A New Heritage of Horror The English Gothic Cinema, Revised and Updated Edition

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Format: Hardcover
Pub. Date: 2008-01-15
Publisher(s): Majors Publishing
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Summary

The first and most quoted book on the British horror movie, David Pirie's acclaimedA Heritage of Horrorhas long been regarded as a trail-blazing classic, "having the force of a revelation", according to one recent study of the subject, "inspirational" in another. It was the first book to detect and analyze the roots of British horror, identifying it as "the only staple cinematic myth which Britain can properly claim as its own", and was consequently heralded by film-makers like Michael Powell and Martin Scorsese. But though it inspired a revaluation of the form,Heritagehas been unavailable for so long that copies have changed hands at very high prices. Now at last, David Pirie updates and revises his original work inThe New Heritage of Horror, bringing the story right into the new century, examining all that has happened since (including the latest horror boom inaugurated by films likeThe Others) and uncovering fresh documentation from the original files to add more revelations about the history of UK horror and Hammer Films, not least the largely untold story of their desperate battles against censorship.The New Heritage of Horrorpromises to be one of the key film books of 2007.

Author Biography

A former Film Editor of Time Out, David Pirie turned to screenwriting with a string of successful productions of a gothic or noir flavour from Rainy Day Women via Lars Von Trier's Breaking the Waves to The Woman In White and Murder Rooms. David Pirie's film related books include The Vampire Cinema and Anatomy of the Movies.

Table of Contents

Acknowledgementsp. vii
Note on the New Editionp. viii
Introduction (2007)p. x
Introduction to First Editionp. xiv
The Characteristics of English Gothic Literaturep. 1
'The Tempestuous Loveliness of Terror'p. 1
Surrealism and the Gothic Traditionp. 7
Horror and the Tyranny of 'Realism'p. 9
The Identification of Hammerp. 14
Hammer's Originsp. 19
The Press Reactionp. 35
Hammer and Censorshipp. 37
Hammer and UK Horror after Frankensteinp. 45
The Personalities of Hammerp. 48
James Carreras and the American Dimensionp. 56
Bray Studiosp. 64
The World of Terence Fisherp. 66
Post-script 2007p. 78
Approaches to Frankenstein: Fisher, Francis and Sangsterp. 79
The Frankenstein Television Seriesp. 86
The Last Hammer Frankenstein Moviesp. 88
Approaches to Draculap. 95
Other Approaches to Horrorp. 113
Sadian Moviesp. 113
The British Sadian Movie and the Censorp. 119
The Aftermathp. 129
The Amicus Factorp. 131
Three Satellite Directorsp. 137
Don Sharpp. 137
John Gillingp. 141
Vernon Sewellp. 144
Science Fiction, Exoticism and Psychosisp. 150
Science Fictionp. 150
Exoticismp. 158
Psychosisp. 161
A Note on Comedy-Horrorp. 165
A Renaissance of Themes and Ideas?p. 167
Michael Reevesp. 167
After Witchfinderp. 175
Hammer's Last Periodp. 179
Hammer Versus Warner Brothersp. 183
Hammer's Final Daysp. 185
Towards a New Horror Mythologyp. 192
Later UK Horrorp. 194
Stephen Volkp. 203
Stephen Woolleyp. 204
Clive Barkerp. 205
The 1990sp. 207
Paul Andersonp. 211
The New Century, The New Boomp. 212
The Television Factorp. 219
The Future?p. 221
The Urban Legends of Hammerp. 225
Two Checklistsp. 227
Filmographyp. 229
Select Bibliographyp. 247
Table of Contents provided by Ingram. All Rights Reserved.

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