the Shadow |
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298 | (22) |
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Rahab and the Synagogue of Satan |
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320 | (7) |
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The Structures of Nights VIIA, VIIB, and VIII |
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327 | (20) |
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328 | (4) |
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332 | (1) |
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333 | (14) |
REGION D: COUNTER-APOCALYPTIC RESISTANCES IN NIGHT IX |
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347 | (122) |
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Preludium: Reading Night the Ninth Subversively |
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349 | (1) |
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Introduction: The Crisis of Entry into Night the Ninth |
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349 | (8) |
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Possible Resolution through Male/Female Union |
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354 | (2) |
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Possible Resolution through Redemptive Figures |
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356 | (1) |
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The Structures of Night IX |
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357 | (1) |
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Preliminary Analysis of the Structural Interferences in Night IX |
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358 | (16) |
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Structurally Eccentric Placement of Events |
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360 | (1) |
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The Tharmas/Enion Embrace |
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360 | (1) |
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361 | (10) |
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361 | (2) |
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363 | (1) |
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Consuming, Consummation, Flames, and Fires |
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363 | (2) |
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365 | (2) |
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367 | (4) |
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Pseudo-Symmetrical Structures |
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371 | (1) |
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372 | (1) |
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Discontinuous Break Throughs of Apocalyptic Imagery |
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372 | (1) |
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373 | (1) |
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A Linear-Temporal Unfolding of Night IX |
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374 | (92) |
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Bracket 1, Phase 1 Opens (117:1): Los/Urthona |
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374 | (8) |
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Bracket 1, Phase 1 is Suppressed (119:23): Los/Urthona |
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382 | (1) |
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Bracket 2, Phase 1 Opens (119:24): Eternal Man |
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382 | (10) |
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Bracket 2, Phase 1 is Suppressed (122:25): Eternal Man |
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392 | (1) |
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Bracket 3, Phase 1 Opens (122:26): Urizen |
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392 | (7) |
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Bracket 3, Phase 1 is Suppressed (125:14): Urizen |
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399 | (1) |
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Bracket 4, Phase 1 Opens (125:15): The Feast |
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399 | (3) |
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Bracket 4, Phase 1 is Suppressed (126:17): The Feast |
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402 | (1) |
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Bracket 5, Phase 1 Opens (126:18): Luvah/Vala |
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402 | (6) |
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Bracket 5, Phase 1 is Suppressed (130:3): Luvah and Vala |
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408 | (1) |
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Bracket 6, Phase 1 Opens (130:4): Tharmas and Enion As Children |
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408 | (1) |
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Bracket 6, Phase 1 Closes (130:13): Tharmas and Enion As Children |
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408 | (1) |
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Bracket 6, Phase 2 Opens (130:14): Tharmas and Enion As Children |
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408 | (3) |
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Bracket 6, Phase 2 Closes (130:19): Tharmas and Enion As Children |
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411 | (1) |
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Bracket 5, Phase 2 Opens (130:20): Luvah and Vala |
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411 | (1) |
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Bracket 5, Phase 2 Closes (130:21): Luvah and Vala |
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411 | (1) |
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Bracket 4, Phase 2 Opens (131:22): The Feast |
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411 | (16) |
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Bracket 4, Phase 2 Closes (133:33): The Feast |
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427 | (1) |
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Bracket 3, Phase 2 Opens (134:1): Urizen |
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427 | (1) |
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Bracket 3, Phase 2 Closes (134:1): Urizen |
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427 | (1) |
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Bracket 2, Phase 1 Opens (134:2): Eternal Man |
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427 | (14) |
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Bracket 2, Phase 2 Closes (137:33) Eternal Man |
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441 | (1) |
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Bracket 1, Phase 2 Opens (137:34): Los/Urthona |
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441 | (1) |
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Bracket 1, Phase 2 Opens (137:34): Los/Urthona |
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441 | (24) |
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Bracket 1, Phase 1 Closes (139:10): Los/Urthona |
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465 | (1) |
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466 | (3) |
Postscript on The Four Zoas as Visual Text |
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469 | (4) |
List of Illustrations |
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473 | (2) |
Appendix: On the Embedding of Night VIIB in Night VIIA |
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475 | (6) |
Notes |
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481 | (31) |
Key to the Epigraphs |
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512 | (1) |
Bibliography |
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513 | |