| Chronology |
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6 | (2) |
| Introduction |
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8 | (2) |
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TOOLS AND MATERIALS FOR IMPRESSIONIST PAINTING |
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10 | (28) |
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12 | (2) |
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14 | (2) |
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16 | (1) |
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Traditional methods of making oil paint |
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17 | (1) |
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Traditional oil and landscape painting |
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18 | (1) |
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The invention of the paint tube |
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19 | (1) |
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The new paints of the nineteenth century |
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20 | (1) |
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Monet's palette / today's palette |
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21 | (1) |
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22 | (2) |
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The technical rules of painting in oil |
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24 | (1) |
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25 | (1) |
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Exercise: The Beach at Trouville |
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26 | (12) |
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UNDERSTANDING THE ART OF CLAUDE MONET |
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38 | (100) |
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40 | (2) |
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Impressionism and the science of colour |
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42 | (2) |
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44 | (2) |
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46 | (2) |
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48 | (5) |
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53 | (1) |
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Monet and Japanese prints |
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54 | (1) |
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55 | (1) |
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Exercise: The Regatta at Argenteuil |
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56 | (7) |
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Your own painting of reflections |
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63 | (1) |
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64 | (2) |
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66 | (1) |
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Chiaroscuro to peinture claire |
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67 | (1) |
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68 | (2) |
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The first Impressionist exhibition |
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70 | (2) |
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72 | (2) |
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Exercise: Poppies at Argenteuil |
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74 | (8) |
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Contrasting red and green |
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82 | (1) |
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83 | (2) |
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How Monet subverted a traditional subject |
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85 | (1) |
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Exercise: Storm off the Belle-Isle Coast |
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86 | (5) |
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91 | (1) |
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92 | (2) |
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Exercise: The Palazzo da Mula |
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94 | (8) |
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What you might do with a bookcase |
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102 | (1) |
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Monet's later life and the break-up of the group |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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Exercise: The Houses of Parliament |
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106 | (5) |
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111 | (1) |
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Narrative painting before Monet |
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112 | (1) |
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113 | (1) |
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Monet's narrative of light |
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114 | (2) |
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How the series paintings were painted |
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116 | (1) |
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117 | (1) |
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118 | (2) |
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Exercise: Waterloo Bridge |
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120 | (6) |
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126 | (2) |
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128 | (5) |
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Moving the angle of your gaze |
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133 | (1) |
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134 | (1) |
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135 | (1) |
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136 | (2) |
| Glossary |
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138 | (2) |
| Where to see paintings by Monet |
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140 | (1) |
| Bibliography |
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141 | (1) |
| Index |
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142 | (2) |
| Acknowledgements and credits |
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144 | |