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| Series Editors' Note | |
| Publisher's Note | |
| Preface | |
| Introduction: "Federico Fellini: An Overview of the Critical Literature" | p. 1 |
| Fellini's Artistic Origins and the Evolution Beyond Neorealism | p. 25 |
| The Autobiography of a Spectator | p. 25 |
| From Happy Hooligan to Giudizio, By Way of Little Nemo | p. 31 |
| Neorealist Apprenticeship: Fellini as Scriptwriter | p. 35 |
| The White Sheik: The Annunciation Made to Federico | p. 63 |
| Antithesis in Fellini's I Vitelloni | p. 70 |
| Fellini's La strada: Transcending Neorealism | p. 87 |
| The Mature Auteur: La Dolce Vita and Beyond | p. 101 |
| The Catholic Irrationalism of Fellini | p. 101 |
| Fellini's Use of Dante in La Dolce Vita | p. 110 |
| Order and the Space for Spectacle in Fellini's 8 1/2 | p. 119 |
| Adaptation as Archaeology: Fellini Satyricon (1969) from the "Novel" by Petronius | p. 130 |
| Plot and Character in Fellini's Casanova: Beyond Satyricon | p. 139 |
| Fellini's Cinematic City: Roma and Myths of Foundation | p. 151 |
| [Grandfather Fascism and Amarcord] | p. 166 |
| An Interview Completely for Watching | p. 180 |
| On La voce della luna and Other Felliniana | p. 187 |
| Fellini and the Literary Tradition | p. 191 |
| Fellini, Feminism, and the Image of Women in His Cinema | p. 203 |
| Fellini's 9 1/2 | p. 203 |
| Neither an "I" nor an "Eye": The Gaze in Fellini's Giulietta degli spiriti | p. 214 |
| Fellinissimo | p. 225 |
| Memory in Fellini's City of Women | p. 240 |
| Fellini and Contemporary Film Theory | p. 249 |
| History of Hysteria: Fellini's Casanova Meets Baudrillard | p. 249 |
| ["Fellini and the Crystals of Time"] | p. 260 |
| Fellini: Changing the Subject | p. 275 |
| Thoth, Fellini, and the Pharaoh | p. 293 |
| Selected Bibliography | p. 295 |
| A Fellini Filmography | p. 311 |
| Index | p. 325 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
Perspectives on Federico Fellini
by Bondanella, Peter; Degli-Esposti, CristinaFormat: Hardcover
Pub. Date: 1993-09-01
Publisher(s): G K Hall
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