Paint Like Monet

by
Format: Paperback
Pub. Date: 2006-04-28
Publisher(s): Cassell Illustrated
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Summary

Monet's revolutionary approach to painting allowed a new understanding of light, composition, and form. By exploring how his paintings were conceived, constructed, and executed, aspiring artists can broaden their technical knowledge and vastly expand their creative horizons. The first in a new series of instructional books, Paint Like Monet takes the reader on a guided journey through the artist's methods, tools, materials, and techniques. Step-by-step exercises and detailed explanations of composition and context are complemented by ideas on developing a personal style and tips on how to check and improve a painting in progress. This hands-on encounter with Impressionist theory is rich with insight and inspiration for anyone interested in art-offering a master class with one of history's greatest artists.

Author Biography

James Heard is a Public Programmes Manager at the National Portrait gallery and a practicing artist. He is an established art critic and well recognised by museum curators for his skill in accurately reconstructing impressionist techniques, particularly those of Monet. He is a regular speaker and lecturer internationally and had made a number of educational videaos, especially in conjunction with the National Gallery series, 'Art in the Making'.

Table of Contents

Chronology 6(2)
Introduction 8(2)
TOOLS AND MATERIALS FOR IMPRESSIONIST PAINTING
10(28)
Easels - now and then
12(2)
Monet's supports
14(2)
Choosing a canvas
16(1)
Traditional methods of making oil paint
17(1)
Traditional oil and landscape painting
18(1)
The invention of the paint tube
19(1)
The new paints of the nineteenth century
20(1)
Monet's palette / today's palette
21(1)
Brushes - old and new
22(2)
The technical rules of painting in oil
24(1)
Checklist of materials
25(1)
Exercise: The Beach at Trouville
26(12)
UNDERSTANDING THE ART OF CLAUDE MONET
38(100)
Early life
40(2)
Impressionism and the science of colour
42(2)
Changing colour
44(2)
Eugene Chevreul
46(2)
Exercise: The Magpie
48(5)
An essay in whites
53(1)
Monet and Japanese prints
54(1)
Early years
55(1)
Exercise: The Regatta at Argenteuil
56(7)
Your own painting of reflections
63(1)
Painting en plein air
64(2)
Artists' colonies
66(1)
Chiaroscuro to peinture claire
67(1)
Impression: Sunrise
68(2)
The first Impressionist exhibition
70(2)
The official Salon
72(2)
Exercise: Poppies at Argenteuil
74(8)
Contrasting red and green
82(1)
Success - and loss
83(2)
How Monet subverted a traditional subject
85(1)
Exercise: Storm off the Belle-Isle Coast
86(5)
Painting swirling waters
91(1)
Travels and architecture
92(2)
Exercise: The Palazzo da Mula
94(8)
What you might do with a bookcase
102(1)
Monet's later life and the break-up of the group
103(1)
Monet and Turner
104(1)
Monet and London
105(1)
Exercise: The Houses of Parliament
106(5)
Blending colours
111(1)
Narrative painting before Monet
112(1)
The series paintings
113(1)
Monet's narrative of light
114(2)
How the series paintings were painted
116(1)
Framing and display
117(1)
Monet and Realism
118(2)
Exercise: Waterloo Bridge
120(6)
Monet's life at Giverny
126(2)
Exercise: Water Lilies
128(5)
Moving the angle of your gaze
133(1)
Monet's eye problems
134(1)
Monet's last years
135(1)
The legacy of Monet
136(2)
Glossary 138(2)
Where to see paintings by Monet 140(1)
Bibliography 141(1)
Index 142(2)
Acknowledgements and credits 144

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