| Introduction |
|
ix | |
| Introduction to the New Edition |
|
xxxv | |
| Introduction to the Reissue |
|
xxxix | |
| Preface to the Translation |
|
xiii | |
| ESSAY OF A METHOD FOR PLAYING THE TRANSVERSE FLUTE |
|
1 | (344) |
|
|
|
3 | (4) |
|
|
|
7 | (4) |
|
Introduction: Of the Qualities Required of Those Who Would Dedicate Themselves to Music |
|
|
11 | (18) |
|
Short History and Description of the Transverse Flute |
|
|
29 | (7) |
|
Of Holding the Flute, and Placing the Fingers |
|
|
36 | (3) |
|
Of the Fingering or Application, and the Gamut or Scale of the Flute |
|
|
39 | (10) |
|
|
|
49 | (11) |
|
Of Notes, their Values, Metre, Rests, and Other Musical Signs |
|
|
60 | (11) |
|
Of the Use of the Tongue in Blowing upon the Flute |
|
|
71 | (16) |
|
Of the Use of the Tongue with the Syllable ti or di |
|
|
71 | (5) |
|
Of the Use of the Tongue with the Word tiri |
|
|
76 | (3) |
|
Of the Use of the Tongue with the Word did'll, or the so-called Double Tongue |
|
|
79 | (6) |
|
Supplement: Several Remarks for the Use of the Oboe and Bassoon |
|
|
85 | (2) |
|
Of Taking Breath, in the Practice of the Flute |
|
|
87 | (4) |
|
Of the Appoggiaturas, and the Little Essential Graces Related to Them |
|
|
91 | (10) |
|
|
|
101 | (8) |
|
What a Beginner Must Observe in His Independent Practice |
|
|
109 | (10) |
|
Of Good Execution in General in Singing and Playing |
|
|
119 | (10) |
|
Of the Manner of Playing the Allegro |
|
|
129 | (7) |
|
Of Extempore Variations on Simple Intervals |
|
|
136 | (26) |
|
Of the Manner of Playing the Adagio |
|
|
162 | (17) |
|
|
|
179 | (17) |
|
What a Flautist Must Observe if the Plays in Public Concerts |
|
|
196 | (9) |
|
Of the Duties of Those Who Accompany or Execute the Accompanying or Ripieno Parts Associated with a Concertante Part |
|
|
205 | (90) |
|
Of the Qualities of a Leader of an Orchestra |
|
|
206 | (9) |
|
Of the Ripieno Violinists in Particular |
|
|
215 | (22) |
|
Of the Violist in Particular |
|
|
237 | (4) |
|
Of the Violoncellist in Particular |
|
|
241 | (5) |
|
Of the Double Bass Player in Particular |
|
|
246 | (4) |
|
Of the Keyboard Player in Particular |
|
|
250 | (16) |
|
Of the Duties That All Accompanying Instrumentalists in General Must Observe |
|
|
266 | (29) |
|
How a Musician and a Musical Composition Are to Be Judged |
|
|
295 | (50) |
| Bibliography |
|
345 | (9) |
| Appendix |
|
354 | (23) |
| Bibliography II |
|
377 | (6) |
| Bibliography III |
|
383 | (12) |
| Index of the Most Important Matters |
|
395 | |